Carlos F. Heredero
Carlos F. Heredero's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Phoenician Scheme (2025)
77%
EDIT
“...a film that is a bit less artificial and rushed than Asteroid City, and somewhat more human in the portrayal of its protagonists, although no less controlled. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Alpha (2025)
56%
EDIT
“Another pompous and noisy ceremony of narcissistic authorship. [Full review in Spanish]
” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
It Was Just an Accident (2025)
98%
EDIT
“A small film, but with an incisive and courageous narrative thrust. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Eagles of the Republic (2025)
65%
EDIT
“A dark and pessimistic kaleidoscope of the country, to which Tarik Saleh cannot return. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
The Mastermind (2025)
90%
EDIT
“Deceptively small and discreet, The Mastermind is actually a great, memorable film. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Young Mothers (2025)
95%
EDIT
“The whole film forms a tough but luminous film, from whose folds within the humanist spirit of its creators and their confidence in the goodness of human beings despite their most terrible circumstances eventually emerge. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Resurrection (2025)
89%
EDIT
“A bold and ambitious film, a work happily outside the norm, one of those titles that warrants an entire festival. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Sentimental Value (2025)
97%
EDIT
“This new film fails in its attempt to pose a reflection on the relationship between life and cinema, a territory that is always as attractive as it is risky. [Full review in Spanish]
” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Woman and Child (2025)
71%
EDIT
“The dramatic construction and staging of the story inevitably lead the film into territory almost bordering on a melodramatic soap opera, which completely devalues the scope of the proposal. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
The History of Sound (2025)
69%
EDIT
“In between, there are a few isolated flashes of incipient emotion that almost never find their visual form beyond the script's parsimonious illustrations, which, in the end, are much more conventional than they appear... [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Fuori (2025)
57%
EDIT
“A film that, on the surface, attempts to explore the writer's creative paths, without Mario Martone ever quite finding his own. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Romería (2025)
86%
EDIT
“The most beautiful portrait one can imagine of its great director. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Jun 3, 2025
Full Review
Nouvelle Vague (2025)
92%
EDIT
“A project that—and this is truly 'Linklater-esque'—is presented as a light and endearing cinephile celebration when in reality it involves an extremely risky endeavor that is difficult to fully realize. [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 23, 2025
Full Review
The Secret Agent (2025)
98%
EDIT
“A work of powerful originality, to which its staging manages to give a density of its own. [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 22, 2025
Full Review
Die My Love (2025)
74%
EDIT
“Yet another disappointment. [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 22, 2025
Full Review
Renoir (2025)
87%
EDIT
“The result is a conventional film, lacking emotional vibrancy and without any twists or nuances in its staging, as well as some unforgivable plot naiveté. [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 22, 2025
Full Review
Eddington (2025)
68%
EDIT
“The obvious problem with Ari Aster's new film is that it actually mixes too many things. [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 22, 2025
Full Review
Sirāt (2025)
93%
EDIT
“An immersive experience that is as much a descent into hell as it is a search for paradise... [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 20, 2025
Full Review
Two Prosecutors (2025)
95%
EDIT
“Pessimistic and lucid in its diagnosis and its solution, the film plunges us into the heart of the nightmare...that can occur when the personalistic autocracies of dictatorial leaders are installed in power. [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 20, 2025
Full Review
Case 137 (2025)
92%
EDIT
“...formal laziness in exchange for seeing their ideas confirmed. [Full feview in Spanish]” –
Caimán Cuadernos de Cine
May 20, 2025
Full Review
The Little Sister (2025)
84%
EDIT
“Herzi films his protagonist with closeness and conviction, but the story constantly veers into the most predictable clichés, and the film never manages to achieve dramatic or stylistic heights. [Full review in Spanish]” –
Caimán Cuadernos de Cine
May 20, 2025
Full Review
Leave One Day (2025)
57%
EDIT
“The film is actually the result of the "inflated" version of a short film of the same name by its co-writer and director, but it's clear that the narrative material wasn't suitable for a feature film. [Full review in Spanish] ” –
Caimán Cuadernos de Cine
May 14, 2025
Full Review
Last Breath (2024)
91%
EDIT
“Should, in any case, be compulsory screening in all areas of health and public education. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
On Falling (2024)
96%
EDIT
“Here is a social cinema that is worthwhile. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
The Man Who Loved UFOs (2024)
64%
EDIT
“Diego Lerman's new film proposes a kind of farce – halfway between a biopic, an absurd comedy and a fantastic tale with surrealist overtones – that fails to find an organic register in the 106 minutes of its footage. [Full review in Spanish]” –
Caimán Cuadernos de Cine
Oct 29, 2024
Full Review
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