|
3/5
|
The Patsy
(1928)
|
Robyn Karney
|
Adapted from a play, King Vidor's silent retains some of the dialogue in the intertitles and showcases the not inconsiderable comedic talents of Marion Davies.
Posted Apr 02, 2026
Edit critic review
|
|
2/5
|
Vanishing Point
(1997)
|
Maj Canton
|
Writer/director Charles Robert Carner revs up the action but eventually runs out of gas, despite a good cast and scenic desert locations.
Posted Apr 01, 2026
Edit critic review
|
|
2/5
|
The Super Mario Galaxy Movie
(2026)
|
James Mottram
|
Returning us to the lurid, trippy Mushroom Kingdom, The Super Mario Galaxy Movie is equally barmy, if not quite as fresh or funny as its predecessor.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
Jennifer's Body
(2009)
|
Rosie Fletcher
|
It's vicious and spiky in all the best ways, and neatly ticks genre boxes with its excellent gore scenes.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
Au grand balcon
(1949)
|
David Parkinson
|
While director Henri Decoin includes an extended scene of stunt flying, it's his focus on the human aspects that keeps the various storylines airborne.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
That Summer
(1979)
|
Terry Staunton
|
The film is not without charm, though, with praiseworthy performances from the leading man, Julie Shipley as the object of his affections, and more seasoned players John Junkin and Stephanie Cole in supporting roles.
Posted Mar 31, 2026
Edit critic review
|
|
5/5
|
Heat
(1995)
|
Max Copeman
|
With Christopher Nolan among the many film-makers to cite Heat as an inspiration, it enjoys the enviable legacy of being always admired, often imitated, but never bettered.
Posted Mar 31, 2026
Edit critic review
|
|
5/5
|
Being There
(1979)
|
Calum Baker
|
Peter Sellers gives a masterful, stripped-back performance in this memorable satire.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
Jojo Rabbit
(2019)
|
Patrick Cremona
|
Davis and a standout McKenzie inject the film with plenty of heart.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
The Undertaker
(2023)
|
Steve Morrissey
|
McCann delivers an engaging turn, as does Roger Barclay as the increasingly psychotic gangster and Tara Fitzgerald as his philosophically minded moll.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
The Betrayal
(1957)
|
Jayne Nelson
|
McCall's determination to confront the traitor - sight or no sight - is admirable, and the finale should still thrill a little.
Posted Mar 31, 2026
Edit critic review
|
|
2/5
|
Something in the Water
(2024)
|
Jayne Nelson
|
On the downside, the central couple's issues seem bolted on from another story, the dialogue is often unconvincing and the low-budget sharks are very, very silly.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
Two Prosecutors
(2025)
|
Tom Dawson
|
Two Prosecutors is meticulously composed in fixed takes, its claustrophobic style conveying how trapped its characters are within this totalitarian universe.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
Two Women
(2025)
|
Chezelle Bingham
|
Leboeuf and Gonthier-Hyndman are well suited to their roles, with Violette's softness and Florence's humour bringing a playful, engaging balance of levity and emotion to each scene.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
Midwinter Break
(2026)
|
Patrick Cremona
|
It's occasionally a little lifeless, but as a portrait of a marriage that's slowly crumbled without any major fireworks, it mostly works.
Posted Mar 31, 2026
Edit critic review
|
|
2/5
|
Bone Keeper
(2026)
|
Matt Glasby
|
Borrowing the basic underground setting of The Descent, then spicing things up with elements from The Thing, it is frequently bad but never boring.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
Prime Minister
(2025)
|
Rosie Fletcher
|
This isn't an especially ostentatious or stylish telling of her tenure, but it does deliver a hopeful story about a regular person who tried to make a difference.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
Everybody to Kenmure Street
(2026)
|
Tom Dawson
|
The film crucially places these inspiring events within Glasgow's rich history of principled protest.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
Reminders of Him
(2026)
|
Chezelle Bingham
|
Reminders of Him still offers a dash of sweetness, a dose of cheesiness, and a pleasant country twang.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
Henry Fonda for President
(2024)
|
Calum Baker
|
Pointedly contrasting the liberal Fonda with Hollywood colleague and conservative standard-bearer Ronald Reagan, it's a smart, searching look at America via its secular gods.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
Resurrection
(2025)
|
Sean McGeady
|
Resurrection is a work of great contrasts and greater beauty.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
Made in Korea
(2026)
|
Jayne Nelson
|
Seoul is the real star, of course, all reflected neon and twinkling skylines.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
The Love That Remains
(2025)
|
James Mottram
|
It's a sometimes meandering but often charming meditation on emasculation and the stresses of divorce.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
Splitsville
(2025)
|
James Mottram
|
Corvino directs with brio, although sometimes the insights into modern-day couplings get lost amid the inherent craziness. It's a smartly acted film, even if it only hits a couple of the nerves it seeks to.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
Project Hail Mary
(2026)
|
Terry Staunton
|
This is science fiction with a reassuring soul, where the sombre comes bearing a smile, and the vastness of space is never quite so scary when you’re sharing it with a new pal.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
The Tasters
(2025)
|
Tom Dawson
|
It makes for a tense and intimate drama, which is carefully shot and convincingly acted by its ensemble cast.
Read less
Posted Mar 31, 2026
Edit critic review
|
|
2/5
|
Pretty Lethal
(2026)
|
Terry Staunton
|
In terms of acting, none of the tutu-sporting young heroines make much of an individual impression, while Thurman breezes through her frustratingly underwritten role as a cut-price Cruella de Vil on autopilot.
