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Beth Webb

Beth Webb's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Rental Family (2025) 87% 3/5 EDIT “The execution doesn’t always keep up with the premise, but Fraser is an affable guiding light in this crowdpleaser about the complexities of connection.” – Empire Magazine Jan 17, 2026 Full Review Pillion (2025) 100% 5/5 EDIT “An unconventional love story that finds pathos amid the PVC, this triumphant directorial debut bares so much more than flesh. Bruising and brilliant.” – Empire Magazine Dec 2, 2025 Full Review Plainclothes (2025) 83% 4/5 EDIT “Carmen Emmi compellingly mines thriller tropes to capture the fraught experience of suppressed sexuality, but it's Lucas and Andrew’s heart-rending, beautifully performed love story that endures.” – Empire Magazine Oct 22, 2025 Full Review Night Always Comes (2025) 52% 2/5 EDIT “Even when supercharged by Kirby’s unwavering star power, this distractingly muddled stab at social commentary baked into a hardboiled thriller lacks the momentum to make it to the morning.” – Empire Magazine Aug 15, 2025 Full Review Freakier Friday (2025) 73% 3/5 EDIT “Slightly chaotic plotting under-serves the story in places, but it’s saved by an endlessly entertaining Lohan and Curtis.” – Empire Magazine Aug 6, 2025 Full Review Havoc (2025) 64% 4/5 EDIT “...the plot feels somewhat overstuffed as it strains to cover a similar scale of narrative... It also means that the action takes a little while to arrive — but when it does, it lands like a nuclear missile.” – Empire Magazine Apr 25, 2025 Full Review Memoir of a Snail (2024) 95% 4/5 EDIT “Weird and wonky in the best way, this is a compelling character study that makes its joys, however fleeting, feel truly earned.” – Empire Magazine Feb 19, 2025 Full Review September 5 (2024) 92% 4/5 EDIT “Compelling and excellently acted, September 5 is a shining study of journalistic integrity, even if it skips some of the bigger and more important questions raised by the event it documents.” – Empire Magazine Feb 4, 2025 Full Review Babygirl (2024) 76% 4/5 EDIT “An exploration of carnal desire that is at once fiercely erotic, nuanced and raucously funny, with Kidman charging into the breach, flaws bared, taking everything that Reijn hurls her way.” – Empire Magazine Jan 16, 2025 Full Review Anora (2024) 93% 4/5 EDIT “At once a frenzied fairy tale and a tender-hearted character study, Anora is an intoxicating pairing of director and star. Baker’s unique, humanistic approach to filmmaking is as riveting and rewarding as ever.” – Empire Magazine Nov 6, 2024 Full Review His Three Daughters (2023) 97% EDIT “Its opening act may take some adjusting to, but succumb to the capable, captivating dynamic of these women and you won’t be disappointed.” – Empire Magazine Sep 9, 2024 Full Review Twisters (2024) 75% 4/5 EDIT “Where the film underserves certain characters, it more than delivers on action. The concept of upgrading a tornado may seem like a strange one, but the sequel pulls it off with visual flourishes that range from terrifying to outrageously good fun.” – Empire Magazine Jul 10, 2024 Full Review The Bikeriders (2023) 79% 3/5 EDIT “More of a slow burn than a thrill-ride, this study of bygone motorhead mentality at its most visceral and violent is gorgeously shot — but only nicks the surface.” – Empire Magazine Jun 17, 2024 Full Review The Iron Claw (2023) 89% 5/5 EDIT “A heavyweight collective has just entered the ring.” – Empire Magazine Jan 22, 2024 Full Review Lift (2024) 31% 2/5 EDIT “By stifling Hart’s seasoned comedy-fuelled charisma, this overly stylised crime caper is a turbulent ride. Stay for Mbatha-Raw’s righteous action skills, which should propel her to bigger and bolder things.” – Empire Magazine Jan 12, 2024 Full Review Priscilla (2023) 84% 4/5 EDIT “With its woozy aesthetic and dynamic, beguiling cast, Priscilla is textbook Sofia Coppola: not breaking the mould, but a sublime continuation of her sad-girl sensibilities.” – Empire Magazine Dec 21, 2023 Full Review Genie (2023) 31% 2/5 EDIT “Critiquing the very thing it also sets out to do, Genie is the movie equivalent of a dog chasing its own tail, but is (barely) saved from the wrapping-paper pile by the amiable chemistry of its stars.” – Empire Magazine Nov 27, 2023 Full Review BlackBerry (2023) 97% 4/5 EDIT “A corporate comedy of errors — but the film really shines thanks to Howerton, whose towering, shark-like performance makes him a villain for the ages.” – Empire Magazine Oct 3, 2023 Full Review Barbie (2023) 88% 4/5 EDIT “Greta Gerwig delivers a new kind of ambitious and giddily entertaining blockbuster that boasts two definitive performances from actors already in their stride. Life after Barbie will simply never be the same again.” – Empire Magazine Jul 18, 2023 Full Review A Crack in the Mountain (2022) 88% 3/5 EDIT “An often-stunning glimpse at a true natural wonder, that finds its voice through the local people fighting for and against its monetisation.” – Empire Magazine May 26, 2023 Full Review Are You There God? It's Me, Margaret. (2023) 99% 5/5 EDIT “A touching and tender adaptation that does justice to a book which means so much to so many. An enduring, superbly performed triumph.” – Empire Magazine Apr 20, 2023 Full Review Creature (2022) 90% 4/5 EDIT “Kapadia’s documentary sensibilities work astutely in this beautifully performed ensemble piece. A soulful and engaging feat in collaborative filmmaking.” – Empire Magazine Mar 1, 2023 Full Review Women Talking (2022) 90% 4/5 EDIT “A remarkable ensemble of performers unite for this combustible, timely chamber-piece that hails the return of Polley as an ambitious and empirical filmmaker.” – Empire Magazine Feb 6, 2023 Full Review Babylon (2022) 57% 3/5 EDIT “A daring, formally audacious yet messy ode to cinema from one of the most enterprising filmmakers working today. Bravura and baffling in equal measure. Strap in.” – Empire Magazine Dec 16, 2022 Full Review Aftersun (2022) 96% 5/5 EDIT “This mesmeric debut will make you want to stay suspended in its sun-baked setting with its two captivating lead characters for far longer than the runtime. A triumph of new British filmmaking.” – Empire Magazine Nov 16, 2022 Full Review
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