Seeds (2025)
97%
4/5
EDIT
“Echoing the cycle of crop cultivation, Shyne’s film inhabits the seasons of life, bookended by images of a funeral and the open sky. This vanishing way of life is imbued with a dose of melancholy, yet hope still remains for a better harvest in the future.” –
Guardian
Jan 20, 2026
Full Review
A French Youth (2024)
3/5
EDIT
“Battaglia’s poignant film is more than a tribute to the talents of these extraordinary men: it also lays bare how integration is rarely a two-way process, with the burden of assimilation largely placed on the shoulders of the marginalised.” –
Guardian
Dec 30, 2025
Full Review
Baby (2024)
100%
3/5
EDIT
“Baby is most powerful as an astute portrait of the lost people who have fallen through the cracks of the system. The streets might be fraught with peril, yet they are where they can find their own family, too.” –
Guardian
Dec 8, 2025
Full Review
Onlookers (2023)
77%
3/5
EDIT
“Onlookers does provoke some interesting questions about the relationship between tourism and cinema, even if it has little new or profound insight into either topic.” –
Guardian
Dec 2, 2025
Full Review
The Zola Experience (2023)
3/5
EDIT
“While the varied locations offer a sense of spontaneity, the film occasionally feels too beholden to its art-versus-life thesis, which makes moments of catharsis come off as mannered and calculated. ” –
Guardian
Nov 26, 2025
Full Review
Gold Songs (2024)
3/5
EDIT
“Costa certainly has a keen eye for the landscape and the working-class milieu of Mozambique, but his purely observational style reduces Gold Songs to a detached ethnographic portrait rather than a properly absorbing drama.” –
Guardian
Nov 26, 2025
Full Review
My Worst Enemy (2024)
3/5
EDIT
“The tense two-day session between Tamadon and Ebrahimi bristles with a taut energy and Tamadon commendably builds the bulk of the film on these critiques, turning My Worst Enemy into an act of self-interrogation.” –
Guardian
Nov 26, 2025
Full Review
Rule Breakers (2025)
81%
3/5
EDIT
“While spirited in parts, the journey taken by this extraordinary robotics team deserves a more layered storytelling approach than that of a feelgood movie.” –
Guardian
Nov 17, 2025
Full Review
100 Meters (2025)
100%
3/5
EDIT
“What 100 Meters lacks in narrative subtlety and pacing, it makes up for in dazzling visuals. Using rotoscoping, in which animation is traced over live-action footage, the film creates stunningly detailed running sequences. ” –
Guardian
Nov 10, 2025
Full Review
There Was, There Was Not (2024)
100%
3/5
EDIT
“Though their professions vary, they are all committed to bettering the community, a testament to the strong cultural bonds that exist here. Captured with dynamism and intimacy, their individual stories collide when war breaks out in 2020. ” –
Guardian
Nov 4, 2025
Full Review
Writing Hawa (2024)
3/5
EDIT
“Throughout this touching film, moments of progress and setbacks often collide. ” –
Guardian
Oct 29, 2025
Full Review
Wilfred Buck (2024)
3/5
EDIT
“Moving between the sky and the Earth, from the personal to the collective, Jackson’s sweeping documentary conjures a universe of experiences with striking style and insights.” –
Guardian
Oct 20, 2025
Full Review
Knit's Island (2023)
3/5
EDIT
“When the film-makers pose overly rhetorical or philosophical questions to other players, it only leads to uninspired answers. When we are simply allowed to be in the game, however, something truly magical happens. ” –
Guardian
Sep 29, 2025
Full Review
A Night Like This (2025)
2/5
EDIT
“The lack of depth in the writing is reflected in the flat lighting as well, rendering indoor compositions oddly uncinematic.” –
Guardian
Sep 24, 2025
Full Review
Demon Slayer: Kimetsu no Yaiba Infinity Castle (2025)
98%
4/5
EDIT
“While ardent fans might wish to see more of Muzan, this wonderful instalment gives a splendid taste of what is surely soon to come.” –
Guardian
Sep 8, 2025
Full Review
The Tree of Authenticity (2025)
3/5
EDIT
“Though perhaps leaning too heavily into an academic visual experiment, The Tree of Authenticity offers a fascinating look at how extraction can take many forms, even within the context of sustainability.” –
Guardian
Jul 7, 2025
Full Review
Avant-Drag! (2024)
4/5
EDIT
“The queer defiance of Fil Ieropoulos’s kaleidoscopic documentary manifests not only through its subject, but also through its form.” –
Guardian
Jun 16, 2025
Full Review
A Golden Life (2023)
3/5
EDIT
“This collision of childlike yearning and hard labour is particularly heartbreaking.” –
Guardian
Jun 2, 2025
Full Review
The Road to Patagonia (2024)
3/5
EDIT
“Matty Hannon’s feature debut embraces the possibility of the open road with full-hearted passion.” –
Guardian
May 27, 2025
Full Review
An Army of Women (2024)
100%
3/5
EDIT
“The impact of Lillesæter’s film lies not only in its critique of legal biases and failings, but also in how it conveys the powerful bond between the plaintiffs.” –
Guardian
Apr 24, 2025
Full Review
Neirud (2023)
3/5
EDIT
“Though beginning in a place of uncertainty, Faya’s film impresses as a homage not only to a larger-than-life figure, but also to the beauty of alternative family models.” –
Guardian
Apr 21, 2025
Full Review
Jimmy (2024)
3/5
EDIT
“While Jimmy’s approach risks veering into the ahistorical, there’s a certain emotional resonance in observing Baldwin not as a larger-than-life figure, but as a young soul liberated by fresh desires and experiences.” –
Guardian
Mar 19, 2025
Full Review
Rosinha and Other Wild Animals (2023)
2/5
EDIT
“The final result is not so much a reckoning with Portugal’s racist past but a rather inert, and at times tedious, projection of white guilt.” –
Guardian
Mar 17, 2025
Full Review
Jōhatsu: Into Thin Air (2024)
3/5
EDIT
“The reasons for a disappearance are not always clear-cut, and the film not only lends an ear to the “evaporated” but is also sympathetic to the abandoned, who are left with gnawing questions and no answers.” –
Guardian
Feb 24, 2025
Full Review
The Colors Within (2024)
92%
4/5
EDIT
“As sensitive as ever to teenagers’ growing pains, animator and director Naoko Yamada paints an exquisite rainbow of adolescent blues.” –
Guardian
Jan 27, 2025
Full Review
No Reviews Yet
Load More
Something went wrong.. try again