Katie Driscoll
Katie Driscoll's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Whitney: Can I Be Me (2017)
87%
EDIT
“Can I Be Me plays out like a tragedy of the most cinematic kind.” –
Vague Visages
Dec 6, 2023
Full Review
American Valhalla (2017)
EDIT
“American Valhalla reflects the curious melding of two minds to create something entirely unique; an intriguing mixture of serious reflection and self awareness.” –
Vague Visages
Dec 6, 2023
Full Review
Lords of Chaos (2018)
73%
9/10
EDIT
“Straddling black comedy and horror, Lords of Chaos proves that the best -and most horrific-films of the genre are ones that make you bubble over with tears and fear and laughter in one giant contradiction.” –
Starburst
Mar 20, 2019
Full Review
Under the Silver Lake (2018)
58%
7/10
EDIT
“It's a twisty-turvy tale that's both exhausting and maddening, only redeemed when the film dares to self reflexively mock Sam and his self-important quest.” –
Starburst
Mar 11, 2019
Full Review
Assassination Nation (2018)
74%
5/10
EDIT
“What could be something angry and potent about male entitlement and female anger is left feeling cheap; using issues of today to become no more than a viral 110 minute video.” –
Starburst
Nov 21, 2018
Full Review
Wildlife (2018)
94%
4/5
EDIT
“Paul Dano's directorial debut Wildlife lands not with a thud but a slow caress, to be inhaled and ruminated on, its stagnant images billowing into your lungs.” –
CineVue
Nov 15, 2018
Full Review
Matangi/Maya/M.I.A. (2018)
90%
4/5
EDIT
“We get a searing intimate portrayal of M.I.A./Maya, with the documentary as her heartfelt diary and manifesto.” –
CineVue
Oct 31, 2018
Full Review
Climax (2018)
69%
5/5
EDIT
“Underneath it all, Climax also evokes the feelings of self-hatred, regret and shame that accompanies this much "fun".” –
CineVue
Oct 31, 2018
Full Review
Bad Reputation (2018)
78%
4/5
EDIT
“Shedding light on a story of 70s rock and roll that is really a study of a turning tide in the fight for gender equality tunnelled through music.” –
CineVue
Oct 30, 2018
Full Review
Suspiria (2018)
65%
9/10
EDIT
“Guadagnino has succeeded in making a Suspiria that is genuinely sinister, a work of art that is terrifying for how well he can penetrate the subconscious fears of fourth wave feminism.” –
Starburst
Oct 22, 2018
Full Review
Halloween (2018)
79%
8/10
EDIT
“By focusing on a female survivor that is no longer the hysterical, screaming final girl, but a woman who can protect herself and her family, Gordon Green offers up a Halloween that, whilst not beating the original... gives us a version for a modern era.” –
Starburst
Oct 10, 2018
Full Review
The Most Assassinated Woman in the World (2018)
86%
3/5
EDIT
“Most Assassinated has strong ideas that slowly fade as the film goes on.” –
CineVue
Sep 10, 2018
Full Review
What Keeps You Alive (2018)
82%
4/5
EDIT
“Anderson switches with ease from loving, innocent girlfriend to straight-faced psychotic, and both actors bounce off one another in their roles - Allen succeeds in securing empathy from an audience, with a face of earnestness and naïveté.” –
CineVue
Sep 6, 2018
Full Review
Summer of 84 (2018)
71%
EDIT
“However, the characters - stereotypes we have come to love in these films - are nothing more than that.” –
CineVue
Sep 4, 2018
Full Review
Heretiks (2018)
60%
2/10
EDIT
“The film's setting fails to evoke the same type of English rural folk horror that it promises, instead wanting the audience to take it seriously when it can't even take itself seriously.” –
Starburst
Sep 4, 2018
Full Review
Cult of Terror (Culto al Terror) (2017)
3/10
EDIT
“If you are a horror fan, this is not the documentary for you. An obnoxious two hours paying lip service to horror fans without making any real point about them or the genre itself.” –
Starburst
Sep 4, 2018
Full Review
Seeds (2018)
42%
2/10
EDIT
“It is not a shocking film, nor a particularly immoral one. It is just, sadly, a boring one.” –
Starburst
Sep 4, 2018
Full Review
The Field Guide to Evil (2018)
78%
5/10
EDIT
“Overly long, with only a few stories working coherently, but elicits a cosy, Tales from the Crypt fireplace feel.” –
Starburst
Sep 4, 2018
Full Review
Braid (2018)
86%
9/10
EDIT
“A gorgeously vibrant and yet shockingly violent bourgeois horror-comedy that relishes in its three female leads, proving that femininity can be deadly.” –
Starburst
Sep 4, 2018
Full Review
Wolfman's Got Nards (2018)
100%
9/10
EDIT
“Watching these films - and this documentary - generates the type of joy we only felt as kids, as well as evoking the warm fuzzy feeling that nostalgia brings.” –
Starburst
Sep 4, 2018
Full Review
Ghostland (2018)
50%
9/10
EDIT
“Ghostland manages to render conventional jump scares and plot twists original and fresh, instead of worn out.” –
Starburst
Sep 4, 2018
Full Review
Possum (2018)
88%
10/10
EDIT
“Possum excels in ways some horror doesn't. It strikes the nerve between horror and emotion, between wanting to cry and wanting to scream.” –
Starburst
Sep 4, 2018
Full Review
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