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Rating Title | Year Author Quote
9/10
If I Go Will They Miss Me (2026) Sean Boelman Its core story may seem familiar, but everything about the film, from its writing to its direction and performances, radiates with an authenticity and sincerity that helps it circle back around to feeling fresh.
Posted Feb 03, 2026  Edit critic review
7/10
Cold Storage (2026) Joshua Ryan It’s silly, fun, and gross in the best possible way. While it doesn’t redefine the genre, it settles in comfortably and has a blast with the material presented.
Posted Feb 02, 2026  Edit critic review
5/10
Saccharine (2026) Sean Boelman Although the idea of a horror picture for the Ozempic generation sounds compelling on paper, it is too much of a mess in execution to work.
Posted Feb 01, 2026  Edit critic review
5/10
Run Amok (2026) Sean Boelman Although NB Mager’s film is somewhat effective as a character drama, it purports to be a satire. And if your metric for measuring the effectiveness of a satire is how much of its humor lands, Run Amok hits many a false note.
Posted Feb 01, 2026  Edit critic review
5/10
Rock Springs (2026) Alan French Despite an incredible second act of the film, Rock Springs struggles with the horror elements. It's not scary, but the mixed metaphors are particularly ineffective.
Posted Feb 01, 2026  Edit critic review
4/10
Carousel (2026) Alan French Chris Pine and Jenny Slate come to play, but Carousel does not work as a rom-com or relationship drama. It runs into far too many tropes to feel like a comedy of note.
Posted Feb 01, 2026  Edit critic review
9/10
Gail Daughtry and the Celebrity Sex Pass (2026) Cole Groth Gail Daughtry is a live-action cartoon that takes its own stupidity with complete sincerity.
Posted Jan 31, 2026  Edit critic review
8/10
See You When I See You (2026) Cole Groth Jay Duplass' latest stands as a solid, impressive entry in the genre, functioning as a polished echo of Cooper Raiff’s voice that proves he is just as compelling when someone else is behind the camera.
Posted Jan 31, 2026  Edit critic review
6/10
Union County (2026) Cole Groth The film respects its characters' struggle, but it never elevates it beyond the familiar beats of the addiction drama.
Posted Jan 31, 2026  Edit critic review
8/10
The AI Doc: Or How I Became an Apocaloptimist (2026) Cole Groth Roher and Tyrell attempt to visualize the unvisualizable, and for the most part, they succeed in crafting a solid, visually stunning piece of cinema.
Posted Jan 31, 2026  Edit critic review
6/10
Fing! (2026) Cole Groth It's a movie that looks stunning and is hilarious when the adults are on screen, but the experience becomes genuinely grating when the focus shifts back to the kid.
Posted Jan 31, 2026  Edit critic review
6/10
The Musical (2026) Cole Groth In execution, Giselle Bonilla’s debut feature lands a little muted.
Posted Jan 31, 2026  Edit critic review
7/10
Chasing Summer (2026) Alan French Iliza Shlesinger and Josephine Decker combine their styles to create a fun comedy. It is daring, both in its depiction of sex and in navigating love in the modern era.
Posted Jan 31, 2026  Edit critic review
6/10
Troublemaker (2026) Alan French While Troublemaker has flaws, it’s a well-made documentary. We’d love to see more exploration into Mandela behind closed doors, and there are a few moments that Fuqua skirts around the issues.
Posted Jan 31, 2026  Edit critic review
9/10
Josephine (2026) Alan French Josephine is one of the first great movies of 2026. It is a dark film with heavy subject matter and questions to pose to parents. However, it’s also incredibly well-made and features an impeccable child performance.
Posted Jan 31, 2026  Edit critic review
8/10
Everybody To Kenmure Street (2026) Sean Boelman With a powerful story whose importance transcends geographic borders, Everybody to Kenmure Street stands out as one of the most gripping, essential documentaries that you will see this year.
Posted Jan 30, 2026  Edit critic review
8/10
The Disciple (2026) Sean Boelman Whether you are a longtime devotee of the Wu-Tang Clan or a neophyte, you’re likely to find something to enjoy in THE DISCIPLE.
