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Seth Katz

Seth Katz's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Where to Land (2025) 3/4 EDIT “Where to Land opts for quiet moments of connection, raising questions rather than giving definitive answers.” – Slant Magazine Sep 10, 2025 Full Review Highest 2 Lowest (2025) 83% 2.5/4 EDIT “The more the film diverges from Kurosawa’s, the more confident and distinguished it becomes.” – Slant Magazine Aug 12, 2025 Full Review Daniela Forever (2024) 65% 2/4 EDIT “Metaphysical implications about the nature of reality or the possibility of shared consciousness are left mostly unspoken, as the film spends more time developing a surface-level study of the desire for romantic possession and control.” – Slant Magazine Jul 6, 2025 Full Review Vulcanizadora (2024) 98% 3/4 EDIT “Joel Potrykus looks without flinching at the ultimate consequences of permanent adolescence.” – Slant Magazine Apr 27, 2025 Full Review The Klezmer Project (2023) 100% 2.5/4 EDIT “As with a traditional documentary, The Klezmer Project is affected by forces outside the filmmakers’ control.” – Slant Magazine Feb 26, 2025 Full Review Parthenope (2024) 47% 2/4 EDIT “The film’s succession of symbolically loaded vignettes is less meaningful than intended.” – Slant Magazine Feb 2, 2025 Full Review Companion (2025) 93% 2.5/4 EDIT “The film trenchantly satirizes 21st-century romance while delivering the gory genre goods.” – Slant Magazine Jan 28, 2025 Full Review Wolf Man (2025) 48% 1.5/4 EDIT “Wolf Man neither embraces the fundamentals of the werewolf folklore from which it draws nor convincingly reinvents them.” – Slant Magazine Jan 15, 2025 Full Review The Piano Lesson (2024) 88% 2.5/4 EDIT “This film feels at times like the earnest result of a group of artists paying tribute to a great playwright rather than a fully realized work of its own.” – Slant Magazine Nov 5, 2024 Full Review Daddio (2023) 75% 1.5/4 EDIT “The film is as tedious and predictable as its traffic-clogged Long Island Expressway setting.” – Slant Magazine Jun 27, 2024 Full Review Treasure (2024) 41% 2/4 EDIT “Because the casually observational moments of Julia von Heinz’s film are so rich, its thematic contrivance becomes harder to accept.” – Slant Magazine Jun 10, 2024 Full Review The Dead Don't Hurt (2023) 86% 2/4 EDIT “Ultimately, the didacticism of Viggo Mortensen’s film lets it down.” – Slant Magazine May 26, 2024 Full Review Do Not Expect Too Much from the End of the World (2023) 96% 3.5/4 EDIT “The film further confirms Radu Jude as one of the most idiosyncratic, uncompromising, and intellectually vigorous of living filmmakers.” – Slant Magazine Sep 9, 2023 Full Review Maggie Moore(s) (2023) 51% 2/4 EDIT “The story’s center isn’t strong enough for the rest of its disparate parts to hold.” – Slant Magazine Jun 13, 2023 Full Review The Lost King (2022) 77% 1.5/4 EDIT “The film, a shabby account of the story behind the story, muddles its themes and only superficially conveys the importance of the historical insights it contains.” – Slant Magazine Mar 23, 2023 Full Review Rewind & Play (2022) 100% 3/4 EDIT “The revelation of such raw, frustrating, occasionally revealing footage of one of American music’s major figures makes Rewind & Play a worthwhile experience, even if the film itself amounts to little more than the sum of its parts.” – Slant Magazine Mar 7, 2023 Full Review
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