Peleliu: Guernica of Paradise (2025)
3/5
EDIT
“It's good to see an animated film so unsparing and unsentimental about the toll of war.” –
Japan Times
Dec 12, 2025
Full Review
Scarlet (2025)
68%
3/5
EDIT
“"Scarlet" is at its best when it puts the narrative aside and lets the atmosphere take center stage. When it does, it's a ride worth taking.” –
Japan Times
Nov 24, 2025
Full Review
The Obsessed (2025)
3/5
EDIT
“The real charm of "The Obsessed" comes from its supporting characters.” –
Japan Times
Nov 7, 2025
Full Review
The Last Blossom (2025)
4/5
EDIT
“Despite its 90-minute runtime, "The Last Blossom" takes time fleshing out Minoru and his loving but complicated relationship with Nana. ” –
Japan Times
Oct 3, 2025
Full Review
100 Meters (2025)
100%
4/5
EDIT
“"100 Meters" has incredible visual dynamism thanks to Iwaisawa's signature animation method, rotoscoping.” –
Japan Times
Sep 15, 2025
Full Review
Virgin Punk: Clockwork Girl (2025)
3/5
EDIT
“The script is full of hackneyed dialogue, and some of the voice acting is pretty ripe, too. The thing is, it all fits within the film’s ‘90s throwback feel. ” –
Japan Times
Jul 11, 2025
Full Review
Lupin the IIIrd: The Movie - The Immortal Bloodline (2025)
2/5
EDIT
“While our heroes desperately searched for a way off the island, I found myself in a desperate search for a plot.” –
Japan Times
Jun 25, 2025
Full Review
The Rose of Versailles (2025)
1/5
EDIT
“That entire subplots and side characters have been jettisoned is understandable, but the film spends almost no time establishing even its leads. ” –
Japan Times
Mar 21, 2025
Full Review
Strangers (2024)
3/5
EDIT
““Strangers” is undeniably unnerving. ” –
Japan Times
Jan 23, 2025
Full Review
Look Back (2024)
100%
4/5
EDIT
“It’s a touching story that’s also a pleasure to look at thanks to director Oshiyama’s springy, supple use of animation. ” –
Japan Times
Jan 23, 2025
Full Review
The Lord of the Rings: The War of the Rohirrim (2024)
49%
2/5
EDIT
““The War of the Rohirrim” does a decent job of replicating the epic scale of the Jackson films, but the fun is nowhere to be found. This was a story that should’ve stayed in the appendices.” –
Japan Times
Jan 23, 2025
Full Review
Blue Period (2024)
4/5
EDIT
“Moments that felt over-the-top in the anime version... Maeda pulls off with looks that are subtle but unmistakably filled with emotion.” –
Japan Times
Aug 15, 2024
Full Review
Mononoke The Movie: The Phantom in the Rain (2024)
3/5
EDIT
“If the original series was cool, with its deliberate pacing, ironic detachment and dry humor, and that swinging theme song by jazz singer Charlie Kosei, the film version is hot: overwhelming, in-your-face, nonstop and loud.” –
Japan Times
Aug 7, 2024
Full Review
Trapezium (2024)
3/5
EDIT
“Still, it’s that conflict — motivated not by good versus evil, but by differing goals and points of view — that elevates “Trapezium” above a lot of anime in the same genre.” –
Japan Times
May 30, 2024
Full Review
Dead Dead Demon's Dededede Destruction Zensho (2024)
3/5
EDIT
“Minor characters have cartoonishly exaggerated faces that are more Looney Tunes than anime -- perhaps chosen to stand in contrast with the serious plot. Serious, but not dour: There are plenty of amusing pokes at modern society and politics.” –
Japan Times
Mar 22, 2024
Full Review
Kizumonogatari: Koyomi Vamp (2024)
100%
4/5
EDIT
“In the years since the original films came out, it feels as if theatrical animation in Japan has become increasingly aimed at wider audiences, and it’s nice to be reminded that niche stuff like this exists.” –
Japan Times
Jan 11, 2024
Full Review
The Imaginary (2023)
91%
3/5
EDIT
“The result is a good-looking, sometimes moving picture. But with the talent [Studio Ponoc] has at its disposal, I hope they really let their imaginations run wild on the next one.” –
Japan Times
Dec 21, 2023
Full Review
Komada - A Whisky Family (2023)
1/5
EDIT
“In surer hands, it might have been a compelling story about the real kind of drama that unfolds in a workplace, or simply an educational introduction to the world of whisky production. As is, it’s hard to find a worthy drop here.” –
Japan Times
Nov 16, 2023
Full Review
Godzilla Minus One (2023)
99%
3/5
EDIT
“Visually, Godzilla Minus One evokes the original film more than any Godzilla film since the ’50s. But by locating itself in the past, it avoids taking on contemporary issues, more content to be an entertaining ride.” –
Japan Times
Nov 9, 2023
Full Review
The Concierge (2023)
3/5
EDIT
“Pleasant but slight.” –
Japan Times
Oct 27, 2023
Full Review
The Boy and the Heron (2023)
96%
4.5/5
EDIT
“I’m not sure where The Boy and the Heron will eventually fall on my list of Miyazaki favorites, but there were moments that took my breath away.” –
Japan Times
Jul 19, 2023
Full Review
Suzume (2022)
96%
EDIT
“Let’s get this out of the way up front: If there was any doubt that Makoto Shinkai is the undisputed visual champion of the anime form, Suzume provides the final knockout punch.” –
Japan Times
Nov 11, 2022
Full Review
Shin Ultraman (2022)
94%
EDIT
“[Hideaki Anno and Shinji Higuchi have] teamed up once again to revive another creation from the late special-effects legend Eiji Tsuburaya.” –
Japan Times
May 19, 2022
Full Review
The Deer King (2021)
59%
2/5
EDIT
“Despite the pedigree of its creators, however, The Deer King often feels like a weak echo of the films on which Ando made his name, although it delivers a few nice moments.” –
Japan Times
Feb 4, 2022
Full Review
Fortune Favors Lady Nikuko (2021)
92%
3.5/5
EDIT
“What'll stick with me is the feeling of everyday life in a charming coastal town - punctuated by some timeworn tropes in an Osaka drawl.” –
Japan Times
Sep 23, 2021
Full Review
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