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Boxcutter
(2024)
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Radheyan Simonpillai
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A vibrant movie mapping out the changing face of Toronto and the people, still struggling to hold on, who give it some soul. Like them, Boxcutter has plenty of soul.
Posted Aug 19, 2025
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Friendship
(2024)
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Radheyan Simonpillai
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A clever movie for people who are comfortable seeing the most uncomfortable version of themselves in these characters and laughing at our own most embarrassing behaviour.
Posted May 25, 2025
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Lilo & Stitch
(2025)
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Radheyan Simonpillai
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The young child who plays Lilo, Maia Kealoha, is adorable in a way that the animated Lilo couldn’t be. And she gives this movie a bit of the soul these remakes almost always lack.
Posted May 25, 2025
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Mission: Impossible - The Final Reckoning
(2025)
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Radheyan Simonpillai
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An exhausting victory lap that is too in awe of itself; in awe of what the Mission: Impossible movies have achieved (with good reason), struggling to push the storytelling forward while feeling stuck in the past with this sentimental look back.
Posted May 25, 2025
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Better Man
(2024)
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Radheyan Simonpillai
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Doesn’t try to narrate the arc of Robbie Williams' story so much as ride the emotional waves of it.
Posted Jan 13, 2025
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Den of Thieves: Pantera
(2025)
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Radheyan Simonpillai
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No other personalities in this movie can match that Gerard Butler energy.
Posted Jan 13, 2025
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A Complete Unknown
(2024)
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Radheyan Simonpillai
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Fails to really justify its existence.
Posted Dec 23, 2024
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Nosferatu
(2024)
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Radheyan Simonpillai
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The danger here is that Eggers could come off as too much of a film fan, too beholden to his source material, making a movie that’s more ornamental than it is relevant to a modern audience. But I think he pulls it off.
Posted Dec 23, 2024
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Dìdi
(2024)
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Radheyan Simonpillai
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Wang's take on the debut filmmaker rite of passage as coming-of-age story stands out by embracing how awful hormonal teens are, challenging the audience to find a way to care for this character in the same way that he needs to learn to care for himself.
Posted Jul 26, 2024
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Deadpool & Wolverine
(2024)
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Radheyan Simonpillai
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A celebration of trash: as in it revels in Deadpool's brand of trashy humour, but also celebrates the discarded superheroes who we can't help but get sentimental about, following the same easy route to our feelings that Spider-Man: No Way Home took.
Posted Jul 26, 2024
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A Quiet Place: Day One
(2024)
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Radheyan Simonpillai
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Lupita Nyong'o is playing more notes than we'd expect from the Quiet Place franchise. And the novelty of the franchise hasn't completely worn off. I still found myself listening to my own breath, trying not to trigger the monsters.
Posted Jun 28, 2024
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Fancy Dance
(2023)
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Radheyan Simonpillai
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A potent, layered and beautiful heartache of a movie grappling with traumas but finding hope and even joy in the bond between these women, and the way they hold onto their culture and these ceremonies that have resisted and survived colonization.
Posted Jun 28, 2024
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I Am: Celine Dion
(2024)
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Radheyan Simonpillai
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We all know we can listen to Celine Dion sing forever. What I learned from this doc is that we can also watch Celine Dion, a hilarious and animated personality, sort through her closet forever.
Posted Jun 21, 2024
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The Bikeriders
(2023)
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Radheyan Simonpillai
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A fussed over, romanticized take on the Outlaws origin story that fails to be critical or even curious of how they engage with the world beyond their bubble.
Posted Jun 21, 2024
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I Used to be Funny
(2023)
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Radheyan Simonpillai
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It’s really smart and lovely indie filmmaking that finds this delicate balance between the laughs and the big emotions, and using the laughs to cope with the big emotions
Posted Jun 14, 2024
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Inside Out 2
(2024)
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Radheyan Simonpillai
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I will never not appreciate the way these characters give us a fun visual language that makes it easy to talk through emotions with our kids. But the sequel doesn’t land the emotional wallop and the catharsis that the first movie did.