Posted Jan 30, 2026  Edit critic review
7/10
Send Help (2026) Sean Boelman If you approach Send Help with that mindset — an entertaining popcorn flick and nothing more — you’re likely to walk away feeling like you’ve gotten your money’s worth.
Posted Jan 30, 2026  Edit critic review
8/10
The Shitheads (2026) Sean Boelman The S***heads has all the charm of a broad studio comedy, but has the unabashed, balls-to-the-wall edginess of an indie.
Posted Jan 29, 2026  Edit critic review
6/10
Untitled Home Invasion Romance (2025) M.N. Miller Jason Biggs leans into his familiar neurotic persona while showing surprising comedic confidence behind the camera.
Posted Jan 28, 2026  Edit critic review
6/10
Leviticus (2026) Alan French Bird’s performance alone is worth watching, and there are some genuinely incredible moments exploring life in a fundamentalist religious movement.
Posted Jan 28, 2026  Edit critic review
8/10
undertone (2025) Alan French undertone is a thrilling experience that pushes the limits of sound design in the genre. Combined with intriguing Catholic themes and good performances, the horror film will stick with you.
Posted Jan 28, 2026  Edit critic review
9/10
The Only Living Pickpocket in New York (2026) Alan French The Only Living Pickpocket in New York is the ultimate crime comedy about a city in transition, while letting Turturro deliver one of the best performances of his career.
Posted Jan 28, 2026  Edit critic review
6/10
Shelter (2026) Matt Hambidge It's Jason Statham in the role he seems content to play time and time again, and the role suits him. It may not linger with you once the credits roll, but it's enjoyable enough in the moment.
Posted Jan 28, 2026  Edit critic review
7/10
Tuner (2025) Sean Boelman Tuner isn’t without a few sour notes, but its elements are so melodic when seen as a whole that it’s easy to look past some of the weaker elements.
Posted Jan 28, 2026  Edit critic review
9/10
Wicker (2026) Sean Boelman Wicker has a very fun premise, but what elevates the film from a novelty into something genuinely brilliant is the level of sincerity and emotion it brings to its silly, tongue-in-cheek storytelling.
Posted Jan 28, 2026  Edit critic review
3/10
In the Blink of an Eye (2026) Sean Boelman If anything, at least the film truly is over in the blink of an eye at a merciful 94 minutes.
Posted Jan 28, 2026  Edit critic review
8/10
The Invite (2026) Sean Boelman Even though Wilde’s direction still shows some significant weaknesses, The Invite is propelled by a phenomenal script and a wonderful ensemble that is totally game for everything the story throws at them.
Posted Jan 28, 2026  Edit critic review
5/10
Revolver Lily (2023) Sean Boelman Some impressive action sequences aside, Revolver Lily is a mostly dull war drama that struggles to stand out in a genre that has plenty of notable entries.
Posted Jan 27, 2026  Edit critic review
6/10
Worldbreaker (2025) Sean Boelman Is Worldbreaker a particularly good movie? No, not really. It’s dumb, it’s generic, and you’ll probably forget most of it by the time the credits roll — if not before. However, sometimes a big, dumb Milla Jovovich monster movie just hits the spot.
Posted Jan 27, 2026  Edit critic review
2/10
The Gallerist (2026) Cole Groth The film fancies itself a critique of the vapid art world, yet possesses less depth than the puddles its characters keep slipping on.
Posted Jan 27, 2026  Edit critic review
6/10
The Wrecking Crew (2026) Manuel São Bento In the end, the protagonists' charisma ensures victory, proving that a good duo can carry even the most formulaic screenplay.
Posted Jan 26, 2026  Edit critic review
9/10
Once Upon a Time in Harlem (2026) Sean Boelman Every second of footage that David Greaves presents here from his late father is a gift, not only to the audience but also to the world of art in general.
