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The Strangers: Chapter 2
(2025)
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John Serba
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More like The Strangers: Chapter Spew.
Posted Feb 02, 2026
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Greenland 2: Migration
(2026)
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John Serba
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Greenland 2 is just greenbland.
Posted Feb 02, 2026
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Zootopia 2
(2025)
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John Serba
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The first film struck me as a cut above Just Fine. By comparison, Zootopia 2 is more of a grower, and I can imagine multiple jokes emerging with multiple viewings. This is smart, highly enjoyable stuff.
Posted Feb 02, 2026
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1/5
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Melania
(2026)
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Jesse Hassenger
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Melania mistakes its subject’s fame for star quality, and mistakes a life of leisure for one of accomplishment and importance, forcing Ratner to create a film that’s all lazy patchwork.
Posted Jan 31, 2026
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Eleanor the Great
(2025)
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John Serba
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Eleanor the Great is a well-intentioned miscalculation.
Posted Jan 29, 2026
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Anaconda
(2025)
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John Serba
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CGI’s better than ’97 at least. Other than that? Meh.
Posted Jan 29, 2026
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The Wrecking Crew
(2026)
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John Serba
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The Wrecking Crew hits all its marks, but without a more creatively rigorous approach to classic action-comedy tropes, it quickly gets wearisome.
Posted Jan 29, 2026
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Peter Hujar's Day
(2025)
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John Serba
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I can objectively say it’s admirable in its form, an experimental film with a highly focused specificity of intent.
Posted Jan 29, 2026
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Mike Epps: Delusional
(2026)
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Sean L. McCarthy
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If you only see one Mike Epps stand-up special, make it this one.
Posted Jan 29, 2026
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Caught by Love
(2026)
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Maddy Casale
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The most unique and engaging thing about Caught by Love is its stunning shots of Malta. Take that away, and there’s not enough emotional honesty, charm, or plot stakes to set this movie apart from other run-of-the-mill rom-coms.
Posted Jan 27, 2026
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Gabby's Dollhouse: The Movie
(2025)
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John Serba
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Gabby’s Dollhouse: The Movie is just fine.
Posted Jan 27, 2026
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Beast of War
(2025)
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John Serba
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Beast of War is far from groundbreaking, and the story is thin. But it’s also a taut 87 minutes, and offers just enough of a variation on familiar stories to be worth your time.
Posted Jan 27, 2026
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The Big Fake
(2026)
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John Serba
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The Big Fake is more period fashion show than intriguing drama.
Posted Jan 27, 2026
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Cosmic Princess Kaguya!
(2026)
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Maddy Casale
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While Cosmic Princess Kaguya! is definitely not the most accessible or comprehensible movie for the general viewer, it will likely be a homerun for anyone who falls into its intended target audience.
Posted Jan 27, 2026
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Mr. Nobody Against Putin
(2025)
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Marshall Shaffer
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Mr. Nobody Against Putin provides an invaluable look at daily life under Putin’s Russia.
Posted Jan 27, 2026
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A Big Bold Beautiful Journey
(2025)
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John Serba
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It’s a testament to the film’s tonal ineffectiveness that I kept wondering why, as Sarah and David allowed themselves to be yanked through this dull, maudlin star-crossed-lover horse-manure story full of cloyingly precious tender moments.
Posted Jan 22, 2026
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Twinless
(2025)
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John Serba
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Twinless is enough of a rollercoaster that you feel like you’re still on it the day after you watch it. It clung to me like a shroud. It’s not immediately likable, but the more you ponder, the greater its status in the mind.
Posted Jan 22, 2026
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Kidnapped: Elizabeth Smart
(2026)
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John Serba
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Kidnapped: Elizabeth Smart is well-meaning, it’s well-done, it’s unexceptional – but it’s also worthwhile.
Posted Jan 22, 2026
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The SpongeBob Movie: Search for SquarePants
(2025)
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John Serba
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It takes a bit of intestinal fortitude to make it through Search for SquarePants’ surreal joke barrage. But you’ve probably been acclimated to the SpongeBob waters by now.
Posted Jan 22, 2026
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Love on the Amazon
(2026)
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Liz Kocan
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While Love on the Amazon has its moments, there are better versions and variations on this film out there.
Posted Jan 22, 2026
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Rental Family
(2025)
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John Serba
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Rental Family is a finely crafted melodrama with a strong central performance that nonetheless reeks of unfulfilled potential. Mixed feelings then, but it tugs at our heartstrings in a meaningful enough manner to warrant a mild recommendation.
Posted Jan 17, 2026
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Song Sung Blue
(2025)
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John Serba
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Song Sung Blue perfectly channels the mega-cornball showbiz majesty of the hokemeister Diamond himself, who wrote and sang songs that transformed base emotions into grandiose gestures.
Posted Jan 17, 2026
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The Rip
(2026)
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John Serba
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The Rip delivers as advertised, albeit in a disappointingly unmemorable manner compared to Carnahan’s better films.
Posted Jan 17, 2026
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Bone Lake
(2024)
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John Serba
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Bone Lake is no game-changer, but its rock solid filmmaking and fleeting flirtations with greatness has us looking forward to Morgan’s next film.