Posted Jun 14, 2024
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Babes
(2024)
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Radheyan Simonpillai
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It's like Bridesmaid but about pregnancy, and all the stuff that comes out in a pregnancy, and I mean all the physical stuff and emotional stuff.
Posted May 24, 2024
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Hit Man
(2023)
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Radheyan Simonpillai
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Hit Man is a rom-com, a film noir, a Coen Brothers-like comic thriller. It’s nothing short of a miracle that it can be all those things
Posted May 24, 2024
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Furiosa: A Mad Max Saga
(2024)
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Radheyan Simonpillai
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Miller stages operatic action set pieces that will be rank as some of best sequences we will see all year. But you also have some drag mainly in terms of backstory we didn’t really need.
Posted May 24, 2024
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The Idea of You
(2024)
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Radheyan Simonpillai
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There’s a lovely tension between making art that speaks to you and engineering content that appeals to the masses, reflected in so many interactions between these characters (their jobs, relationships) and the gaps between the novel and its adaptation.
Posted May 03, 2024
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I Don't Know Who You Are
(2023)
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Radheyan Simonpillai
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M.H. Murray's stellar debut show us a Toronto that can feel like a cold and isolating place, especially for someone in crisis. Sounds dour, but ultimately it’s a tender film about finding warmth.
Posted May 01, 2024
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Challengers
(2024)
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Radheyan Simonpillai
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Does this movie reveal anything about relationships, and the kind of competitiveness we engage in with the people we’re supposed to care for? No. But is it fun to watch sexy people toy with each other in such scandalous ways? Oh yeah.
Posted Apr 26, 2024
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The Greatest Hits
(2024)
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Radheyan Simonpillai
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It's cute time-travelling gimmick complicates an otherwise thin romance entirely reliant on tropes.
Posted Apr 12, 2024
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Civil War
(2024)
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Radheyan Simonpillai
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I’ve seen zombie movies engage in social issues and politics more rigorously than this.
Posted Apr 12, 2024
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This Is Me... Now: A Love Story
(2024)
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Radheyan Simonpillai
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There are a couple good self-deprecating jokes about JLo’s tabloid love life that would have been welcome in a music video. But a whole movie built around that just feels like narcissism.
Posted Feb 16, 2024
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Bob Marley: One Love
(2024)
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Radheyan Simonpillai
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The film recognizes the value in Marley's relationship to Rita, his impact during Jamaica's political crisis and his search for healing in music. But it never finds the rhythm when weaving those strands together and fails to do them justice.
Posted Feb 16, 2024
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Orion and the Dark
(2024)
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Radheyan Simonpillai
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Turns into the Being John Malkovich of kids movies. Not saying it works. But I was certainly having more fun watching this unfold while my kids turned to me multiple times being like, “what is this??!!”
Posted Feb 09, 2024
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Argylle
(2024)
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Radheyan Simonpillai
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If I was Taylor Swift, and I wrote Argylle, I too would deny the whole thing.
Posted Feb 09, 2024
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How to Have Sex
(2023)
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Radheyan Simonpillai
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Registers the tensions, the betrayals and the pain of feeling violated on a granular level.
Posted Feb 09, 2024
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Lisa Frankenstein
(2024)
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Radheyan Simonpillai
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A mood board for 80s goth kids that's more in love with its premise than its characters.
Posted Feb 09, 2024
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Suncoast
(2024)
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Radheyan Simonpillai
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Elevated by Laura Linney, the secret weapon behind so many of the Sundance-flavoured indies Suncoast feels inspired by.
Posted Feb 09, 2024
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Fitting In
(2023)
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Radheyan Simonpillai
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Warm, generous and vulnerable.
Posted Feb 07, 2024
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Four Daughters
(2023)
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Radheyan Simonpillai
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A movie about the trauma of reliving these stories that is ultimately about the warmth and healing these narrators find in each other.