Posted Mar 31, 2026
Edit critic review
|
|
4/5
|
Brides
(2025)
|
Dave Golder
|
The two spiky lead characters are far from idealised, yet remain endearing even as they make one bad decision after another, leading to one of cinema's more devastating fades to black.
Posted Mar 31, 2026
Edit critic review
|
|
3/5
|
Ready or Not 2: Here I Come
(2026)
|
Emma Simmonds
|
Weaving, in particular, turns in another beautifully expressive turn; wide-eyed, straggle-haired and bloody magnificent, she runs the gamut from bewildered and frightened to determined and deranged.
Posted Mar 31, 2026
Edit critic review
|
|
2/5
|
The Bad News Bears in Breaking Training
(1977)
|
David Parkinson
|
This far-fetched sports comedy sequel is sentimental to the point of patronising and overburdened with coy insights into growing up.
Posted Mar 24, 2026
Edit critic review
|
|
3/5
|
Apnas
(2026)
|
Terry Staunton
|
Traditional values clash with tough urban realities in this compelling crime drama inspired by real events.
Posted Mar 23, 2026
Edit critic review
|
|
5/5
|
High School
(1969)
|
Calum Baker
|
For all its focus and specificity, the film remains a timeless study in authority more generally.
Posted Mar 23, 2026
Edit critic review
|
|
4/5
|
New Life
(2023)
|
Steve Morrissey
|
The accomplished leads add depth to their archetypal roles as hunter and hunted, making this a most unpredictable tale in which we're never entirely sure who to root for.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
The Walking Target
(1960)
|
David Parkinson
|
Foster makes an edgy antihero and there's a pleasing snap to his exchanges with Anders's blowsy blonde fatale and Harp McGuire's bullet-headed cop.
Posted Mar 23, 2026
Edit critic review
|
|
4/5
|
Togo
(2019)
|
Dave Golder
|
It is unashamedly sentimental feel-good fare, with lots of cute furry critters, some nailbiting action, and plenty of breathtaking mountainscapes.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
The Stranglers of Bombay
(1960)
|
David Parkinson
|
Hammer wasn't aiming for subtlety; the film was advertised as being filmed in widescreen Strangloscope, and some of the violence is still shocking.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
Fear No More
(1961)
|
David Parkinson
|
The twist isn't difficult to guess, but Wiesen plays his hand shrewdly to stack the odds against the excellent Powers.
Posted Mar 23, 2026
Edit critic review
|
|
5/5
|
Network
(1976)
|
Calum Baker
|
Lumet keeps the pace up throughout his marvellously edited film, with the actors - three of whom won Oscars - doing stellar work, remaining utterly believable even at their most absurd and verbose.
Posted Mar 23, 2026
Edit critic review
|
|
2/5
|
The Orphans
(2025)
|
James Mottram
|
There's nothing wildly original here.
Posted Mar 23, 2026
Edit critic review
|
|
4/5
|
Man Finds Tape
(2025)
|
Steve Morrissey
|
An ambitious, auspicious debut.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
A Pale View of Hills
(2025)
|
Kevin Harley
|
The story comes to fitful life in the hands of Hirose and Nikaido, whose mirrored turns tease out themes of trauma and selfhood with absorbing subtlety.
Posted Mar 23, 2026
Edit critic review
|
|
4/5
|
California Schemin'
(2025)
|
Rosie Fletcher
|
This is frenetic fun packed with nostalgia - a euphoric rags-to-riches-to-rags movie that is no less energetic and enjoyable for the fact that it's a bit predictable.
Posted Mar 23, 2026
Edit critic review
|
|
4/5
|
DJ Ahmet
(2025)
|
Matt Glasby
|
The result feels universal because it acknowledges that everyone was young and yearning once.
Posted Mar 23, 2026
Edit critic review
|
|
4/5
|
My Undesirable Friends: Part I - Last Air in Moscow
(2024)
|
James Mottram
|
In a society where journalists are imprisoned for treason and writing about the normality of gay families can get you branded an "extremist terrorist", this terrific, terrifying film shows that speaking truth to power requires more than catchy slogans.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
How to Make a Killing
(2026)
|
Max Copeman
|
It is adequately watchable and aims to be keenly modern, but is undercut by a failure to escape roots in a British film from 1949.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
THE BRIDE!
(2026)
|
Jeremy Aspinall
|
Gyllenhaal should be applauded for her ambition, stylish flourishes and obvious respect for the original film.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
Scream 7
(2026)
|
Terry Staunton
|
Represents a kind of homecoming, with the return of both the franchise’s most enduring heroine and the man who created the whole business 30 years ago contributing hugely to a horror that’s by no means perfect but isn’t short on pizzazz.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
War Machine
(2026)
|
Jayne Nelson
|
That said, the film also delights in showing blood, bones and guts, so be warned if you're not in the mood for a glut of flying viscera.
Posted Mar 23, 2026
Edit critic review
|
|
3/5
|
The Second Civil War
(1997)
|
Maj Canton
|
Dante piles on the social satire without resorting to preachiness.
Posted Mar 23, 2026
Edit critic review
|
|
2/5
|
The Astronaut
(2025)
|
Jayne Nelson
|
Architecture fans will surely enjoy the gorgeous glass-walled house with its stunning green views; the film's finale is effective, too. But there's a chance you'll have aborted this mission long before that arrives.
Posted Mar 23, 2026
Edit critic review
|