Posted Jan 26, 2026  Edit critic review
3/10
The Moment (2026) Sean Boelman With the cast and talent behind The Moment, it really should be something special, but instead, it’s an unfunny, boring experience.
Posted Jan 25, 2026  Edit critic review
7/10
Buddy (2026) Sean Boelman It’s a lot of fun, has a great concept, and has no shortage of visual style, but it feels like the type of movie destined more for late night/cult status than mainstream appeal.
Posted Jan 23, 2026  Edit critic review
8/10
Redux Redux (2025) M.N. Miller Redux Redux is visceral, savage, and soulful. Working on multiple levels, the McManus siblings craft the year's most unexpected arm-rest-gripping thriller. Go see this film!
Posted Jan 23, 2026  Edit critic review
10/10
Cosmic Princess Kaguya! (2026) Callie Hanna Cosmic Princess Kaguya manages to simultaneously be extremely timely and yet very much timeless.
Posted Jan 23, 2026  Edit critic review
4/10
Mercy (2026) Ricky Valero Mercy has all the potential of being a good movie but falls flat due to a failed third act and poor performance from Chris Pratt. 
Posted Jan 23, 2026  Edit critic review
5/10
Return to Silent Hill (2026) Joshua Ryan The successful recreation of a nightmare is impressive, but the hurdle is turning that nightmare into something that captivates audiences. When discussing a dream, it’s often the storyteller who’s enjoying themselves more than the listener.
Posted Jan 21, 2026  Edit critic review
5/10
The Rip (2026) Joshua Ryan Outside of the issues with pacing, the nonsensical decisions, and a few exhausting exposition dumps, The Rip is a solid enough psychological thriller that manages to craft a few moments of genuine tension.
Posted Jan 16, 2026  Edit critic review
9/10
Birth (2004) Joshua Ryan Glazer’s commitment to exploring the most uncomfortable aspects of this heart-wrenching story makes the impact of Birth unforgettable.
Posted Jan 14, 2026  Edit critic review
5/10
28 Years Later: The Bone Temple (2026) Sean Boelman As someone who was not particularly impressed by the final act of Boyle’s film, I would still rather have those ambitious swings and misses than something safe and unaffecting like The Bone Temple.
Posted Jan 13, 2026  Edit critic review
5/10
Charlie the Wonderdog (2025) Cole Groth It’s a movie that's loud, frantic, and entirely forgettable, a cinematic chew toy that loses its squeak long before the credits of Charlie the Wonderdog finally roll
Posted Jan 13, 2026  Edit critic review
4/10
The Plague (2025) Cole Groth It captures the misery of adolescence perfectly, but it forgets to make that misery compelling to watch.
Posted Jan 13, 2026  Edit critic review
3/10
Greenland 2: Migration (2026) M.N. Miller Greenland 2: Migration is stale and devoid of originality, or even a well-executed genre exercise.
Posted Jan 10, 2026  Edit critic review
8/10
People We Meet on Vacation (2026) Sean Boelman Compared to most of the rom-coms that Netflix seemingly puts out every other week, People We Meet on Vacation is a breath of fresh air.
Posted Jan 09, 2026  Edit critic review
6/10
I Was a Stranger (2024) Sean Boelman It is a film made by a Westerner for Westerners, and if you evaluate it on that level, it gets the job done.
Posted Jan 06, 2026  Edit critic review
7/10
Anaconda (2025) M.N. Miller The meta-reboot Anaconda is absurdly funny and purely harmless fun.
Posted Dec 24, 2025  Edit critic review
5/10
Scarlet (2025) Sean Boelman One can only hope that the filmmaker returns to the imaginative, original filmmaking that made him such a force to be reckoned with in anime.
Posted Dec 24, 2025  Edit critic review
8/10
Merrily We Roll Along (2025) Sean Boelman For those who are already fans, as well as those who aren’t initiated into the world of Stephen Sondheim’s masterpiece, Maria Friedman’s protape is sure to be an engaging, cinematic experience worth a trip out to your nearest multiplex.
Posted Dec 24, 2025  Edit critic review
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