Sirāt (2025)
93%
3/5
EDIT
“...Laxe opts for a more extreme approach: stretching conventional narrative structure to its limits—even challenging the expectations of his audience—to the point of flirting with a contemplative, almost musical, style of cinema. [Full review in Spanish]” –
La Nación (Argentina)
Jan 29, 2026
Full Review
Mercy (2026)
24%
2/5
EDIT
“The structural problem with Mercy is that it doesn't aspire to be anything more than an illustration of contemporary dilemmas regarding artificial intelligence. [Full review in Spanish]” –
La Nación (Argentina)
Jan 22, 2026
Full Review
Marty Supreme (2025)
94%
4/5
EDIT
“Chalamet's performance is monumental, imbuing his character with both charisma and infamy in a constant, precarious balance. [Full review in Spanish]” –
La Nación (Argentina)
Jan 15, 2026
Full Review
Kiss of the Spider Woman (2025)
77%
3/5
EDIT
“...while Condon is a director with some questionable track records in the genre—like Dreamgirls with its Donna Summer disco vibe and Disney's Beauty and the Beast —he pulls things off quite well in staging several numbers...[Full review in Spanish]” –
La Nación (Argentina)
Jan 8, 2026
Full Review
Nouvelle Vague (2025)
92%
4/5
EDIT
“The story may be familiar to cinephiles...but Linklater embraces this dual nature—cinema and myth—to position viewers who today want to take a journey into the past as a way to understand the anguished present. [Full review in Spanish]” –
La Nación (Argentina)
Jan 2, 2026
Full Review
Louise Violet (2024)
3/5
EDIT
“In the vein of directors like Laurent Cantet and the unjustly forgotten Bertrand Tavernier, Besnard explores a time that, though distant in the calendar, presents dilemmas that resonate even today. [Full review in Spanish]” –
La Nación (Argentina)
Dec 18, 2025
Full Review
Five Nights at Freddy's 2 (2025)
16%
3/5
EDIT
“In this sequel, there's an attempt to prioritize the nostalgic atmosphere over the narrative, which becomes lush with digressions (and plants the seeds for possible sequels) and creative in some chilling dream sequences. [Full review in Spanish]” –
La Nación (Argentina)
Dec 4, 2025
Full Review
Please Don't Feed the Children (2025)
36%
2/5
EDIT
“The film not only flounders in its repetitive plotting, but also resolves most scenes with an anticlimactic intent. [Full review in Spanish]” –
La Nación (Argentina)
Dec 3, 2025
Full Review
La Muerte de un Comediante (2025)
3/5
EDIT
“Peretti uses his face in service of the same artifice that sustains the film itself: the appearance of an improbable, dreamlike hero, momentary as life and eternal as fiction. [Full review in Spanish]” –
La Nación (Argentina)
Dec 1, 2025
Full Review
Vieja Loca (2025)
4/5
EDIT
“Even with its predictable and codified gothic airs, this framework...manages to instill a profound unease, one that robs away all possible rationality, all restorative understanding, all escape from the inner abyss. [Full review in Spanish]” –
La Nación (Argentina)
Nov 14, 2025
Full Review
Die My Love (2025)
74%
4/5
EDIT
“Ramsay succeeds by crafting a hypnotic vision all her own, guided by an extraordinary performance from Jennifer Lawrence, who gives it her all from start to finish, body and soul in every scene. [Full review in Spanish]” –
La Nación (Argentina)
Nov 7, 2025
Full Review
The Red Book Ritual: Gates of Hell (2025)
2/5
EDIT
“Unfortunately, this insistent attempt to appear professional and expensive ultimately makes problems like the poor acting, the heavy-handed clichés,... and the lack of a sense of horror insurmountable. [Full review in Spanish]” –
La Nación (Argentina)
Oct 30, 2025
Full Review
Regretting You (2025)
29%
3/5
EDIT
“Regretting You doesn't risk straying from the script, but instead follows that literary plan that leaves clear coordinates and warm seats for box office hits. [Full review in Spanish]” –
