Jay Krieger
Jay Krieger's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
When Evil Lurks (2023)
96%
9/10
EDIT
“Demián Rugna has crafted not only the best “feel bad” horror film of the year, but a uniquely brutal possession film that ditches the genre's usual religious jargon in favor of a viral twist.” –
Cultured Vultures
Oct 13, 2023
Full Review
May the Devil Take You: Chapter Two (2020)
80%
8/10
EDIT
“Timo Tjahjanto summons a successful sequel that builds upon the original film with bigger, bloodier, and more brutal scares.” –
Cultured Vultures
Oct 27, 2020
Full Review
The Mortuary Collection (2019)
97%
9/10
EDIT
“It cannot be understated just how thoroughly impressive the entirety of The Mortuary Collection is.” –
Cultured Vultures
Oct 15, 2020
Full Review
The Cleansing Hour (2019)
73%
6.5/10
EDIT
“A 21st century technology spin gives life to a boilerplate exorcism film that, while light on big scares, has strong production value.” –
Cultured Vultures
Oct 5, 2020
Full Review
Possessor: Uncut (2020)
94%
9/10
EDIT
“A wholly original tale of corporate violence and mind-melting identity stakes that make for an unforgettable nightmare.” –
Cultured Vultures
Oct 4, 2020
Full Review
The Beach House (2019)
81%
7.5/10
EDIT
“Jeffrey A. Browns' debut feature is a tense blending of relationship drama and an apocalyptic creature feature.” –
Cultured Vultures
Jul 6, 2020
Full Review
The Perished (2019)
50%
5/10
EDIT
“The Perished succeeds in crafting scares that are the foundation of its protagonist's plight, but it's everything in between where it largely falters” –
Cultured Vultures
Apr 17, 2020
Full Review
M.O.M. (Mothers of Monsters) (2020)
73%
8/10
EDIT
“Subverting the pitfalls of found footage through smart storytelling and stellar lead performances makes M.O.M. a genre standout.” –
Cultured Vultures
Mar 17, 2020
Full Review
The Invisible Man (2020)
92%
9/10
EDIT
“This is the breath of vitality needed to rejuvenate Universal's stagnant Dark Universe, and is without question one of the year's best horror films.” –
Cultured Vultures
Mar 2, 2020
Full Review
The Dare (2019)
44%
5/10
EDIT
“The Dare's gory generational tale of torture terror is undercut by a jumbled narrative and largely uninspired and cliche-riddled characters.” –
Cultured Vultures
Mar 2, 2020
Full Review
VFW (2019)
85%
8.5/10
EDIT
“VFW is a bloody, neon-soaked nightmare showcasing Joe Begos' signature punk rock style and dedication to gory horror.” –
Cultured Vultures
Feb 17, 2020
Full Review
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)
79%
8/10
EDIT
“While its narrative can be disjointed at times, Birds of Prey fully leans into its R-rating, making for a hilarious and violent good time” –
Cultured Vultures
Feb 10, 2020
Full Review
Underwater (2020)
48%
7.5/10
EDIT
“Underwater makes waves by crafting nerve-wracking deep sea terror and a suffocatingly bleak atmosphere.” –
Cultured Vultures
Jan 15, 2020
Full Review
Mandy (2018)
91%
EDIT
“Cage is exceptional and more memorable than past performances, but this is only due to the world that Cosmatos has crafted for him to coexist within.” –
Cultured Vultures
Oct 29, 2019
Full Review
Peppermint (2018)
13%
EDIT
“The sets are boring. The action felt technically antiquated. Nothing stands out in an era of cinema where audiences are inundated with uniquely creative gun-fu-esque action.” –
Cultured Vultures
Oct 29, 2019
Full Review
Hereditary (2018)
90%
9/10
EDIT
“Ari Aster's horror directorial debut is a masterclass in crafting unbearable tension and suspense that lay the foundation for terrifying conclusion audiences aren't soon to forget.” –
Cultured Vultures
Oct 29, 2019
Full Review
Sweet Virginia (2017)
79%
EDIT
“Sweet Virginia is an indie thriller that succeeds in telling a Coen brothers-esque story that is ultimately made memorable by its terrific cast.” –
Cultured Vultures
Oct 24, 2019
Full Review
Super Dark Times (2017)
89%
EDIT
“The ending feels a tad hamfisted in its execution, but by and large is a fantastic debut film for Kevin Phillips, and I'm excited to see how he follows it up.” –
Cultured Vultures
Oct 23, 2019
Full Review
Wounds (2019)
47%
4.5/10
EDIT
“Wounds is a peculiar disappointment that dabbles in too many genres while never succeeding adequately in any particular one.” –
Cultured Vultures
Oct 22, 2019
Full Review
Little Monsters (2019)
79%
7/10
EDIT
“Lupita Nyong'o gives a terrific, standout performance that ultimately elevates this average zombie comedy.” –
Cultured Vultures
Oct 15, 2019
Full Review
In the Tall Grass (2019)
36%
5.5/10
EDIT
“Despite a promising first act, In The Tall Grass quickly devolves into mediocrity.” –
Cultured Vultures
Oct 7, 2019
Full Review
Doom: Annihilation (2019)
43%
4/10
EDIT
“A forgettable cast and subpar action further dooms the reputation of yet another video game movie adaptation.” –
Cultured Vultures
Oct 1, 2019
Full Review
1922 (2017)
92%
EDIT
“Almost unanimous praise aside, I will say that 1922's final chapter does run a tad too long...but what it does capitalize on is the root and themes of King's best works.” –
Cultured Vultures
Sep 10, 2019
Full Review
Polar (2019)
20%
EDIT
“As just about every element of the film ranges from underwhelming to bad, I would be hard-pressed to recommend Polar to anyone other than hardcore fans of Mads Mikkelsen, and even then, there are countless better action films.” –
Cultured Vultures
Aug 17, 2019
Full Review
The Hole in the Ground (2019)
83%
8.5/10
EDIT
“The Hole In the Ground is an unsettling bout of paranoia that makes for a memorable directorial debut.” –
Cultured Vultures
Aug 17, 2019
Full Review
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