Debi Moore
Debi Moore's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Peacock (2010)
4/5
EDIT
“Unlike a lot of cinematic peeks into the world of dissociative identity disorder, the script by Lander and Ryan O Roy doesn't spend a lot of time examining the "why" of John Skillpa's life but rather focuses on the ramifications of the "how".” –
Dread Central
May 6, 2010
Full Review
Devil Girl (2006)
3/5
EDIT
“I'm on the side of those who appreciate what Wilcox and Askins were going for and think they show a great deal of daring and confidence in their work.” –
Dread Central
Sep 21, 2009
Full Review
Baghead (2008)
79%
3/5
EDIT
“Serves as one of the better indie horror offerings so far this year. That is, if it even really qualifies as a horror film. ...there are probably just as many who would say it does not.” –
Dread Central
Aug 10, 2008
Full Review
Simon, King of the Witches (1971)
3.5/5
EDIT
“A nearly perfect example of counterculture hippie horror from a bygone epoch.” –
Dread Central
Jun 20, 2008
Full Review
The Backwoods (2006)
57%
2/5
EDIT
“Instead of keeping us on the edge of our seats ..., The Backwoods causes the viewer to become the snoozer as it slogs its way to a futile and forgettable conclusion.” –
Dread Central
Apr 12, 2008
Full Review
Left for Dead (2007)
2.5/5
EDIT
“Truly, the stars of Left for Dead are Pyun and his technical team ... The film is beautiful to look at and unlike anything I've experienced before. I wholeheartedly appreciate his experimentation and willingness to take risks.” –
Dread Central
Mar 31, 2008
Full Review
Southland Tales (2006)
41%
5/5
EDIT
“Southland Tales' brilliance lies in its effortless melding of so many different themes into a cohesive concoction ... a damn good movie that gets it totally right.” –
Dread Central
Mar 15, 2008
Full Review
Spiral (2007)
50%
4/5
EDIT
“Spiral is a joy to behold on every level.” –
Dread Central
Feb 16, 2008
Full Review
Zzyzx (2006)
3.5/5
EDIT
“A rich character and dialogue driven story where no one is quite what they seem to be and the audience is kept guessing.” –
Dread Central
Aug 1, 2007
Full Review
The Invisible (2007)
19%
1/5
EDIT
“Sadly, it employs every cliche thrown around about PG-13 horror and invents a few new ones as well. You want to talk about angsty teens who mope around and follow the much maligned Hot Topic formula for success in horror films? Look no further.” –
Dread Central
Apr 28, 2007
Full Review
Disturbia (2007)
69%
4/5
EDIT
“Disturbia proves a PG-13 film that steers clear of gruesome effects and in-your-face violence can still be interesting and enjoyable ... Caruso is back on my A list.” –
Dread Central
Apr 15, 2007
Full Review
Severance (2006)
66%
4/5
EDIT
“The final act should satisfy even the most die-hard gorehound, but the film never dumbs it down or takes its audience for granted. Smart and sharp every step of the way.” –
Dread Central
Apr 12, 2007
Full Review
The Empty Acre (2007)
2.5/5
EDIT
“Dark endings like that of The Empty Acre always make me feel reassured about the future of genre filmmaking.” –
Dread Central
Feb 7, 2007
Full Review
Perfume: The Story of a Murderer (2006)
59%
4/5
EDIT
“I've seen just about everything the man has done over the past decade, and I was still surprised by the film's awesome scope and amazing beauty” –
Dread Central
Jan 15, 2007
Full Review
Pulse (2006)
11%
2.5/5
EDIT
“A blatant example of studio tinkering and tampering, focus groups gone awry, pandering to the PG-13 crowd, and all the other things that can ruin a film.” –
Dread Central
Nov 10, 2006
Full Review
The Norliss Tapes (1973)
2/5
EDIT
“If you go into a movie like this expecting it to hold its own against the standards of today's fare, then you're only asking to be let down.” –
Dread Central
Sep 30, 2006
Full Review
Stay (2005)
26%
4/5
EDIT
“It's the type of film that, as soon as it was over, had me wishing it were out on DVD already so I could watch it again.” –
Dread Central
Dec 2, 2005
Full Review
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