Dan Stubbs
Dan Stubbs's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Superhost (2021)
85%
2/5
EDIT
“The film's fun first act suggests we're watching a comedy. After that, the joke is on you, because the film quickly becomes a by-the-numbers rats-in-a-trap horror in which shifting motivations are revealed.” –
NME (New Musical Express)
Sep 15, 2021
Full Review
Kandisha (2020)
79%
4/5
EDIT
“Even if you know where this film is going from a quarter of the way through, it's hugely entertaining to watch it play out.” –
NME (New Musical Express)
Aug 22, 2021
Full Review
Vicious Fun (2020)
89%
4/5
EDIT
“This sidestep into comedy horror is a bold one - because it's not easy to balance laughs and scares as competently as this - but it all works.” –
NME (New Musical Express)
Aug 11, 2021
Full Review
The Amusement Park (1975)
97%
4/5
EDIT
“George Romero's lost thriller meditates on horror's final taboo...” –
NME (New Musical Express)
Jul 2, 2021
Full Review
The Superdeep (2020)
25%
1/5
EDIT
“Russian borehole horror is just that - boring and full of plot holes...” –
NME (New Musical Express)
Jul 2, 2021
Full Review
An Unquiet Grave (2020)
70%
1/5
EDIT
“This slow two-hander is a dark, doleful watch that is, somewhat ironically, lacking a little magic.” –
NME (New Musical Express)
Jul 1, 2021
Full Review
Satanic Panic (2019)
63%
4/5
EDIT
“Satanic Panic is one of the rare films that manages to find the right balance, in that it's a zippily scripted movie with some great dialogue... and buckets and buckets of bloody good fun.” –
NME (New Musical Express)
Jun 23, 2021
Full Review
Child's Play (2019)
64%
4/5
EDIT
“A daft but hugely enjoyable reboot for the Alexa generation.” –
NME (New Musical Express)
Jun 22, 2021
Full Review
The Banishing (2020)
65%
1/5
EDIT
“Sadly, The Banishing is a film that feels tired of its own existence, blithely going through the motions of a standard 'restless soul' plot that's so predictable and played out...” –
NME (New Musical Express)
Jun 17, 2021
Full Review
The Power (2021)
84%
3/5
EDIT
“Indeed, it feels, at times, like you're watching a harrowing episode of Call The Midwife, but writer/director Corinna Faith does pull it round from an aimless middle to a really satisfying conclusion...” –
NME (New Musical Express)
Jun 17, 2021
Full Review
Being Frank: The Chris Sievey Story (2018)
96%
5/5
EDIT
“With unparalleled access to an archive of material found rotting in the late Sievey's brother's cellar, we see early home videos, Freshies performances, Frank's tours of his beloved hometown...” –
NME (New Musical Express)
Jun 17, 2021
Full Review
The Dirt (2019)
37%
1/5
EDIT
“Forget passing the Bechdel test, this wouldn't even pass a literacy test...” –
NME (New Musical Express)
Jun 17, 2021
Full Review
Bill & Ted Face the Music (2020)
83%
4/5
EDIT
“Bring on Billie and Thea's continued journeys - Excellent, Bogus, and all points in between.” –
NME (New Musical Express)
Jun 17, 2021
Full Review
Caveat (2020)
81%
2/5
EDIT
“You'll probably find yourself losing interest right when the action should be reaching its thrilling climax.” –
NME (New Musical Express)
Jun 15, 2021
Full Review
The Platform (2019)
81%
4/5
EDIT
“A film about the global food crisis reframed in light of your latest ASDA trip...” –
NME (New Musical Express)
Jun 10, 2021
Full Review
Alien: Covenant (2017)
65%
4/5
EDIT
“Ridley Scott's latest makes fan service a priority by answering some long-held questions about the Alien universe...” –
NME (New Musical Express)
Jun 9, 2021
Full Review
Suicide Squad (2016)
26%
3/5
EDIT
“Director David Ayer plays with a rogues gallery of bad guys in this lurid bit of superhero fun.” –
NME (New Musical Express)
Jun 9, 2021
Full Review
Green Room (2015)
90%
4/5
EDIT
“Wound tighter than a top E string, Green Room is not just a great twist on the gory survival thriller - it's a great gory survival thriller full stop.” –
NME (New Musical Express)
Jun 8, 2021
Full Review
Kill Your Friends (2015)
24%
4/5
EDIT
“It sounds a bit bleak, but it's not, thanks to pacey storytelling from first-time director Owen Harris and a zippy script from John Niven.” –
NME (New Musical Express)
Jun 8, 2021
Full Review
Rigor Mortis (2013)
65%
1.5/5
EDIT
“A confusing plod through a plot filled with knowing references and a mixed bag of nasties...” –
NME (New Musical Express)
Jun 2, 2021
Full Review
David Byrne's American Utopia (2020)
97%
5/5
EDIT
“New York's finest team up for a greatest hits extravaganza that doubles as one of 2020's best films...” –
NME (New Musical Express)
May 18, 2021
Full Review
Hunted (2020)
61%
2/5
EDIT
“Tip for directors: if you're for some reason compelled to add to the rape revenge subgenre, do make sure you have something to say on the subject first.” –
NME (New Musical Express)
May 18, 2021
Full Review
The Queen of Black Magic (2020)
91%
4/5
EDIT
“Unlike the likes of Evil Dead, there's a pleasing attempt to drive the plot forward, too, the focus on whodunnit - and what they did - shifting as we learn more about the horrors in the orphanage...” –
NME (New Musical Express)
May 18, 2021
Full Review
A Nightmare Wakes (2020)
55%
1/5
EDIT
“Good times are few and far between as Lord Byron invites his pals to the literary equivalent of Camp Arawak...” –
NME (New Musical Express)
May 18, 2021
Full Review
Us (2019)
93%
4/5
EDIT
“It's a film that confirms Peele as that rarest of things - a true auteur.” –
NME (New Musical Express)
May 11, 2021
Full Review
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