Jonay Armas
Jonay Armas's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Carajita (2021)
100%
EDIT
“The most remarkable directorial work from this edition of [San Sebastián's] New Directors. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 27, 2021
Full Review
Aurora (2021)
100%
EDIT
“[Generates] an unusual three-dimensionality in both protagonists, endows them with a surprising authenticity. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 24, 2021
Full Review
Prayers for the Stolen (2021)
96%
EDIT
“The filmmaker has found a deep and direct way of talking about her country. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 23, 2021
Full Review
Jesús López (2021)
EDIT
“An incisive, dark feature film. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 23, 2021
Full Review
Fire on the Plain (2021)
40%
EDIT
“[A] bizarre plot. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 23, 2021
Full Review
The Crusade (2021)
EDIT
“With all its flaws, with its little tricks exposed, the film delves into a well of optimism that collides with the storm that taking place around it. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
They Carry Death (2021)
100%
EDIT
“Working with the materiality of the image... gives meaning and shape to the story itself. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
The Good Boss (2021)
92%
EDIT
“The inability to synthesize (120 generous minutes) of a project that is conceived as a light comedy is... an obstacle. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
Unwanted (2021)
EDIT
“An insistent camera on her shoulder pursues the protagonist in the tradition of social cinema... without her tribulations finally crystallizing into something more than [Vika's] initial state of mind. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 22, 2021
Full Review
Azor (2021)
98%
EDIT
“The mood of the story is as sordid as it is sober... with an unbecoming maturity from a filmmaker who is still making his first film. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 21, 2021
Full Review
Drive My Car (2021)
97%
EDIT
“The structure is the first of [the film's] great virtues, but it's the sentimental restraint that elevates it. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 21, 2021
Full Review
One Second (2020)
100%
EDIT
“Presence and insistence lead to a beautiful place that perhaps gives meaning to the film. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 20, 2021
Full Review
Petite Maman (2021)
97%
EDIT
“Painfully beautiful. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 20, 2021
Full Review
Benedetta (2021)
84%
EDIT
“The filmmaker continues to look for ways to boycott his own cinema while having fun in the process. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Sep 20, 2021
Full Review
Isabella (2020)
86%
EDIT
“[Matías] Piñeiro embraces doubt and uses the text of the work to remind himself: "I, who preaches the word, can renounce myself." [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 14, 2021
Full Review
Bombshell (2019)
67%
EDIT
“The obsession with real dates... the insistence on resemblance and makeup prostheses, the need for a frantic narrative rhythm... [are] obstacles that endanger the project's original nobility. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Feb 25, 2020
Full Review
Nematoma (2019)
EDIT
“One of those films that only knows how to utlize the cinematographic story through the grandiloquent gesture. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 3, 2019
Full Review
Patrick (2019)
40%
EDIT
“An interesting but also complex operation. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 2, 2019
Full Review
Atlantics (2019)
96%
EDIT
“A film that embraces genre cinema with the naturalness of a great filmmaker. [Full review in Spanishi]” –
Caimán Cuadernos de Cine
Oct 1, 2019
Full Review
A Thief's Daughter (2019)
92%
EDIT
“It's [director Belén Funes'] first feature film but there is full awareness of where the film should lead. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 1, 2019
Full Review
Seventeen (2019)
80%
EDIT
“There is also a certain honesty... which seeps into the problems that the protagonist duo is experiencing. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 1, 2019
Full Review
Zombi Child (2019)
85%
EDIT
“[Director Bertrand] Bonello escapes himself formally and in his mood, treating the film as an exercise in a playful spirit. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 1, 2019
Full Review
Light of My Life (2019)
80%
EDIT
“The filmmaker... seems to have written to this character with the desire to embody someone that really motivated him to act. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 1, 2019
Full Review
Some Beasts (2019)
67%
EDIT
“A powerful staging exercise. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 1, 2019
Full Review
Wasp Network (2019)
40%
EDIT
“Everything always remains on the verge of ridicule. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 1, 2019
Full Review
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