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Joanna Robinson

Joanna Robinson's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
On the Record (2020) 99% EDIT “There is, unfortunately, no Hollywood ending to this story. But what the film does have is a lot of clear and thorough discussion.” – Vanity Fair Jan 28, 2020 Full Review Us (2019) 93% EDIT “It's a masterpiece of doubling, layering, and tethering.” – Vanity Fair Mar 9, 2019 Full Review Ready Player One (2018) 71% EDIT “There is a heart beating at the center of The Goonies, E.T., Raiders of the Lost Ark, and more-but in Ready Player One, audiences will instead find a gleaming, digital, golden Easter egg... for many, that will be enough.” – Vanity Fair Mar 12, 2018 Full Review Blockers (2018) 84% EDIT “A film that reflects a much more contemporary, sex-positive experience -- and one that lets everyone laugh, in grand gross-out humor fashion, at the same time.” – Vanity Fair Mar 12, 2018 Full Review A Quiet Place (2018) 96% EDIT “Though it's Krasinski's third time in the director's chair, it's his first home run thanks, in no small part, to the film's emphasis on family and Krasinski's choice of leading lady-his wife and mother of his two children, Emily Blunt.” – Vanity Fair Mar 10, 2018 Full Review The Cloverfield Paradox (2018) 22% EDIT “The truth is, despite the prestige and a talented cast including David Oyelowo, Gugu Mbatha-Raw, Elizabeth Debicki, Daniel Bruhl, Chris O'Dowd, and Zhang Ziyi, The Cloverfield Paradox gives off the tired vibe of a TV episode you've already seen.” – Vanity Fair Feb 6, 2018 Full Review Atomic Blonde (2017) 79% EDIT “Theron has once again crashed the action-hero boy's club. Something tells me no one will be complaining.” – Vanity Fair Mar 15, 2017 Full Review Baby Driver (2017) 92% EDIT “A curious blend of heightened comical world building and legitimate tragedy and danger.” – Vanity Fair Mar 13, 2017 Full Review Everybody Wants Some!! (2016) 87% EDIT “There are few writer/directors out there as good at perfectly capturing the lived-in feel of a very specific time and place. And in that way, Everybody Wants Some succeeds on every level.” – Vanity Fair Mar 14, 2016 Full Review Keanu (2016) 78% EDIT “Whenever Key and Peele misses a beat, the titular Keanu is always there bouncing into frame, dodging bullets, and winning the hearts of everyone involved in the caper.” – Vanity Fair Mar 14, 2016 Full Review War on Everyone (2016) 61% EDIT “The era-defying costumes, the old fashioned cars, the funk-music score, and retro horizontal wipes and canted angles all give War on Everyone a place outside of time that helps some of the more abrasive comedy go down smoothly.” – Vanity Fair Mar 14, 2016 Full Review Don't Think Twice (2016) 98% EDIT “Birbiglia has built his comedy brand on telling stories about himself, but in embracing improv's valuing the group over any individual, he's spun his most compelling yarn yet.” – Vanity Fair Mar 14, 2016 Full Review Krisha (2015) 95% EDIT “The winner of the grand jury award for narrative features at SXSW, Trey Edward Shults's writing and directing debut, Krisha, is an emotional gut punch of a film.” – Vanity Fair Nov 18, 2015 Full Review Night Owls (2015) 100% EDIT “Pally and Salazar share a rare and palpable chemistry, and watching them spark is entirely worth it.” – Vanity Fair Apr 6, 2015 Full Review GTFO: Get the F&#% Out (2015) 100% EDIT “GTFO: Get The F% Out may not reach those it most needs to, but it might reach the next generation coming up and, in changing their attitude, achieve its ultimate goal: making a documentary like this one a relic of a bygone era.” – Vanity Fair Apr 6, 2015 Full Review
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