Born in Flames (1983)
89%
EDIT
“Born in Flames' continued resonance and growing popularity suggests... that we need radical approaches to image-and-sound making more than ever.” –
Sight & Sound
Mar 19, 2021
Full Review
Frozen II (2019)
77%
EDIT
“In Frozen II climate justice moves from allegorical substrate to the centre of the story.” –
Sight & Sound
Nov 22, 2019
Full Review
Merata: How Mum Decolonised the Screen (2018)
92%
EDIT
“As Merata shows, Mita's entire life was a fight - one that Hepi continues with this documentary that looks not only to secure Mita's legacy but enlarge it.” –
Sight & Sound
Oct 7, 2019
Full Review
El Bulli: Cooking in Progress (2010)
60%
EDIT
“Wetzel's documentary never really gets under Adrià's skin - but the creation of the frozen, juiced, glossy surfaces of the food is fascinating.” –
Sight & Sound
Aug 1, 2018
Full Review
On the Road (2012)
47%
EDIT
“More an extended Urban Outfitters advertisement than an essay on, or into, the exciting experiments of Beat Cinema.” –
Sight & Sound
Jul 31, 2018
Full Review
Harry Potter and the Deathly Hallows: Part 1 (2010)
76%
EDIT
“Rather than taking time to wonder, to immerse, or even to grieve at the crucial moments of the story, the film and its characters are driven on towards this future confrontation with videogame logic and an endless flow of exposition-based dialogue.” –
Sight & Sound
Jul 10, 2018
Full Review
Sleeping Beauty (2011)
48%
EDIT
“Sleeping Beauty aspires to create a... haunted disconnect between Lucy's presentation and her subjectivity. Yet Leigh isn't able to muster a cinematic equivalent of a first-person narration that would convey Lucy's interiority to the viewer.” –
Sight & Sound
Jul 9, 2018
Full Review
The Muppets (2011)
95%
EDIT
“It's a film for 2012, for the 99 per cent, for the Occupiers who have been criticised as Starbucks-quaffing smartphone revolutionaries seeking a rainbow connection that could only be called 'kermunism'.” –
Sight & Sound
Jul 9, 2018
Full Review
Much Ado About Nothing (2012)
87%
EDIT
“DP Jay Hunter's camera floats like a butterfly through doorways and windows, stinging as it catches characters in moments of eavesdropping-inspired stunned epiphany.” –
Sight & Sound
Apr 4, 2018
Full Review
The Party (2017)
82%
EDIT
“This is a comedy that bites because it is utterly and urgently of our moment.” –
Sight & Sound
Oct 17, 2017
Full Review
Signature Move (2017)
100%
EDIT
“In telling their story, Reeder and Mirza finally make good on the abruption of the North American New Queer Cinema by 9/11, returning to the celebratory multicultural, intergenerational, complex lesbian films of the last century's end.” –
Sight & Sound
Apr 27, 2017
Full Review
Certain Women (2016)
92%
EDIT
“Certain Women would like you to listen, but it's not going to shout for your attention.” –
Another Gaze
Mar 10, 2017
Full Review
The Hunger Games: Mockingjay, Part 2 (2015)
70%
EDIT
“There are frequent close-ups that showcase Jennifer Lawrence's extraordinary expressiveness; like Katniss for the rebels, Lawrence is the film's figurehead, not only its protagonist but also bearing the entire burden of representing its narrative.” –
Sight & Sound
Nov 20, 2015
Full Review
A Girl Walks Home Alone at Night (2014)
96%
EDIT
“Amirpour, a singer and DJ, uses the soundtrack throughout with such verve and rhythm that the film moves towards being a musical.” –
Sight & Sound
May 22, 2015
Full Review
Dreamcatcher (2015)
100%
EDIT
“From street to cell, this is a precise, thoroughgoing indictment of the systemic sexism, racism and classism that creates a climate of endemic sex work, and it combines this with bold and revelatory strategies for making change.” –
Sight & Sound
Mar 5, 2015
Full Review
The Hunger Games: Mockingjay, Part 1 (2014)
70%
EDIT
“When director Francis Lawrence takes chances by moving away from the book, the film sparkles.” –
Sight & Sound
Nov 20, 2014
Full Review
Belle (2013)
84%
EDIT
“This inextricable intertwining of love and justice, private and public, personal and political, is the film's great cri de coeur and its structural brilliance, as costume and courtroom drama comment on, and merge into, each other.” –
Sight & Sound
Jun 13, 2014
Full Review
The Punk Singer (2013)
91%
EDIT
“Anderson's film -- a scrappy, exuberant battler like its subject -- shows how Hanna has transmuted a hunger borne of body-image pressure into a hunger to change the world.” –
Sight & Sound
May 29, 2014
Full Review
Stories We Tell (2012)
94%
EDIT
“Stories We Tell, uniquely, reveals its process as if we are thinking, sifting and selecting along with the filmmaker.” –
Sight & Sound
Dec 31, 2013
Full Review
Frances Ha (2012)
92%
EDIT
“The thoughtfulness and commitment of Gerwig's performance in its shifts from chaotic exuberance to rigorous rehearsal suggest that she is the more interesting artist to watch.” –
Sight & Sound
Dec 11, 2013
Full Review
The Kids Are All Right (2010)
93%
EDIT
“The film joyfully allows us to embrace, rather than escape, the wonderful, awkward embarrassment of familial love.” –
Sight & Sound
Nov 2, 2010
Full Review
The Beaches of Agnès (2008)
96%
4/5
EDIT
“It's impossible not to open your heart to this film.” –
Little White Lies
Oct 4, 2009
Full Review
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