La Nación (Argentina)
Oct 23, 2025
Full Review
The Woman in Cabin 10 (2025)
28%
2/5
EDIT
“...it's not a good film either. Not only because it fails to build any mystery, becomes predictable as it goes on, has mediocre staging, and pretty weak performances, but also because it fails in its conception...[Full review in Spanish]” –
La Nación (Argentina)
Oct 20, 2025
Full Review
Madly (2025)
80%
3/5
EDIT
“The humor in Madly is not strident, nor does it propose the absurdity of chaos or misunderstanding as Perfect Strangers had capitalized on , but it does achieve some effective moments...[Full review in Spanish]” –
La Nación (Argentina)
Oct 16, 2025
Full Review
After the Hunt (2025)
37%
2/5
EDIT
“...After the Hunt doesn't quite free its characters from their role as spokespeople for an imposed dilemma, to which Guadagnino tries to add his own style, but without success. [Full review in Spanish]” –
La Nación (Argentina)
Oct 9, 2025
Full Review
Queen of Coal (2025)
3/5
EDIT
“The contradictions that define Carli are also—in the eyes of Macri and his film—those that define societies, not just Argentina's. [Full review in Spanish]” –
La Nación (Argentina)
Oct 2, 2025
Full Review
One Battle After Another (2025)
94%
5/5
EDIT
“Ultimately, One Battle After Another displays its director's epic ambition, turning his most expensive film...into a brave and determined stance against a mainstream that has opted to play it down. [Full review in Spanish]” –
La Nación (Argentina)
Sep 25, 2025
Full Review
Together (2025)
89%
3/5
EDIT
“...there is no worse curse than literally joining another person...That seems to be the warning, in a somewhat unbalanced mix of horror and comedy that director Michael Shanks attempts in his playful exercise in body horror. [Full review in Spanish]” –
La Nación (Argentina)
Sep 11, 2025
Full Review
Surfacing (2024)
3/5
EDIT
“The film's very structure establishes the concealment of the mystery and the use of small inserts...as clues leading to the revelation. It's inevitable to feel somewhat manipulated in this game...[Full review in Spanish]” –
La Nación (Argentina)
Sep 11, 2025
Full Review
Adulto (2024)
4/5
EDIT
“In its conciseness and austerity, the film manages to explore an inner discovery, that of the fragility of others and one's own strength, which is difficult to express in images. [Full review in Spanish]” –
La Nación (Argentina)
Sep 4, 2025
Full Review
The Roses (2025)
64%
3/5
EDIT
“The project is bold, the humor is uncomfortable, and the final steps toward resolution are somewhat forced, but Colman and Cumberbatch occupy that fine line of tension with greater ease than the script claims. [Full review in Spanish]” –
La Nación (Argentina)
Aug 28, 2025
Full Review
Bring Her Back (2025)
89%
4/5
EDIT
“[With Bring Her Back, the Philippou brothers bring] a breath of mortuary melodrama, full of ritual imagery, snippets of folk horror, and witch stories that, although incredible, seem real. [Full review in Spanish]” –
La Nación (Argentina)
Aug 21, 2025
Full Review
Weapons (2025)
93%
4/5
EDIT
“...what is essential in Cregger's work, beyond its narrative devices and its high doses of blood and gore, is the remarkable handling of the staging, which manages to install a persistent, ominous unease...[Full review in Spanish]” –
La Nación (Argentina)
Aug 7, 2025
Full Review
The Ritual (2025)
9%
2/5
EDIT
“...the excessive solemnity of the performances and the failure to create an oppressive atmosphere fail to sustain the intended seriousness and dangerously verge on the edge of parody....[Full review in Spanish]” –
La Nación (Argentina)
Aug 1, 2025
Full Review
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