John Wrathall
John Wrathall's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The American President (1995)
90%
EDIT
“Screen couples who are unapologetically middle-aged, intelligent and highly articulate are a rarity in Hollywood these days, and Annette Bening and Michael Douglas respond to the challenge admirably.” –
Sight & Sound
Jan 21, 2026
Full Review
Before Sunrise (1995)
100%
EDIT
“This is where the film’s charm lies, in the balance Linklater strikes between poetry and the everyday.” –
Sight & Sound
Nov 6, 2025
Full Review
Heat (1995)
84%
EDIT
“There's not a boring building in the film. Mann is the best director of architecture since Antonioni. In fact, few film-makers at work today can rival Mann's control of every detail of the film-making process.” –
Sight & Sound
Dec 21, 2023
Full Review
Cohen and Tate (1988)
EDIT
“Roy Scheider is perfect casting as the hardened pro Cohen, who tells his partner he's been doing this job for 30 years; you just have to look at that Mount Rushmore profile to know what he's been through.” –
Sight & Sound
Jul 30, 2018
Full Review
Kiss Kiss, Bang Bang (2005)
86%
EDIT
“It's the laugh-a-minute repartee of this odd couple that drives the movie far more than the ridiculously overly complicated plot.” –
Sight & Sound
Sep 28, 2006
Full Review
Three Kings (1999)
94%
EDIT
“What lingers in the mind far longer than the smart dialogue, the slightly cartoon characterisations or the neat feel-good ending is a vivid sense of the sickening nature of modern warfare.” –
Sight & Sound
Dec 2, 2002
Full Review
Titus (1999)
69%
EDIT
“Eager to allow Shakespeare's words to shine through as clearly as possible, Taymor shoots the dialogue scenes fairly straight, with a minimum of background action.” –
Sight & Sound
Dec 2, 2002
Full Review
Road to Perdition (2002)
82%
EDIT
“Contains more than enough brilliance to confirm that American Beauty wasn't a flash in the pan.” –
Sight & Sound
Oct 2, 2002
Full Review
Crna macka, beli macor (1998)
82%
EDIT
“The film's most memorable images all seem to be either irrelevant diversions (like the pig eating a car) or reruns of previous greatest hits.” –
Sight & Sound
Mar 5, 2002
Full Review
Another Day in Paradise (1999)
57%
EDIT
“Refreshingly, despite finding his original fame as a still photographer and for his meretricious Kids, Clark here seems more interested in performances than look or style.” –
Sight & Sound
Mar 5, 2002
Full Review
Never Been Kissed (1999)
56%
EDIT
“The script efficiently contrives a spiral of dilemmas and challenges to bring about Josie's ultimate blossoming.” –
Sight & Sound
Mar 5, 2002
Full Review
Go (1999)
91%
EDIT
“Frenetic, audaciously structured and plot-heavy, packed with enough incident for at least three films.” –
Sight & Sound
Mar 5, 2002
Full Review
The General's Daughter (1999)
22%
EDIT
“This salacious whodunit requires very little action, but an endless parade of dialogue scenes in which assorted suspects tell the investigating duo what happened, cueing thunderous flashbacks.” –
Sight & Sound
Mar 5, 2002
Full Review
Boiler Room (2000)
66%
EDIT
“Ribisi, such a promising supporting actor in Saving Private Ryan as a medic and Friends as Phoebe's dopey brother, doesn't seem a big enough presence for a starring role yet.” –
Sight & Sound
Mar 3, 2002
Full Review
Almost Famous (2000)
91%
EDIT
“These characters have none of the passion and incipient mania that made Jerry Maguire -- or John Cusack's Lloyd Dobler in Crowe's debut Say Anything -- so engaging.” –
Sight & Sound
Apr 13, 2001
Full Review
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