Posted Jan 26, 2024
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The Underdoggs
(2024)
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Radheyan Simonpillai
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Not good but I love that 30 years after Snoop Dogg was deemed a terrible influence on me. I can share this movie casting him as a role model with my kids.
Posted Jan 26, 2024
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The Teachers' Lounge
(2023)
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Radheyan Simonpillai
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A teacher on a tightrope thriller that is gripping, intense and moving.
Posted Jan 26, 2024
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The Zone of Interest
(2023)
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Radheyan Simonpillai
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No other movie this year feels as airtight and explosive.
Posted Dec 29, 2023
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The Color Purple
(2023)
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Radheyan Simonpillai
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An admirably ambitious retelling that just didn't work for me. The musical numbers just kept getting in the way of the emotions.
Posted Dec 27, 2023
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Ferrari
(2023)
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Radheyan Simonpillai
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A lovingly told, endearingly flawed passion project from the Ferrari of filmmakers.
Posted Dec 27, 2023
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Aquaman and the Lost Kingdom
(2023)
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Radheyan Simonpillai
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Feels like everyone just stopped trying a while ago and left this last whimper from the DCEU to float into theatres.
Posted Dec 22, 2023
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Rebel Moon: Part One - A Child of Fire
(2023)
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Radheyan Simonpillai
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I'm watching this wishing more franchise movies looked for visual grace notes the way Snyder does. At the same time, I’m watching this wishing someone gave Snyder script notes, saving us the tropes and operatic cheesiness he leans so heavily on.
Posted Dec 22, 2023
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Migration
(2023)
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Radheyan Simonpillai
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Mike White brings some of that sardonic White Lotus edge to yet another delightful family vacation story.
Posted Dec 22, 2023
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The Iron Claw
(2023)
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Radheyan Simonpillai
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Admirably restrained way, perhaps to a fault. While avoiding the tendency to milk every ounce of emotion or sensationalize the Von Erich's tragedy, Durkin also misses the opportunity to say anything meaningful about their story.
Posted Dec 22, 2023
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Poor Things
(2023)
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Radheyan Simonpillai
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Lanthimos takes the social experiment from his breakthrough film Dogtooth in a more crowd-pleasing and comforting direction.
Posted Dec 15, 2023
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Maestro
(2023)
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Radheyan Simonpillai
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I admired so many virtuosic moments without feeling an emotional connection to the material, and often found myself wondering who is sucking up all the oxygen in the room, Bernstein or the artist telling his story.
Posted Dec 01, 2023
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Wish
(2023)
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Radheyan Simonpillai
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A lifeless, focus-grouped attempt at throwing back to the classics.
Posted Nov 25, 2023
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Dream Scenario
(2023)
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Radheyan Simonpillai
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A hilariously discombobulating movie that also has the best Cage performance in years.
Posted Nov 24, 2023
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Saltburn
(2023)
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Radheyan Simonpillai
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A risible and hollow Talented Mr. Ripley for the Euphoria generation.
Posted Nov 24, 2023
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The Hunger Games: The Ballad of Songbirds & Snakes
(2023)
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Radheyan Simonpillai
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I'm taken by its attempt at being the Lawrence of Arabia of YA movies, and its exploration of how tyranny is fuelled by self-preservation and how people condone state-sanctioned violence out of fear and desperation. That conversation really hits today.
Posted Nov 17, 2023
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The Marvels
(2023)
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Radheyan Simonpillai
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It's unfair how much this movie leans on the genuinely joyous Iman Vellani to liven up the incomprehensible mess created by corporate filmmaking and multiverse-wide IP-fracking.
Posted Nov 10, 2023
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The Killer
(2023)
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Radheyan Simonpillai
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From a filmmaker who tends to scrub the fingerprints off his own work, this is a brilliant take on how we are all disconnected and fading into anonymity doing soulless and impersonal jobs in the era of WeWork, Amazon, UberEats and streaming services.
Posted Oct 27, 2023
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