Rotten Tomatoes
Movies Tv shows RT App News Showtimes

Javier Porta Fouz

Javier Porta Fouz's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
The Guest (2018) EDIT “[The Guest] finds humor in human contradictions, and even generates some empathy that may produce real tears. [Full Review in Spanish]” – La Nación (Argentina) Aug 12, 2020 Full Review EDIT “It's dull, inane, and lacks edge. [Full Review in Spanish]” – La Nación (Argentina) Jun 25, 2020 Full Review Sweetheart (2019) EDIT “A film where the characters, dialogue, and petty conflicts flow. [Full Review in Spanish]” – La Nación (Argentina) May 28, 2020 Full Review Burning Night (2019) EDIT “Burning Night is seen, heard, and acted like few other Latin American movies. [Full Review in Spanish]” – La Nación (Argentina) May 26, 2020 Full Review Love at Second Sight (1998) 50% EDIT “The story is told with great speed and even greater clumsiness. [Full Review in Spanish]” – La Nación (Argentina) Apr 30, 2020 Full Review Judy (2019) 82% EDIT “The musical, cinematic, and human reverberations of the film connect us to the art of one of the greatest icons that emerged from the legendary Hollywood. [Full Review in Spanish]” – La Nación (Argentina) Feb 6, 2020 Full Review Sadako (2019) 23% EDIT “This sad, solitary, and final chapter is marked by fatigue and apathy. [Full Review in Spanish]” – La Nación (Argentina) Jan 16, 2020 Full Review The Best Is Yet to Come (2019) EDIT “It succeeds in its comedic confusion and possibilities of points of view and emotional empathy. [Full Review in Spanish]” – La Nación (Argentina) Jan 10, 2020 Full Review Light of My Life (2019) 80% EDIT “Light of My Life is a movie that shows a conscientious and earnest work, a construction without fissures. It also lacks singularity though. [Full Review in Spanish]” – La Nación (Argentina) Dec 12, 2019 Full Review EDIT “With its lack of creativity, this movie devalues Italian cinema and its best traditions. [Full Review in Spanish]” – La Nación (Argentina) Nov 14, 2019 Full Review Doctor Sleep (2019) 78% EDIT “Doctor Sleep is an anemic story with a series format. [Full Review in Spanish]” – La Nación (Argentina) Nov 7, 2019 Full Review A Regular Woman (2019) 94% EDIT “The movie is in search of a clearer and more direct impact. [Full Review in Spanish]” – La Nación (Argentina) Oct 17, 2019 Full Review Joker (2019) 68% EDIT “[The film] is made with pain and glory and true passion. [Full Review in Spanish]” – La Nación (Argentina) Oct 3, 2019 Full Review Woman at War (2018) 97% EDIT “For Benedikt Erlingsson more is more, and so he tries paths that are sometimes detours, but he mainly seduces with effective and at times convincing and vital stories. [Full Review in Spanish]” – La Nación (Argentina) Sep 26, 2019 Full Review Varda by Agnès (2019) 98% EDIT “This autobiographical documentary... is a grand journey through her work. [Full Review in Spanish]” – La Nación (Argentina) Sep 19, 2019 Full Review Yesterday (2019) 63% EDIT “A hollow, dull, and opportunistic movie that renounces all logic. [Full Review in Spanish]” – La Nación (Argentina) Sep 12, 2019 Full Review High Life (2018) 83% EDIT “High Life is impressive and moving. [Full Review in Spanish]” – La Nación (Argentina) Sep 5, 2019 Full Review A Faithful Man (2018) 82% EDIT “A Faithful Man is a vital offer. [Full Review in Spanish]” – La Nación (Argentina) Sep 5, 2019 Full Review Greta (2018) 61% EDIT “After the violence and suspense have been strained, the movie advances with elegance, but accumulates some blunders towards the end, just like the 90s thrillers that we miss a little today. [Full Review in Spanish]” – La Nación (Argentina) Aug 29, 2019 Full Review Extremely Wicked, Shockingly Evil and Vile (2019) 54% EDIT “The series of "recreated" facts are expounded with apathy, opportunism, and a strict absence of suspense. [Full Review in Spanish]” – La Nación (Argentina) Aug 29, 2019 Full Review Santiago, Italia (2018) 100% EDIT “Nanni Moretti narrates and listens, and he narrates and thinks, and he narrates and moves us with some of the most noble and enduring weapons of cinema. [Full Review in Spanish]” – La Nación (Argentina) Aug 15, 2019 Full Review Dogman (2018) 84% EDIT “The story is framed, staged, illuminated, and acted with that kind of esthetic conviction, narrative force, and passion for intensity that has allowed Italian cinema to fascinate so many times throughout history. [Full Review in Spanish]” – La Nación (Argentina) Aug 1, 2019 Full Review Red Joan (2018) 30% EDIT “What one perceives in this movie is a particular passivity and several errors in the development of suspense, melodrama, and almost any appeal related to the spy film, or even the biographical film. [Full Review in Spanish]” – La Nación (Argentina) Jul 25, 2019 Full Review Mid90s (2018) 81% EDIT “Mid90s is one of those debuts that signals the beginning of a great directing career for Jonah Hill. [Full Review in Spanish]” – La Nación (Argentina) Jul 19, 2019 Full Review Child's Play (2019) 64% EDIT “Child's Play takes what is convenient to it from the past, but creates something different. [Full Review in Spanish]” – La Nación (Argentina) Jul 19, 2019 Full Review
No Reviews Yet
Load More