Made in U.S.A.

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Made in U.S.A.

1966

1h 25m

Mystery & Thriller

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Tomatometer

Popcornmeter

85%

Tomatometer

20 Reviews

59%

Popcornmeter

1,000+ Ratings

The body count rises as a journalist (Anna Karina) -- under surveillance herself -- searches for her lover's killer in Atlantic City.

Fernando F. Croce

Slant Magazine

07/21/2009

4/4

Godard's films are records (documentaries, even) of personal interests, ecstasies, and agonies at a particular time in the artist's life.

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Ty Burr

Boston Globe

02/19/2009

3/4

Gorgeous, minor, and pivotal.

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Kenneth Turan

Los Angeles Times

01/16/2009

4.5/5

In terms of Godard's body of work, the 1966 film is as challenging as it is important.

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Ian Thomas Malone

ianthomasmalone.com

04/10/2020

Godard plays around with left and right repeatedly throughout the film, challenging his audience to see outside the binary.

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Fernando Trueba

El Pais (Spain)

07/31/2019

The worst thing about Made in U.S.A is not the irregularities and inconsistencies -- present and perfectly integrated in Godard's work -- but the absolute lack of passion with which it was made. [Full Review in Spanish]

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Emanuel Levy

EmanuelLevy.Com

03/10/2013

B+

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12/17/2016

Admittedly not Godard's finest film, but this fractured romp (yes, romp) looks gorgeous and the story just about makes sense as it sashays from one peculiar set-piece to another. Worth watching for Marianne Faithfull's well-positioned cameo if nothing else.

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10/24/2016

It's an absurdist comedy/neo-noir from Godard with long monologues about communism. It's like the perfect movie.

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10/10/2016

This is probably Jean-Luc Godard's worst film. Its a bare story/plot enough as it is, but it feels like a half baked concept that doesn't even try to be comprehensible or exciting in any way. Its basically a nonsense film, and I award it the lowest score. I shouldn't have taken the chance with this film.

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02/15/2016

Didn't fully enjoyed this Godard film, which was his tribute to film-noir, but in brash colours. Loosely based on a novel by a known noir author, Godard made this film his own with some political intrigue and tons of references to film and literature. Any classic film fan with notice many with names paying to tribute to old movies, stars and directors that Godard admired. This film also features his muse and wife Anna Karina. Worth a watch, but not a high recommendation.

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02/02/2016

This will be the last rating and review I post on here, if you want to keep up with my reviews you can follow me on Letterboxd ( http://letterboxd.com/irontap/ ) Goodbye Rotten Tomatoes.

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01/15/2016

Jean Luc-Godard's inventive film is both a playful homage towards film noir, and layered allegory concerning the cold war. Often fun and certainly original, but the social commentary can be a little heavy-handed.

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Jean-Luc Godard

Director

Anna Karina

Paula Nelson

Jean-Pierre Léaud

Donald Siegel

Laszlo Szabo

Richard Widmark

Marianne Faithfull

Marianne Faithfull

Ernest Menzer

Edgar Typhus

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Synopsis

The body count rises as a journalist (Anna Karina) -- under surveillance herself -- searches for her lover's killer in Atlantic City.

Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Production Co: Anouchka Films, Rome Paris Films
Genre: Mystery & Thriller
Original Language: Canadian French
Rerelease Date (Theaters): Jan 9, 2009
Release Date (Streaming): Mar 22, 2016
Runtime: 1h 25m

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