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Taylor Williams

Taylor Williams's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
The Invite (2026) 92% 2.5/4 EDIT “By the time The Invite burrows into the heart of its main characters and reveals the scope of their regrets and longings, it’s hard to argue that it doesn’t strike a chord of genuine emotion.” – Slant Magazine Jan 31, 2026 Full Review undertone (2025) 87% 2.5/4 EDIT “Throughout Undertone, Ian Tuason delights in deploying sound to eerily suggestive ends.” – Slant Magazine Jan 30, 2026 Full Review The Moment (2026) 62% 2/4 EDIT “Farce and sincerity make more odd bedfellows across Aidan Zamiri’s meta mockumentary about Brat Summer.” – Slant Magazine Jan 26, 2026 Full Review Islands (2025) 93% 2.5/4 EDIT “The film is most interesting when it's keyed to its main character's existential malaise across what plays out like a White Lotus B-plot.” – Slant Magazine Jan 25, 2026 Full Review The History of Concrete (2026) 100% 3/4 EDIT “The odd and poignant The History of Concrete could be seen as a show of Buddhist acceptance on John Wilson's part of art's, and by extension life's, transience.” – Slant Magazine Jan 24, 2026 Full Review Ella McCay (2025) 23% 2/4 EDIT “As it follows its main character navigating political and personal waters, James L. Brook’s film finds itself poised between sincerity and artificiality.” – Slant Magazine Dec 10, 2025 Full Review La Grazia (2025) 81% 3/4 EDIT “The relative restraint of La Grazia makes its baroque flourishes stand out all the more.” – Slant Magazine Oct 12, 2025 Full Review Nouvelle Vague (2025) 92% 2.5/4 EDIT “There’s an apparent contradiction between the radical spontaneity that Godard chases throughout the making of Breathless and the more conventional narrative approach of Linklater’s film.” – Slant Magazine Sep 28, 2025 Full Review No Other Choice (2025) 97% 3/4 EDIT “Across the film, “no other choice” becomes a kind of disingenuous mantra, demonstrating how platitudes and apathy reinforce a violent status quo.” – Slant Magazine Sep 20, 2025 Full Review Love, Brooklyn (2025) 69% 2.5/4 EDIT “Love, Brooklyn, especially its loftier ideas, might have benefited from more of a satirical bite.” – Slant Magazine Aug 25, 2025 Full Review Weapons (2025) 93% 2.5/4 EDIT “For every moment of electrifying horror, Whitest Kids U’ Know alum Zach Cregger cleanses the palette with equivalent comic relief.” – Slant Magazine Aug 6, 2025 Full Review Smurfs (2025) 21% 1.5/4 EDIT “Its pastiche of Into the Spider-Verse is revealed to be nothing more than window dressing.” – Slant Magazine Jul 16, 2025 Full Review Videoheaven (2025) 87% 3/4 EDIT “More than a mere cipher for the world around it, the video store becomes something much more self-reflexive across Videoheaven’s three-hour running time.” – Slant Magazine Jul 2, 2025 Full Review
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