David Bezanson
David Bezanson's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Bedtime Stories (2008)
27%
3/5
EDIT
“Sandler's innocence about what goes on in the real world is sort of charming, and so is his willingness to make mainstream comedies that are slightly offbeat” –
Filmcritic.com
Dec 28, 2008
Full Review
The Haunting of Molly Hartley (2008)
3%
1.5/5
EDIT
“Why do filmmakers bother? Are they crazy? Are we crazy? And if not, why do we keep paying $8 to see the same movie again?” –
Filmcritic.com
Nov 7, 2008
Full Review
What Would Jesus Buy? (2007)
56%
2.5/5
EDIT
“So we need a better movie about this subject. As usual.” –
Filmcritic.com
Jun 14, 2008
Full Review
Eragon (2006)
15%
2/5
EDIT
“just too derivative to take seriously” –
Filmcritic.com
Dec 17, 2006
Full Review
Happy Feet (2006)
76%
3.5/5
EDIT
“Animal Logic ices Pixar in the animation department” –
Filmcritic.com
Nov 19, 2006
Full Review
How the Grinch Stole Christmas (1967)
100%
5/5
EDIT
“It's the kind of weirdly clever, yet innocent and kid-friendly, product that forces me to use this tired clich -- they just don't make 'em like this any more” –
Filmcritic.com
Sep 20, 2006
Full Review
Idiocracy (2006)
71%
4.5/5
EDIT
“Many people -- at least, a few people -- have noted the dumbing-down of America, but no one until Judge has blamed it on genetics” –
Filmcritic.com
Sep 6, 2006
Full Review
Fort Apache (1948)
100%
4.5/5
EDIT
“demonstrates that westerns weren't always one-sided and jingoistic.” –
Filmcritic.com
Mar 12, 2006
Full Review
Kind Hearts and Coronets (1949)
100%
3.5/5
EDIT
“dry, mannered, and very ironic” –
Filmcritic.com
Feb 19, 2006
Full Review
The Last of England (1988)
60%
1/5
EDIT
“I would say it's one of the worst films ever made, but that would make it sound more interesting than it actually is.” –
Filmcritic.com
Dec 31, 2005
Full Review
Ride the High Country (1962)
89%
4/5
EDIT
“Ride the High Country vigorously and colorfully brings alive the Old West of cinematic myth.” –
Filmcritic.com
Dec 20, 2005
Full Review
Imagine: John Lennon (1988)
91%
3/5
EDIT
“doesn't fail to honor Lennon's memory (which would be unforgivable) but its emphasis is misplaced” –
Filmcritic.com
Aug 20, 2005
Full Review
Deuce Bigalow: European Gigolo (2005)
9%
1/5
EDIT
“when I walked out of the theater after seeing this film, I had the same feeling you get after vomiting -- queasy, shaky, empty” –
Filmcritic.com
Aug 13, 2005
Full Review
A Face in the Crowd (1957)
89%
4/5
EDIT
“Next time you feel like you're getting fooled again by a demagogue, rent this movie and get centered” –
Filmcritic.com
May 13, 2005
Full Review
American Graffiti (1973)
95%
4/5
EDIT
“A successful tribute to an era of optimism and competitiveness which was bitchin' -- and now seems very far in the past.” –
Filmcritic.com
May 4, 2005
Full Review
All's Well (1972)
50%
2/5
EDIT
“succumbs to the worst conventions of seventies filmmaking” –
Filmcritic.com
Apr 6, 2005
Full Review
Charly (1968)
55%
2.5/5
EDIT
“another example of a memorable book which ends up diluted by the lesser talents of screenwriters” –
Filmcritic.com
Mar 11, 2005
Full Review
Man of the House (2005)
9%
2/5
EDIT
“it could have been worse. That's all I'm sayin'.” –
Filmcritic.com
Mar 2, 2005
Full Review
Stripes (1981)
88%
4/5
EDIT
“Murray's insouciant performance carries the movie and has inspired countless imitators, from the young Tom Hanks to Jim Carrey and Will Ferrell.” –
Filmcritic.com
Jan 15, 2005
Full Review
Random Harvest (1942)
82%
3.5/5
EDIT
“the abundance of talent rescues the material” –
Filmcritic.com
Dec 31, 2004
Full Review
I Remember Mama (1948)
100%
4/5
EDIT
“the characters are portrayed warmly and with unusual realism” –
Filmcritic.com
Dec 31, 2004
Full Review
Gone With the Wind (1939)
90%
5/5
EDIT
“One of the classic films that defined American cinema, Gone With the Wind is a rare example of a collaboration involving hundreds of talents and egos that turned out great.” –
Filmcritic.com
Oct 31, 2004
Full Review
Dial M for Murder (1954)
90%
5/5
EDIT
“Critics seem to prefer the more theatrical, psychological melodramas to the brainy whodunits. But pay no attention - this film is definitely a classic” –
Filmcritic.com
Jul 22, 2004
Full Review
The Wizard of Oz (1939)
98%
5/5
EDIT
“The film is probably as entertaining now as it was in 1939.” –
Filmcritic.com
Jul 3, 2004
Full Review
Come Back, Little Sheba (1952)
82%
4/5
EDIT
“among the best of several booze-obsessed Hollywood melodramas of the 1950s” –
Filmcritic.com
Jun 26, 2004
Full Review
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