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Chelsey Grasso

Chelsey Grasso's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Lucky (2017) 97% B+ EDIT “The film feels fitting for the final work of Stanton, and one, I would imagine, he would feel is a superb punctuation mark to a remarkable career.” – The Film Stage Sep 29, 2017 Full Review Despicable Me 3 (2017) 58% B- EDIT “It probably won't restore your faith in studio animation. But it may make you laugh.” – The Film Stage Jun 30, 2017 Full Review Pirates of the Caribbean: Dead Men Tell No Tales (2017) 30% C- EDIT “It is time to let this series rest in peace, or at the very least, spend the rest of its doomed, immortal days sinking to the bottom of the ocean.” – The Film Stage May 22, 2017 Full Review The Zookeeper's Wife (2017) 64% B+ EDIT “Subtle yet striking, this is a film that is filled with the power of exquisitely executed storytelling.” – The Film Stage Mar 21, 2017 Full Review Table 19 (2017) 25% C EDIT “You'll spend most of the film rolling your eyes and wishing it lived up to its varied cast.” – The Film Stage Mar 3, 2017 Full Review Harry Benson: Shoot First (2016) 85% B+ EDIT “By the film's conclusion, you can't not be in love with this man, and, of course, his pictures.” – The Film Stage Feb 6, 2017 Full Review Sing (2016) 71% C- EDIT “With the exception of Buster Moon's best friend, a sheep named Eddie and his once-famous theater star grandmother, Nana, every other character in this grand charade is a stereotype, and in the worst way possible.” – The Film Stage Feb 6, 2017 Full Review Long Distance (2014) 85% B+ EDIT “By the end, we realize that the 10,000 kilometers have nothing to do with the physical distance between the two lovers and everything to do with the emotional gap that is created in their lives.” – The Film Stage Feb 6, 2017 Full Review The Space Between Us (2017) 17% C EDIT “This is a film that doesn't stick with any genre, but instead clumsily navigates between three, ultimately leaving the viewer feeling shortchanged in every area.” – The Film Stage Feb 2, 2017 Full Review The Black Tulip (2010) 25% 5.7/10 EDIT “Getting a film like The Black Tulip filmed, produced and out into the public is an impressive feat -- it's just a shame the effort didn't yield a better film.” – Paste Magazine Nov 1, 2012 Full Review Side by Side (2012) 92% 6.8/10 EDIT “Anyone who is interested in the history of film technology and cinema can certainly take something away from Side by Side, even if it is just learning the opinion of Robert Rodriguez or Danny Boyle.” – Paste Magazine Sep 7, 2012 Full Review Why Stop Now? (2012) 25% EDIT “An odd mix of blatantly comedic moments and strangely serious scenes, Why Stop Now finds itself stranded on an odd middle ground between comedy and drama.” – Paste Magazine Aug 23, 2012 Full Review Collaborator (2011) 73% 6.7/10 EDIT “Overall, The Collaborator is the type of film that rewards repeated viewings.” – Paste Magazine Jul 17, 2012 Full Review Paul Williams Still Alive (2011) 97% 8.3/10 EDIT “That's what makes the film so endearing - it captures that strange relationship between film subject and filmmaker, something that is carefully hidden in most documentaries.” – Paste Magazine Jun 15, 2012 Full Review
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