Posted Jan 17, 2026
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Good Night, and Good Luck Live
(2025)
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John Serba
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It’s easy to see why the play earned a handful of Tony nominations for its convincing mise-en-scene.
Posted Jan 14, 2026
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Soul on Fire
(2025)
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John Serba
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Soul on Fire seems to think it can coast on the inherent power of its true story, but its sub-par execution doesn’t do its subject much justice.
Posted Jan 14, 2026
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People We Meet on Vacation
(2026)
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John Serba
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People We Meet on Vacation is engineered to be predictably satisfying, and offers few real surprises. It’s generally content to be vague on character details and heavy on the romantic yearning, rendering it less substantial than it could be.
Posted Jan 09, 2026
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Predator: Badlands
(2025)
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John Serba
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Oh, and stop your whining that Predator has gone PG-13 and lost its edge. Badlands delivers the goods enough that you won’t miss the blood and guts.
Posted Jan 09, 2026
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10DANCE
(2025)
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Johnny Loftus
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There is a ton of heart and a lot of lush looks in 10Dance’s portrayal of the burgeoning romantic bond between two pro ballroom dancers.
Posted Jan 09, 2026
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The Home
(2025)
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John Serba
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The plot works its way through its hodgepodge of this ‘n’ that plot mechanisms to get to a conclusion that’ underwhelming and over the top at the same time.
Posted Jan 09, 2026
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Dracula
(2025)
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John Serba
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Hell of a movie. But to actually recommend it to anyone? That’s a bridge too far, my friends.
Posted Jan 09, 2026
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Ricky Gervais: Mortality
(2025)
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Sean L. McCarthy
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The brutal truth is that the farther he becomes removed from his classic works with Stephen Merchant, the less Gervais has to offer.
Posted Jan 09, 2026
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Marcello Hernández: American Boy
(2026)
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Sean L. McCarthy
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This is a classic get-to-know-you debut special, and it’s fun not only to see how Hernandéz shines in the spotlight, but how expressive and emotional he gets displaying his love for his family and his culture.
Posted Jan 09, 2026
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Evil Influencer: The Jodi Hildebrandt Story
(2025)
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John Serba
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Evil Influencer’s flimsiness underscores its inability to justify its existence as a piece of worthwhile journalism.
Posted Jan 05, 2026
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Lost in Paradise
(2026)
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Liz Kocan
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Lost in Paradise is a fun, tropical adventure, but it owes most of its success to the chemistry between its two leads, Lacey Chabert and Ian Harding.
Posted Jan 05, 2026
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The Son of a Thousand Men
(2025)
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John Serba
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The film is at times quite beautiful, but the interwoven drama and overlapping character arcs are leached of subtlety and humor.
Posted Jan 05, 2026
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Groom & Two Brides
(2025)
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Radhika Menon
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Groom and Two Brides is a sweet, though predictable, love triangle story that ultimately has the winning ingredients.
Posted Jan 05, 2026
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Nuremberg
(2025)
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John Serba
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You’ll wish Nuremberg was more willing to get its hands dirty in exploring the inner lives of its characters, and less willing to conform to genre standards. But it’s a rock-solid watch nonetheless.
Posted Jan 05, 2026
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I'm Chevy Chase and You're Not
(2025)
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John Serba
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The doc is eminently watchable and absorbing, and Zenovich lets the facts sit out in the open without judgment or justification.
Posted Jan 05, 2026
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Death Before the Wedding
(2025)
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Radhika Menon
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The racism of the central character undercuts any humor from the film.
Posted Jan 05, 2026
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The Jester 2
(2025)
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John Serba
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While watching The Jester 2, I wanted to cast a spell and make myself disappear.
Posted Jan 05, 2026
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Wicked: For Good
(2025)
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John Serba
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Wicked: For Not As Good.
Posted Jan 05, 2026
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Tom Segura: Teacher
(2025)
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Sean L. McCarthy
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Segura doesn’t seem to have enough new thoughts or experiences worth developing into another new hour. You can get away with trifling material on tour. On a special, not so much.
Posted Dec 29, 2025
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Cover-Up
(2025)
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John Serba
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The story of Hersh spotlights some of modern America's darkest, ugliest moments, balanced out by the need to hold power to account for such things.
Posted Dec 29, 2025
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Five Nights at Freddy's 2
(2025)
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John Serba
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The narrative slowly, witlessly, listlessly builds to the inevitable unleashing of mayhem, and to call said mayhem underwhelming is gross understatement.
Posted Dec 29, 2025
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Strange Harvest
(2024)
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John Serba
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It’s by no means a game-changer, but Strange Harvest offers enough of a variation on genre tropes to make it worth horror mavens’ time.
Posted Dec 29, 2025
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Sentimental Value
(2025)
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John Serba
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Another triumph for Trier.
Posted Dec 29, 2025
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Goodbye June
(2025)
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John Serba
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Goodbye June offers a perfectly acceptable balance of warm fuzzies and sad droopies.
Posted Dec 29, 2025
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Springsteen: Deliver Me from Nowhere
(2025)
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John Serba
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This interpretation of a trying time inside Bruce’s head is a dour time at the movies.
Posted Dec 29, 2025
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The Life of Chuck
(2024)
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John Serba
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Nice movie! Could be better though. Approach it with, yes, cautious optimism.
Posted Dec 29, 2025
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