Gary Kamiya
Gary Kamiya's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
A Short Film About Love (1988)
95%
EDIT
“Overall, Kieslowski has crafted a compelling portrait of love, that weed that forces its strange way through life's hardest cement.” –
San Francisco Examiner
Aug 7, 2004
Full Review
A Short Film About Killing (1988)
91%
EDIT
“One of the most horrific films you're likely to see -- and one of the most oddly didactic.” –
San Francisco Examiner
May 29, 2004
Full Review
Godzilla (1998)
20%
EDIT
“Forget the plot, though: All these guys know how to do is high-tech bang-bang, and at times they do it pretty well.” –
Salon.com
Jan 1, 2000
Full Review
The Edge (1997)
63%
4/5
EDIT
“...a solid man-against-nature tale...” –
Salon.com
Jan 1, 2000
Full Review
Volcano (1997)
48%
EDIT
“A flatulent blast of superheated air from the seething bowels of Hollywood...” –
Salon.com
Jan 1, 2000
Full Review
Chungking Express (1994)
89%
EDIT
“A frenetic one-way ride through The Land of Vaporous Plot, with stops along the way at Irritatingly Cute Extended Metaphor City.” –
Salon.com
Jan 1, 2000
Full Review
A Little Princess (1995)
97%
3/4
EDIT
“A Little Princess is a delightful film. Bring your children, or just bring yourself.” –
San Francisco Examiner
Jan 1, 2000
Full Review
Mighty Morphin Power Rangers: The Movie (1995)
30%
1/4
EDIT
“As a TV show, Power Rangers is merely lame. Blown up into a movie, with $40 million worth of special effects draped over the same 29-cent plot and three-for-a-nickel characters, it is positively grotesque.” –
San Francisco Examiner
Jan 1, 2000
Full Review
The English Patient (1996)
86%
EDIT
“The English Patient, the superb new film by Anthony Minghella, is that rarest of things: a film based on a great contemporary novel.” –
Salon.com
Jan 1, 2000
Full Review
Crimson Tide (1995)
89%
3/4
EDIT
“It's too slick to be truly disturbing, but it's that slickness that keeps you on the edge of your chair.” –
San Francisco Examiner
Jan 1, 2000
Full Review
Lawrence of Arabia (1962)
93%
EDIT
“This is that rare film whose weaknesses are not only swallowed up by its vast, disturbing ambition, but somehow become part of its strengths.” –
Salon.com
Jan 1, 2000
Full Review
Village of the Damned (1995)
28%
EDIT
“Needless and undeveloped subplots dissipate the clean suspense of the original, and the exponential increase in violence and gore cannot conceal this.” –
San Francisco Examiner
Jan 1, 2000
Full Review
Prefontaine (1997)
54%
EDIT
“Even through Prefontaine's obviousness, we feel its force.” –
Salon.com
Jan 1, 2000
Full Review
Beavis and Butt-head Do America (1996)
71%
EDIT
“Mostly, we get dumb formula, not quite ironic and self-mocking enough to be hip.” –
Salon.com
Jan 1, 2000
Full Review
A Thousand Acres (1997)
22%
EDIT
“Ploddingly literal, A Thousand Acres is basically a star vehicle that relies on superior acting to redeem it. It does have superior acting, but that's not nearly enough.” –
Salon.com
Jan 1, 2000
Full Review
He Got Game (1998)
82%
EDIT
“He Got Game is a little too sappy to be a great movie, but it puts the ball in the hole.” –
Salon.com
Jan 1, 2000
Full Review
The Basketball Diaries (1995)
46%
1/4
EDIT
“The film's complete refusal to explore anything beyond Jim's collapse and redemption is both sentimental and finally uninteresting.” –
San Francisco Examiner
Jan 1, 2000
Full Review
Saving Private Ryan (1998)
94%
EDIT
“Using the overpowering techniques of modern film, Steven Spielberg has cut through the glory-tinged gauze that shrouds World War II to reveal its brutal reality, creating a phenomenology of violence unsurpassed in the history of cinema.” –
Salon.com
Jan 1, 2000
Full Review
Bad Boys (1995)
46%
EDIT
“A pretty amusing shoot'em-up.” –
San Francisco Examiner
Jan 1, 2000
Full Review
Bushwhacked (1995)
18%
2.5/4
EDIT
“It ain't Shakespeare, but it's a decent pre-pube flick about a New Yawk bozo and a bunch of cute kids flopping around in the ponderosa.” –
San Francisco Examiner
Jan 1, 2000
Full Review
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