Bugonia (2025)
88%
4/5
EDIT
“Stone and Plemons's excellent performances ensure that film's game of masks holds up for its two-hour runtime, our certainties shifting from one narrative to the other. [Full review in Spanish]” –
La Nación (Argentina)
Dec 11, 2025
Full Review
La Dicha en Movimiento (2025)
3/5
EDIT
“Perhaps, given that it deals with one of the funniest albums in Argentine rock, a bit more humor wouldn't have hurt. This isn't to say that the film isn't enjoyable. [Full review in Spanish]” –
La Nación (Argentina)
Dec 1, 2025
Full Review
Roofman (2025)
87%
3/5
EDIT
“Director Derek Cianfrance (Blue Valentine) made an affable film, which tries to please everyone and, in that process, sacrificed a better film. [Full review in Spanish]” –
La Nación (Argentina)
Nov 7, 2025
Full Review
Good Fortune (2025)
78%
3/5
EDIT
“Although it seemed poised to take a more provocative path, the film ultimately devolves into a tired, politically correct caricature that stifles any humor. [Full review in Spanish]” –
La Nación (Argentina)
Oct 30, 2025
Full Review
A HOUSE OF DYNAMITE (2025)
75%
4/5
EDIT
“The reaction to the missile's appearance and its inexorable trajectory to its American destination is so skillfully recounted here that it awakens a visceral fear new to those under 40 and an old, forgotten one to those older...[Full review in Spanish]” –
La Nación (Argentina)
Oct 30, 2025
Full Review
Good Boy (2025)
90%
3/5
EDIT
“All in all, Good Boy offers us a novel twist on the well-worn haunted house genre and, in the role of the protagonist, Indy, one of the best performances of the year. [Full review in Spanish]” –
La Nación (Argentina)
Oct 23, 2025
Full Review
The Smashing Machine (2025)
70%
3/5
EDIT
“[The Smashing Machine is] an experiment in how to bring realism to a hyper-codified genre that doesn't contain any low blows, but also none that deliver the knockout. [Full review in Spanish]” –
La Nación (Argentina)
Oct 9, 2025
Full Review
Dangerous Animals (2025)
87%
3/5
EDIT
“While the film moves forward briskly, the prolonged detour into a clichéd romance that fails to provide crucial character details reduces its intensity and only serves to drag it out. [Full review in Spanish]” –
La Nación (Argentina)
Oct 2, 2025
Full Review
Afterburn (2025)
2/5
EDIT
“It couldn't be more linear, and yet the story manages to get bogged down in every moment where there aren't grenades exploding in people's faces. [Full review in Spanish]” –
La Nación (Argentina)
Sep 25, 2025
Full Review
The Life of Chuck (2024)
80%
3/5
EDIT
“...this film is a sweet and uplifting parable that tells us that our existence is short-lived...It's an idea that's far from novel, but it lends unity to a story that seems disjointed until this theme is defined. [Full review in Spanish]” –
La Nación (Argentina)
Aug 21, 2025
Full Review
Dracula (2025)
67%
2/5
EDIT
“Luc Besson ’s new film, Dracula, looks exactly like a mockbuster of Francis Ford Coppola’s eponymous film, except it comes 33 years later, and there’s no obvious benefit to such imitation. [Full review in Spanish]” –
La Nación (Argentina)
Aug 14, 2025
Full Review
Superman (2025)
83%
3/5
EDIT
“It's as if Gunn wanted to go in several directions at once, not all entirely compatible, to attract as many people as possible: humor, nostalgia, romance, absurdity, reality. [Full review in Spanish]” –
La Nación (Argentina)
Jul 11, 2025
Full Review
Hurry Up Tomorrow (2025)
14%
2/5
EDIT
“...Hurry Up Tomorrow is a narcissistic rambling that seems more like a parody of how a star with an out-of-control ego sees themself rather than the raw display of the artist's soul it aspires to be. [Full review in Spanish]” –
La Nación (Argentina)
May 30, 2025
Full Review
In the Lost Lands (2025)
24%
2/5
EDIT
“The narrative always feels episodic, disjointed, as if it lacks a true cause for the events that happen, seemingly unmotivated. [Full review in Spanish]” –
La Nación (Argentina)
Apr 19, 2025
Full Review
Presence (2024)
88%
4/5
EDIT
“By using the point of view of a supernatural being, Soderbergh...frees the subjective shot from its usual restrictions and turns them into strengths. [Full review in Spanish]” –
La Nación (Argentina)
Mar 13, 2025
Full Review
Better Man (2024)
89%
3/5
EDIT
“When he is on fire, Williams has the gift of automatically and effortlessly capturing the audience's full attention. In its 132 minutes, for all its self-parody, this film fails to find that aspect of his personality...[Full review in Spanish]” –
La Nación (Argentina)
Feb 28, 2025
Full Review
Elevation (2024)
55%
2/5
EDIT
“…The poor quality of the special effects, the inability to record the narrative … and, above all, its fixation on exclusively using recycled ideas means that neither the action nor the suspense of the film are very effective. [Full review in Spanish]” –
La Nación (Argentina)
Jan 6, 2025
Full Review
Terrifier 3 (2024)
78%
2/5
EDIT
“The film wants to be extreme and brutal, but instead, it provokes laughter and discomfort; what is truly disturbing does not come from visual savagery but from having a connection with the characters... [Full review in Spanish]” –
La Nación (Argentina)
Nov 8, 2024
Full Review
The Apprentice (2024)
82%
3/5
EDIT
“Except for the protagonists, the characters lack depth and the film is a succession of scenes without a captivating conflict, linked by the notion that Trump is a death rattle from another era. [Full review in Spanish]” –
La Nación (Argentina)
Oct 31, 2024
Full Review
White Bird (2023)
76%
2/5
EDIT
“While the link between school bullying and Nazism seems disproportionate, it aligns with the general simplification of this story in which there are no nuances, only saints and monsters. [Full review in Spanish]” –
La Nación (Argentina)
Oct 23, 2024
Full Review
The Substance (2024)
89%
4/5
EDIT
“And yes, The Substance has much more style than substance. And yet, this is also its greatest virtue. [Full review in Spanish]” –
La Nación (Argentina)
Sep 19, 2024
Full Review
Alien: Romulus (2024)
80%
4/5
EDIT
“Spaeny is an inspired addition to the saga's signature lineage of female protagonists, both fragile and indestructible, who confront the creature who often represents in his bestial way, the worst of masculinity. [Full review in Spanish]” –
La Nación (Argentina)
Aug 15, 2024
Full Review
The Bikeriders (2023)
79%
3/5
EDIT
“Austin Butler and Tom Hardy recapture the charisma of James Dean and Marlon Brando... [Full review in Spanish]” –
La Nación (Argentina)
Aug 12, 2024
Full Review
MaXXXine (2024)
73%
3/5
EDIT
“Despite some feminist notes, the film does not present major differences with the cinema it references. [Full review in Spanish]” –
La Nación (Argentina)
Aug 7, 2024
Full Review
Monolith (2023)
87%
3/5
EDIT
“Just as 2001 pondered upon humanity's place within the cosmos, this film pursues a no less elusive problem: the place of truth in the age of digital media. [Full review in Spanish]” –
La Nación (Argentina)
Jun 10, 2024
Full Review
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