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Peyton Robinson

Peyton Robinson's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Huntress (2026) EDIT “Correa crafts a film that doesn’t shy away from the weight of its subject, nor from the understandable, though perhaps unfulfilling claim of its conclusion.” – RogerEbert.com Feb 2, 2026 Full Review Filipiñana (2026) EDIT “The film’s pace is painstaking, detracting from its attempt to survey the chasm between work and play. ” – RogerEbert.com Feb 2, 2026 Full Review Extra Geography (2026) 100% EDIT “Absurdly funny yet unafraid to tap into the grief in intense female friendships, Manners’ film is not just about growing up but also about bracing against cycles of validation and codependency that we all come to realize must be abandoned.” – RogerEbert.com Feb 2, 2026 Full Review The Last First: Winter K2 (2026) 100% EDIT “Not only an adventure tale, it also surveys pride and tragedy and questions the role of accountability, constructing a film as damning as it is exhilarating.” – RogerEbert.com Feb 2, 2026 Full Review Give Me the Ball! (2026) EDIT “With a dedicated vigor only fitting to match its subject, 'Give Me The Ball!’ surveys more history and impact than I can outline with any semblance of brevity, and does so with an ecstatic, enduring thrill.” – RogerEbert.com Feb 2, 2026 Full Review The Oldest Person in the World (2026) 92% EDIT “It desperately wishes for existential depth, but Green’s sentimentality and cloying, soft spoken narration are pleading and off-puttin” – RogerEbert.com Feb 2, 2026 Full Review A Private Life (2025) 81% 2.5/4 EDIT “Despite an overall unsatisfying resolution to these inquiries, the ideas that the film prompts, coupled with Foster’s nuanced performance, make for a compelling enough character study.” – RogerEbert.com Jan 16, 2026 Full Review The Testament of Ann Lee (2025) 88% 3/4 EDIT “The film is a large-scale production, mighty in detail, and Fastvold proves herself up to the challenge of her own aspirations, tackling the weighty biography with the same sort of labor-intensive dedication characteristic of its subject. ” – RogerEbert.com Dec 24, 2025 Full Review Goodbye June (2025) 65% 2/4 EDIT “The sometimes-involuntary healing that accompanies pain and forced proximity is where ‘Goodbye June’ finds a bit of light, but not enough to flood out the shadows of its hypersensitivity. It’s a simple film of an unremarkable ilk.” – RogerEbert.com Dec 12, 2025 Full Review Rosemead (2025) 89% 3/4 EDIT “The film does not offer excuses for violence, and neither should we; instead, it prompts reflection on where compassion and control are needed and where the pursuit of them falters. ” – RogerEbert.com Dec 5, 2025 Full Review Cutting Through Rocks (2025) 100% 3/4 EDIT “The film grants hope for the women of Iran through its thick-skinned subject, putting her resume and grit on display.” – RogerEbert.com Nov 21, 2025 Full Review Come See Me in the Good Light (2025) 100% 3.5/4 EDIT “Their relationship is the film’s earthen quality, the component that provides buoyancy to the memoir. ” – RogerEbert.com Nov 14, 2025 Full Review Put Your Soul on Your Hand and Walk (2025) 98% 4/4 EDIT “‘Put Your Soul on Your Hand and Walk' may not be enough to stop the action, but it will always be a record of a history under attack, and this preservation is radical.” – RogerEbert.com Nov 5, 2025 Full Review Little Amélie or the Character of Rain (2025) 98% 3/4 EDIT “The film masters nostalgia, transferring its landscape of Japan into a playground of wonder and fantasy through the eyes of its lead child. ” – RogerEbert.com Oct 31, 2025 Full Review The Woman in Cabin 10 (2025) 28% 1.5/4 EDIT “It entertains enough to pass the time, but certainly doesn’t thrill.” – RogerEbert.com Oct 10, 2025 Full Review London Calling (2025) 48% 1.5/4 EDIT “Allan Ungar’s assassin turned subverted buddy-cop film takes a long time to get on its feet, and once it does, it still stumbles there. It’s a bit of a tropey mess, but the intent is clear: to have fun. ” – RogerEbert.com Sep 19, 2025 Full Review The Wrong Paris (2025) 67% 1/4 EDIT “Even with classic rivalries and storybook romance attempts, ‘The Wrong Paris’ just doesn’t scratch a genuine itch. ” – RogerEbert.com Sep 15, 2025 Full Review Democracy Noir (2024) 3/5 EDIT “So while the film is an informative tale of international politics, it’s also a warning sign and rallying cry for action back home.” – RogerEbert.com Sep 5, 2025 Full Review Trust (2025) 21% 1.5/4 EDIT “The film had the potential to be not just thrilling but thoughtful. Yet with an unfocused eye and clumsy pen, it falls way short of the mark.” – RogerEbert.com Aug 22, 2025 Full Review East of Wall (2025) 95% 3.5/4 EDIT “The lines between reality and fiction blur so effectively that all we viewers can manage is simply to feel.” – RogerEbert.com Aug 22, 2025 Full Review Strange Harvest (2024) 92% 2.5/4 EDIT “Hinging on the nitpicking anxieties of the true crime genre, “Strange Harvest” maintains an air of abject horror, even if its penchant for ease nudges focus out of the way.” – RogerEbert.com Aug 8, 2025 Full Review 2000 Meters to Andriivka (2025) 94% 2/4 EDIT “But the primary struggle of Chernov’s documentary is that it leans into the impersonal in an attempt at devastation. ” – RogerEbert.com Jul 25, 2025 Full Review Saint Clare (2024) 32% 1/4 EDIT “Thorne plays everything pretty straight and delivers a sufficient though unexciting performance for what “Saint Clare” desires itself to be. ” – RogerEbert.com Jul 18, 2025 Full Review Don't Let's Go to the Dogs Tonight (2024) 91% 2.5/4 EDIT “Embeth Davidtz’s film lands close to home as a South African woman, and the dexterity of her storytelling is certainly due to her proximity to similar dynamics. ” – RogerEbert.com Jul 15, 2025 Full Review M3GAN 2.0 (2025) 57% 2.5/4 EDIT “M3GAN 2.0 is funny, even if cheaply, and it’s also deeply, transparently unserious this time. ” – RogerEbert.com Jun 27, 2025 Full Review
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