Edward Frost
Edward Frost's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Happy Christmas (2014)
75%
EDIT
“Happy Christmas is a simple and sobering affair that calls into question the roles of women and the choices contemporary society expects them to make, be they vocational or familial.” –
CineVue
Nov 5, 2019
Full Review
Daddy's Home (2015)
30%
2/5
EDIT
“That it isn't entirely dreadful is testament to the ease with which the two leads are able to make even the most predictable of jokes set-ups and executions seem somewhat humorous.” –
CineVue
Apr 8, 2019
Full Review
The Lady in the Van (2015)
89%
3/5
EDIT
“A large part of the charm and the appeal of the film is seeing how Smith has really honed and grown into the performance in the ensuing years since her first rendition.” –
CineVue
Apr 8, 2019
Full Review
Tomorrowland (2015)
49%
4/5
EDIT
“This is a typically family-friendly jaunt from Disney that is as authentically sanguine as it is relentlessly entertaining, free from the constraints of the type of franchise loyalty that arrests the studio's other properties elsewhere.” –
CineVue
Apr 5, 2019
Full Review
A Royal Night Out (2015)
74%
2/5
EDIT
“Battling through the predictable script with estimable, though mostly groan-inducingly clipped English, the film's cast are lumbered with plot machination after plot machination” –
CineVue
Apr 5, 2019
Full Review
A Little Chaos (2014)
47%
3/5
EDIT
“With a generous offering of pomp elsewhere, Rickman does manage to avoid the usual overstatements most actor-directors weigh their films down with, sculpting a project that's stately and modest, but precious little besides.” –
CineVue
Apr 4, 2019
Full Review
Beyond Clueless (2014)
75%
4/5
EDIT
“Beyond Clueless is a remarkable redressing of the cinema essay style of filmmaking, combining a brilliantly written and scholarly script with an intellectually stimulating approach.” –
CineVue
Apr 4, 2019
Full Review
Love, Rosie (2014)
32%
2/5
EDIT
“Mimicking almost verbatim the plot fluctuations of David Nicholls' 2009 novel One Day, Love, Rosie is an uninventive adaptation that revels in base-level humour.” –
CineVue
Apr 3, 2019
Full Review
Wish I Was Here (2014)
45%
1/5
EDIT
“Strikes a curious balance of having too much to say and yet saying nothing at all.” –
CineVue
Apr 3, 2019
Full Review
Finding Vivian Maier (2013)
95%
4/5
EDIT
“Although Maier may not have welcomed this newfound, globally recognised appreciation herself, Maloof and Siskel have done a worthwhile job of at least putting her on the map.” –
CineVue
Apr 2, 2019
Full Review
Bright Days Ahead (2013)
87%
3/5
EDIT
“Bright Days Ahead is a likable piece offering reassurance that life begins, rather than ends, at sixty.” –
CineVue
Mar 26, 2019
Full Review
Looking for Light: Jane Bown (2014)
100%
4/5
EDIT
“As a showcasing of the evolution of such a remarkable career, Looking for Light is a stimulating distillation of a life captured on celluloid and a woman who thrived in a predominantly male-driven industry.” –
CineVue
Mar 20, 2019
Full Review
Crystal Fairy & the Magical Cactus (2013)
84%
3/5
EDIT
“Though it may not be entirely memorable, it makes for an underplayed and gently humorous watch.” –
CineVue
Mar 7, 2019
Full Review
Aroused (2013)
31%
3/5
EDIT
“Aroused feels ultimately rushed and too slight for the expansive material and themes it sets out to tackle.” –
CineVue
Mar 6, 2019
Full Review
King of the Travellers (2012)
27%
1/5
EDIT
“King of the Travellers is a near-total mess of ideas drowned out by a lack of tonal consistency.” –
CineVue
Feb 13, 2019
Full Review
Into the White (2012)
45%
2/5
EDIT
“Plods from one sequence to the next, unable to escape an inherent feeling of transparency, of wearing its simple themes on its humdrum sleeve.” –
CineVue
Feb 5, 2019
Full Review
A Night in the Woods (2011)
40%
2/5
EDIT
“Perhaps the most surprising element in Parry's film is how generally placid it is in attempting to deliver scares wrapped in emotional anguish.” –
CineVue
Feb 2, 2019
Full Review
Scream 4 (2011)
61%
3/5
EDIT
“Where the film works best is in its sharp, self-aware attitude toward the rules of the horror genre, and can perhaps be forgiven its occasionally unexciting dialogue and ridiculous one-liners.” –
CineVue
Dec 14, 2018
Full Review
Unknown (2011)
56%
2/5
EDIT
“With little going for it and a laughable script, Unknown coasts along at a fast enough pace to justify the 113 minute runtime.” –
CineVue
Dec 14, 2018
Full Review
The Hangover Part II (2011)
35%
1/5
EDIT
“A sluggish, pointless and overly vulgar shot for shot copy of its far superior forebearer, though it is neither as clever or as tactful.” –
CineVue
Dec 14, 2018
Full Review
Welcome to the Rileys (2010)
53%
2/5
EDIT
“Takes clichéd storytelling and predictability and runs with it, padding out a 110-minute runtime with a story that has the ability to be compelling if it wasn't for the fact that we have seen it all before.” –
CineVue
Dec 5, 2018
Full Review
Midnight in Paris (2011)
93%
4/5
EDIT
“A gear shift for a director whose weathered career is jolted back to life, matching bouncy dialogue and a whimsically comical plot with the glossy climes of the sepia toned city of love.” –
CineVue
Dec 1, 2018
Full Review
You Will Meet a Tall Dark Stranger (2010)
46%
3/5
EDIT
“Rather uninspired and insubstantial, but entirely watchable.” –
CineVue
Nov 17, 2018
Full Review
Harry Potter and the Deathly Hallows: Part 2 (2011)
96%
4/5
EDIT
“David Yates finally gives us the Harry Potter film we have been waiting for; a beautifully shot, incredibly loyal final chapter that mixes heartfelt emotion, strong performances and miraculous action.” –
CineVue
Nov 13, 2018
Full Review
Cars 2 (2011)
40%
2/5
EDIT
“Cars 2 suffers from a charmless and immoderately talky storyline that hikes up the thrills but forgets the widespread appeal of its far superior contemporaries.” –
CineVue
Nov 13, 2018
Full Review
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