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Louis Roberts

Louis Roberts's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
The Love That Remains (2025) 94% 4.5/5 EDIT “The Love That Remains is a lesson in measured filmmaking – idiosyncratic but not insufferably kooky, sincere but not saccharine. We’ve certainly never seen a divorce drama quite like it before.” – Loud and Clear Reviews Jan 29, 2026 Full Review 100 Sunset (2025) 4/5 EDIT “It’s like watching Aftersun, Rear Window and In the Mood for Love all at once.” – Loud and Clear Reviews Sep 16, 2025 Full Review Sk+te'kmujue'katik (At The Place of Ghosts) (2025) 4/5 EDIT “In step with the traditional storytelling ethos of many First Nations communities, At the Place of Ghosts (Sk+te’kmujue’katik) shines when its focus is on the journey, not the destination.” – Loud and Clear Reviews Sep 16, 2025 Full Review The Ugly (2024) 53% 2.5/5 EDIT “No matter how well-crafted The Ugly is, it’s hard to invest in a story so needlessly cruel to its characters.” – Loud and Clear Reviews Sep 10, 2025 Full Review Forastera (2025) 94% 3.5/5 EDIT “Forastera works best when it holds back, finding significance in painful silences and equivocal expressions.” – Loud and Clear Reviews Sep 10, 2025 Full Review Good Fortune (2025) 78% 4/5 EDIT “Thank heavens Ansari’s divine comedy is finally here, it’s exactly what his fans will be hoping for.” – Loud and Clear Reviews Sep 10, 2025 Full Review Couture (2025) 62% 3/5 EDIT “A meandering drama that offers only superficial insights, even if its heart is in the right place.” – Loud and Clear Reviews Sep 10, 2025 Full Review California Schemin' (2025) 95% 3.5/5 EDIT “McAvoy clearly knows this story inside out and directs his film with the deft balance of comedy and tragedy that such an unlikely true story deserves.” – Loud and Clear Reviews Sep 9, 2025 Full Review Christy (2025) 67% 3/5 EDIT “Sydney Sweeney transforms into a boxing pioneer in David Michôd’s Christy, a real-life drama shamelessly engineered to attract Academy attention. ” – Loud and Clear Reviews Sep 9, 2025 Full Review Saipan (2025) 91% 3/5 EDIT “For those who remember the infamous incident, it’s hard not to relish in the images and sounds of the time, nor in seeing these familiar faces reinterpreted by such a charismatic duo.” – Loud and Clear Reviews Sep 8, 2025 Full Review Steve (2025) 78% 3/5 EDIT “The ambition and empathy of the screenplay are to be applauded, and with a cast this strong there’s a lot to like both on the page and the screen, but perhaps on this occasion a more faithful retelling of the source material would have done the trick.” – Loud and Clear Reviews Sep 8, 2025 Full Review Redux Redux (2025) 98% 3.5/5 EDIT “In a sub-genre that’s already starting to feel tired, Redux Redux goes in a brave direction, and the big studios should take note of its creators’ talents on both the page and the screen.” – Loud and Clear Reviews Jul 28, 2025 Full Review I Live Here Now (2025) 86% 3.5/5 EDIT “It’s an indication of great things to come from Pacino, while Fry seems to have found her rhythm bringing to life these multidimensional female horror protagonists.” – Loud and Clear Reviews Jul 25, 2025 Full Review Apocalypse in the Tropics (2024) 91% 4/5 EDIT “Part political historiography, part anthropological inquiry, it’s a more spiritual experience than its predecessor; this time, Costa is aiming straight for the very soul of the nation.” – Loud and Clear Reviews Jul 14, 2025 Full Review Red Path (2024) 91% 4/5 EDIT “Based on a disturbing true story, Red Path dabbles in magic realism to explore the impact of terrorism on Tunisian children. ” – Loud and Clear Reviews Jun 16, 2025 Full Review It's All Gonna Break (2024) 3/5 EDIT “what is evidently foremost in the filmmaker’s mind is reconnecting with the vast community of musicians, friends and fans of Broken Social Scene, who will all surely love it.” – Loud and Clear Reviews May 26, 2025 Full Review The Moogai (2024) 50% 3/5 EDIT “There is regretfully little to differentiate The Moogai from any other generic frightfest. Nonetheless, it is a competently made feature-length debut and a clear labour of love, with some memorably eerie imagery to boot.” – Loud and Clear Reviews May 6, 2025 Full Review The Longing (2025) 3.5/5 EDIT “When you’re this deep into awards season, a film as gentle and measured as Fujiwara’s is a welcome reprieve from Hollywood’s excesses.” – Loud and Clear Reviews Feb 27, 2025 Full Review A Savior Red (2024) 3/5 EDIT “The buzz of that early festival success & any potential cult following as a result may well have dissipated years ago, but in the age of digital media here’s hoping it finds its crowd.” – Loud and Clear Reviews Jan 29, 2025 Full Review Memory Lane (2024) 4/5 EDIT “Few cinematic depictions of later life have engaged with their subject matter with such warmth and dignity.” – Loud and Clear Reviews Dec 17, 2024 Full Review Obsessed with Light (2023) 3/5 EDIT “As is often the case with films like this, it is both baffling that it took this long to tell Fuller’s story and comforting that finally great women pioneers like her are getting the attention they deserve.” – Loud and Clear Reviews Dec 2, 2024 Full Review Gaucho Gaucho (2024) 95% 4/5 EDIT “Gaucho Gaucho is an all-too-brief foray into a life that exists only in the imaginations of most. [...] the imprint it leaves is like that of a dream, and what we are left feeling is more important than anything we might have learned.” – Loud and Clear Reviews Nov 16, 2024 Full Review Dahomey (2024) 97% 4/5 EDIT “By presenting and engaging with these questions, Diop elevates Dahomey from a fly-on-the-wall film to an active participant in a discourse currently engulfing the arts and heritage world.” – Loud and Clear Reviews Sep 17, 2024 Full Review The Assessment (2024) 84% 3.5/5 EDIT “Not everything about The Assessment works, but at its best it is oppressively, and impressively, tense. ” – Loud and Clear Reviews Sep 17, 2024 Full Review Riff Raff (2024) 55% 3.5/5 EDIT “Comparisons with Tarantino and the Coens are inevitable. But for the most part, a lack of originality isn’t much of an issue with a cast as strong as this.” – Loud and Clear Reviews Sep 17, 2024 Full Review
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