|
9/10
|
The Muppet Show
(2026)
|
Michael Cook
|
It's everything a longtime Muppet fan could hope for while also ushering the show into the modern day. It's sweet, it's funny, and it's wholly chaotic in the best way possible.
Posted Feb 03, 2026
Edit critic review
|
|
|
Arabesque
(1966)
|
Dillon Gonzales
|
Arabesque is a bit messy on a script level, but the performances from Gregory Peck and Sophia Loren elevate otherwise more middle-of-the-road material.
Posted Feb 02, 2026
Edit critic review
|
|
6/10
|
zi
(2026)
|
Megan Loucks
|
Zi is a film that only gets as interesting as it appears on its surface, and rarely goes beneath it to be worthwhile.
Posted Feb 02, 2026
Edit critic review
|
|
7/10
|
Untitled Home Invasion Romance
(2025)
|
Cameron Ritter
|
Untitled Home Invasion Romance is a solid comedy and a delightful directorial debut from Jason Biggs. He utilizes a sharp script and good performances all around to piece together an entertaining, unique story that’s a true joy to watch.
Posted Feb 02, 2026
Edit critic review
|
|
5.5/10
|
Rock Springs
(2026)
|
Roberto Tyler Ortiz
|
The film may stumble in bringing its horror elements to a satisfying conclusion, but its commitment to honoring real suffering and confronting inherited violence gives it a seriousness that lingers even after its missteps.
Posted Feb 02, 2026
Edit critic review
|
|
6.5/10
|
Bedford Park
(2026)
|
Roberto Tyler Ortiz
|
Bedford Park stands out for treating pain as something lived, embodied, and, with the right kind of care, survivable.
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Time and Water
(2026)
|
Roberto Tyler Ortiz
|
Time and Water isn’t interested in persuading or alarming. It’s concerned with preservation on a human scale. When landscapes vanish and people pass on, what survives are stories, images, and voices passed from one generation to the next.
Posted Feb 01, 2026
Edit critic review
|
|
7.5/10
|
Union County
(2026)
|
Roberto Tyler Ortiz
|
Union County may not offer new insight into recovery, but it treats the struggle with honesty and care, and that alone gives the film a quiet, enduring dignity.
Posted Feb 01, 2026
Edit critic review
|
|
4.5/10
|
The Musical
(2026)
|
Roberto Tyler Ortiz
|
Maybe it should’ve been called Spite: The Musical after all.
Posted Feb 01, 2026
Edit critic review
|
|
7/10
|
Shelter
(2026)
|
Dom Fisher
|
if the sharp, bone-breaking fight sequences aren’t enough, the wholesome fathers-daughter-esque relationship will warm your bullet-riddled heart.
Posted Feb 01, 2026
Edit critic review
|
|
7.5/10
|
Joybubbles
(2026)
|
Dave Giannini
|
Joybubbles manages to be about many subjects, but they are all housed in one, that being the man that it is based on. If all of us had a little of his openness and childlike exuberance, the world would be a much better place, indeed.
Posted Feb 01, 2026
Edit critic review
|
|
6/10
|
Ghost in the Machine
(2026)
|
Dave Giannini
|
Ghost in the Machine is mostly effective but feels incomplete. Not that many of us know what is next, but there does not seem to be a call to action to close the film.
Posted Feb 01, 2026
Edit critic review
|
|
8/10
|
All About the Money
(2026)
|
Phil Walsh
|
There are both ironies and contradictions galore. Ultimately, that is O'Shea's most significant strength with this film. Personalities aside. This is a documentary profiling the facets and reaches of ungodly wealth and unbridled connections.
Posted Jan 30, 2026
Edit critic review
|
|
7.5/10
|
Closure
(2026)
|
Liselotte Vanophem
|
Closure is a heartbreaking, up-close, subtle portrayal of grief, uncertainty, and the fear of finally having to let go.
Posted Jan 30, 2026
Edit critic review
|
|
5/10
|
The Wrecking Crew
(2026)
|
M.N. Miller
|
The Wrecking Crew loses all its charm amid all the pointless chaos.
Posted Jan 30, 2026
Edit critic review
|
|
8/10
|
Big Girls Don't Cry
(2026)
|
Roberto Tyler Ortiz
|
Big Girls Don’t Cry may not redefine the coming-of-age film, but it announces a filmmaker with real sensitivity and confidence, and introduces Ani Palmer as a remarkable new presence.
Posted Jan 29, 2026
Edit critic review
|
|
7.5/10
|
The Incomer
(2026)
|
Roberto Tyler Ortiz
|
The Incomer remains an enjoyable, funny, and heartfelt experience.
Posted Jan 29, 2026
Edit critic review
|
|
|
My Bloody Valentine
(1981)
|
Dillon Gonzales
|
My Bloody Valentine is a classic slasher that really goes for the jugular in terms of violence. The characters are fairly well-defined in terms of gaining your interest before being served up as fodder for the killer.
