Matt Fagerholm
Matt Fagerholm's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Framing Agnes (2022)
81%
3/4
EDIT
“Essential viewing.” –
RogerEbert.com
Dec 2, 2022
Full Review
Master of Light (2022)
100%
3.5/4
EDIT
“Boesten’s picture leaves viewers contemplating all that they have been unwilling to forgive, and all that could be achieved once that baggage has been thrust from their shoulders.” –
RogerEbert.com
Nov 17, 2022
Full Review
Dos Estaciones (2022)
87%
3.5/4
EDIT
“An angry film, and rightfully so, but it is also an achingly human and disarmingly beautiful one.” –
RogerEbert.com
Sep 9, 2022
Full Review
McEnroe (2022)
93%
3/4
EDIT
“Whenever McEnroe stops complaining and simply plays, the archival footage of him darting back and forth on the court, scoring hits that would be out of reach for most mortals, is utterly thrilling.” –
RogerEbert.com
Sep 2, 2022
Full Review
Let the Little Light Shine (2022)
100%
4/4
EDIT
“An explosively powerful and superbly crafted documentary.” –
RogerEbert.com
Aug 23, 2022
Full Review
Return to Space (2022)
79%
3/4
EDIT
“Chin and Vasarhelyi make a solid case for why space exploration should continue, and the benefits we could reap from it.” –
RogerEbert.com
Apr 7, 2022
Full Review
How to Survive a Pandemic (2022)
82%
2.5/4
EDIT
“A series of micro-vignettes that dont spend enough time on the urgent message spelled out bluntly over the end title cards.” –
RogerEbert.com
Mar 29, 2022
Full Review
Brighton 4th (2021)
89%
3.5/4
EDIT
“A tragicomedy that sneaks up on you stealthily before flooring you with an emotional sucker punch in the final reel.” –
RogerEbert.com
Jan 28, 2022
Full Review
Who We Are: A Chronicle of Racism in America (2021)
98%
4/4
EDIT
“Who We Are should be made required viewing in every American school as we find ourselves perched, once again, at a pivotal tipping point.” –
RogerEbert.com
Jan 14, 2022
Full Review
President (2021)
91%
3.5/4
EDIT
“[A] purposefully infuriating documentary.” –
RogerEbert.com
Dec 17, 2021
Full Review
A Choice of Weapons: Inspired by Gordon Parks (2021)
88%
4/4
EDIT
“[A Choice of Weapons is] deeply moving in how it illustrates the ways in which a single life can have an eternal ripple effect throughout the generations.” –
RogerEbert.com
Nov 15, 2021
Full Review
Convergence: Courage in a Crisis (2021)
82%
3/4
EDIT
“A stirring tribute to the sheer incalculable nature of the sacrifice made by countless caregivers.” –
RogerEbert.com
Oct 8, 2021
Full Review
Detainee 001 (2021)
2.5/4
EDIT
“The archival footage alone makes the film worth seeing, yet the attempts to contrive suspense tend to get in the way of exploring Lindh's psyche with sufficient depth.” –
RogerEbert.com
Sep 10, 2021
Full Review
The Human Factor (2019)
98%
3.5/4
EDIT
“Moreh's latest enthralling feature plays like an urgent thriller rather than a dry history lesson, in part because the issues it raises remain shamefully unresolved.” –
RogerEbert.com
May 7, 2021
Full Review
Erēmīta (Anthologies) (2021)
71%
3/4
EDIT
“What's most rewarding about curator Sam Abbas' short film collection ... is how it magnifies the ways in which all of us, regardless of where we live, have become intrinsically connected by the challenges of this unprecedented era.” –
RogerEbert.com
Feb 26, 2021
Full Review
The Twentieth Century (2019)
95%
3.5/4
EDIT
“At a time when normalcy has routinely backflipped into a pool of insanity, The Twentieth Century makes perfectly perverse sense.” –
RogerEbert.com
Nov 20, 2020
Full Review
I Am Greta (2020)
77%
3/4
EDIT
“I Am Greta warrants a recommendation purely on the basis of Thunberg herself, whose formidable passion and disarming humanity shine through in every frame.” –
RogerEbert.com
Nov 13, 2020
Full Review
Proxima (2019)
86%
2.5/4
EDIT
“The vast majority of this picture is extremely well done, which is what makes its sudden misstep into wish fulfillment sentimentality during the final 20 minutes all the more of a letdown.” –
RogerEbert.com
Nov 6, 2020
Full Review
American Selfie: One Nation Shoots Itself (2020)
70%
3.5/4
EDIT
“Alexandra Pelosi enables the bracing truth of injustice to break through the noise.” –
RogerEbert.com
Oct 23, 2020
Full Review
The Perfect Weapon (2020)
3/4
EDIT
“[A] profoundly disquieting exposé on the urgent threat of cyber warfare.” –
RogerEbert.com
Oct 16, 2020
Full Review
Mighty Ira (2020)
2.5/4
EDIT
“A series of vignettes that, while worthwhile, never coalesce into a fully dimensional portrait of Glasser himself, nor a narrative that satisfies on its own terms.” –
RogerEbert.com
Oct 9, 2020
Full Review
Our Time Machine (2019)
100%
3/4
EDIT
“Our Time Machine leaves you wanting a whole lot more, and that's not necessarily a bad thing.” –
RogerEbert.com
Sep 11, 2020
Full Review
Epicentro (2020)
89%
3.5/4
EDIT
“At once mesmerizing and self-questioning.” –
RogerEbert.com
Aug 28, 2020
Full Review
My name is Margiela (2019)
78%
3/4
EDIT
“Apart from its ample eye candy, the film deftly illustrates how one can live a life of integrity in any profession, provided one has the guts to break the mold.” –
RogerEbert.com
Aug 14, 2020
Full Review
Spinster (2019)
84%
2.5/4
EDIT
“The picture is a touch too benign for its own good, though it does earn enough laughs to warrant a recommendation, at least in its first third.” –
RogerEbert.com
Aug 7, 2020
Full Review
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