Posted Jan 28, 2026
Edit critic review
|
|
8.5/10
|
Barbara Forever
(2026)
|
Dave Giannini
|
Barbara Forever is a necessary documentary even now, in the way it shows lesbian relationships with zero concern for the male eye or entertainment.
Posted Jan 28, 2026
Edit critic review
|
|
8/10
|
Seized
(2026)
|
Dom Fisher
|
Seized is a subtle yet powerful reminder to stand firm in the face of corruption.
Posted Jan 28, 2026
Edit critic review
|
|
10/10
|
Birds of War
(2026)
|
Dave Giannini
|
Birds of War may seem like an unapproachable, highly dramatic story that will make it difficult to connect, given our very different lives. However, there is enough eerie similarity between their world and ours to easily lock in with their story.
Posted Jan 27, 2026
Edit critic review
|
|
6/10
|
Shame and Money
(2026)
|
Roberto Tyler Ortiz
|
This is cinema that refuses comfort. It asks you not to feel better, not to hope, not to look away, but only to understand how fragile stability truly is when pride becomes the last thing left to lose.
Posted Jan 27, 2026
Edit critic review
|
|
8/10
|
Night Nurse
(2026)
|
Megan Loucks
|
Bernstein’s directorial voice is strong and focused, with Night Nurse being a scrumptious tease for whatever she does next—a genre-defining work of taboo and eroticism that delves into how deception and manipulation fester
Posted Jan 27, 2026
Edit critic review
|
|
8/10
|
Send Help
(2026)
|
Joshua Mbonu
|
Send Help is the culmination of everything that makes a great Raimi film tick in all kinds of genre filmmaking; meaning spirited chaos, non-stop thrillers, a kinetic camera, and bodily fluids of all kinds flying across the screen.
Posted Jan 26, 2026
Edit critic review
|
|
7/10
|
Solo Mio
(2026)
|
M.N. Miller
|
Kevin James stars in Solo Mio, a funny, thoughtful, and unexpectedly warm romantic comedy that finds real charm in emotional maturity.
Posted Jan 25, 2026
Edit critic review
|
|
8/10
|
Mum, I'm Alien Pregnant
(2026)
|
Phil Walsh
|
a sharply written script that uses an alien conception as a means to tell a story about expectation, choice, and parenthood. Sprinkle in at-times shocking body horror, and this has the makings of a film that, at a minimum, will have people talking.
Posted Jan 24, 2026
Edit critic review
|
|
8.5/10
|
TheyDream
(2026)
|
Dave Giannini
|
TheyDream, if nothing else, offers us a look deep into one story that matters, one like our own, despite our many differences. Despite all of our personal imperfections, we can find, through memory, our own liberation.
Posted Jan 24, 2026
Edit critic review
|
|
3/10
|
Return to Silent Hill
(2026)
|
Gaius Bolling
|
There is a madness associated with Silent Hill that makes the game series such an effective horror video game brand, but the madness here is just a deafening mess of a film that proves to be disappointing because of how well this film series started.
Posted Jan 24, 2026
Edit critic review
|
|
7.5/10
|
The Oldest Person in the World
(2026)
|
Dave Giannini
|
When faced with impending death, it must be remembered that life is nothing if not full of promise and value. These folks may have lived for a century, but we never know when our time is up. Every moment matters.
Posted Jan 23, 2026
Edit critic review
|
|
8/10
|
Everybody To Kenmure Street
(2026)
|
Dave Giannini
|
Given recent events in the United States, this film could not be more topical to show the importance of building community, not only for enrichment, but sadly to protect one another from the impending harm of overreaching governmental agencies.
Posted Jan 23, 2026
Edit critic review
|
|
2.5/10
|
Mercy
(2026)
|
Joshua Mbonu
|
Mercy isn't quite as poorly executed visually as, say, last year's War of the Worlds, but the fact that it’s even remotely close to that level of quality is bad in and of itself.
Posted Jan 21, 2026
Edit critic review
|
|
8/10
|
Mother of Flies
(2025)
|
Phil Walsh
|
This is a special film. It is grotesque in the manner in which it presents death, yet blunt for a purpose. The fact that this film draws on the filmmakers' personal experiences makes the story all the more impactful.
Posted Jan 20, 2026
Edit critic review
|
|
5/10
|
All You Need Is Kill
(2025)
|
Phoenix Clouden
|
Unfortunately, All You Need Is Kill doesn’t quite know what story it wants to tell, so as a viewer, you’re mostly left confused. If there’s more to add to the story, it could really be intriguing, but as it stands right now, it feels incomplete.
Posted Jan 18, 2026
Edit critic review
|
|
6/10
|
The Rip
(2026)
|
Liselotte Vanophem
|
As a pure action crime thriller, The Rip certainly fulfils its purpose. It delivers large-scale shootouts, explosive moments, and high-speed car chases, and the concluding pursuit provides even greater excitement.
Posted Jan 16, 2026
Edit critic review
|
|
7/10
|
28 Years Later: The Bone Temple
(2026)
|
Dom Fisher
|
28 Years Later: The Bone Temple is a beacon of hope amongst endless carnage. This new chapter of the cult franchise is a visceral and gruesome affair.
Posted Jan 16, 2026
Edit critic review
|
|
9/10
|
Shuffle
(2025)
|
Dave Giannini
|
Addiction robs us of many wonderful human beings. Something must change, and Benjamin Flaherty has done admirable work bringing that humanity to the forefront in Shuffle.
Posted Jan 15, 2026
Edit critic review
|
|
7.5/10
|
Seeds
(2025)
|
Jaylan Salah
|
SEEDS doesn’t try to ask sophisticated questions that it can’t answer, nor does it search for a solution to an expanding global problem of manpower decay. It simply states the obvious and challenges us to think.
Posted Jan 14, 2026
Edit critic review
|
|
5.5/10
|
Night Patrol
(2025)
|
Phil Walsh
|
There is a story somewhere in all this chaos, particularly one that speaks to police corruption and racial discrimination. The travesty is that the film never realizes its identity.
Posted Jan 14, 2026
Edit critic review
|
|
6/10
|
Greenland 2: Migration
(2026)
|
Joshua Mbonu
|
Greenland 2: Migration has enough compact sequences that up the ante in the scale of its stakes and destruction, and offers an emotionally satisfying message for the hope of our own future
Posted Jan 10, 2026
Edit critic review
|
|
3.5/10
|
Song Sung Blue
(2025)
|
Cameron Ritter
|
Song Song Blue is certainly a passable outing for Brewer, Jackman, Hudson, and all involved, but it lacks the emotional punch it so desperately needs to be effective.
Posted Jan 09, 2026
Edit critic review
|
|
7/10
|
People We Meet on Vacation
(2026)
|
Tristian Evans
|
People We Meet On Vacation is a charming romantic comedy about the winding paths that lead us to the people we’re meant to find.
Posted Jan 09, 2026
Edit critic review
|
|
7.5/10
|
Primate
(2025)
|
Gaius Bolling
|
Primate satisfies because of what it gets right, and that's being a creature feature with bite that manages to generate atmospheric chills but also the rabid monkey violence that audiences will be salivating for.
Posted Jan 09, 2026
Edit critic review
|
|
8/10
|
Familia
(2024)
|
Liselotte Vanophem
|
Familia slightly overstays its welcome, yet Italy's entry for the 2026 Academy Awards as Best International Feature is a rich emotional exploration of psychological trauma, its lasting effects and intricate character dynamics.
Posted Jan 07, 2026
Edit critic review
|
|
7/10
|
Sleepwalker
(2026)
|
Phil Walsh
|
An unsettling deep dive into grief that kept me on edge right until the end, which felt like a perfect ending to a dream. Abrupt and shocking.
Posted Jan 06, 2026
Edit critic review
|
|
|
Dogma
(1999)
|
Jeffrey Peterson
|
Dogma criticizes all religious sects of Western society, from Catholics to Protestants to Agnostics. Whether you’re a believer, denier, or contrarian, Smith has more than a few words for you.
Posted Jan 06, 2026
Edit critic review
|
|
8.5/10
|
Left-Handed Girl
(2025)
|
Phil Walsh
|
This first outing in the director's chair by Tsou is masterful. The story itself is touching. Lending itself to a guerrilla style of filmmaking, we are on the ground level in a way that never feels aggressive but intimate.
Posted Jan 02, 2026
Edit critic review
|
|
6/10
|
Atropia
(2025)
|
Megan Loucks
|
Gates transports us to the Bush era, the immediate post-9/11 world that still has impacts today, and shows how history continues to repeat itself. But displaced humor and oddly paced scenes take away from the film’s strengths within the cast
Posted Dec 29, 2025
Edit critic review
|
|
7/10
|
Don't You Let Me Go
(2024)
|
Anya Couture
|
Leticia Jorge and Ana Guevara make their film ultimately about longing and lost love, but in their tenderness, they do so with a touch of tranquility laid on top of a dream world.
Posted Dec 26, 2025
Edit critic review
|
|
10/10
|
No Other Choice
(2025)
|
Brandon Lewis
|
It is another spoke on the wheel of Chan-wook’s incisive satire, where the concept of choice, either an abundance or a lack of them, is beside the point under the specter of capitalism.
Posted Dec 26, 2025
Edit critic review
|
|
|
Confessions of a Nazi Spy
(1939)
|
Dillon Gonzales
|
The film does indulge in some heavy-handed rhetoric and back-patting... Where it rises above this is in the captivating pace it maintains and the performances that completely sell the believability of this tale.
Posted Dec 24, 2025
Edit critic review
|