Adam Lowes
Adam Lowes's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Official Website:
http://www.heyuguys.co.uk/author/adam/
House (1985)
49%
EDIT
“The notion that things going bump in the night may just be a figment of the writer’s active and disturbing imagination is never satisfyingly explored.” –
CineVue
Jan 30, 2026
Full Review
House II: The Second Story (1987)
17%
EDIT
“Director and screenwriter of the first film Ethan Wiley doesn’t possess the same storytelling knack as Miner and attempts to compensate by throwing everything he can at the screen to see what will stick. Little does.” –
CineVue
Jan 30, 2026
Full Review
The Horror Show (1989)
0%
EDIT
“[A] schlocky wannabe Elm St.” –
CineVue
Jan 30, 2026
Full Review
House IV (1992)
EDIT
“Shot like a cheap, over-lit 1990s TV movies, the film is almost unwatchable and the makers seem to derive enjoyment from presenting something which is wilfully nonsensical.” –
CineVue
Jan 30, 2026
Full Review
My Beautiful Laundrette (1985)
95%
4/5
EDIT
“It’s the committed turn from Day-Lewis and Hanif Kureishi’s socially-astute, Oscar-nominated screenplay that manages to compensate for the film’s technical shortcomings, alongside the (then) landmark casual representation of a gay relationship on screen” –
CineVue
Oct 10, 2025
Full Review
Hard Times (1975)
72%
3/5
EDIT
“While Hard Times is absent of the kind of playfulness with genre which grew to be Hill’s forte, it’s a solid enough debut with a strong showing of craftsmanship and a trio of fine performances.” –
CineVue
Sep 25, 2025
Full Review
Morning Glory (2010)
57%
3/5
EDIT
“With a great cast (and Harrison Ford having his most fun in years) Morning Glory may be a conventional, sugar-coated Hollywood rom-com, but it’s never less than thoroughly enjoyable.” –
HeyUGuys
Sep 3, 2025
Full Review
The Money Order (1968)
100%
4/5
EDIT
“Mandabi offers up engaging heartfelt social discourse without the sermonising and is a title ripe for rediscovery.” –
HeyUGuys
Jun 11, 2021
Full Review
Other Music (2019)
100%
4/5
EDIT
“A beautiful and bittersweet eulogy for a community brought together by a shared passion as they fight to keep a dream alive.” –
HeyUGuys
Dec 22, 2020
Full Review
Falling (2020)
66%
3/5
EDIT
“Mortensen shows restraint behind the camera, also putting in a performance of quiet dignity, yet it's Henriksen who is absolutely the domineering force in the film.” –
CineVue
Dec 7, 2020
Full Review
What Richard Did (2012)
91%
5/5
EDIT
“It's simply staged but packs the kind of emotional heft which is rarely seen in such films.” –
CineVue
Apr 30, 2020
Full Review
Nothing Fancy: Diana Kennedy (2019)
100%
4/5
EDIT
“Diana Kennedy: Nothing Fancy is an affectionate and reverential look at a remarkable figure and a testament to her achievements within the Mexican culinary landscape.” –
CineVue
Apr 30, 2020
Full Review
Mystify: Michael Hutchence (2019)
100%
4/5
EDIT
“Mystify: Michael Hutchence is an impeccably assembled, comprehensive tribute to a rock legend.” –
CineVue
Oct 17, 2019
Full Review
Harpoon (2019)
97%
4/5
EDIT
“Harpoon manages to remain tense and highly watchable throughout and is an altogether smarter and more accomplished film than your standard modern B-movie offering.” –
HeyUGuys
Oct 9, 2019
Full Review
Puppet Master: The Littlest Reich (2018)
70%
4/5
EDIT
“Deliciously off-kilter, made with love and affection for the genre its joins admirably.” –
HeyUGuys
Jun 5, 2019
Full Review
Girls With Balls (2018)
45%
3/5
EDIT
“A fun take on female empowerment and resourcefulness amongst the lashings of gloopy splatter.” –
HeyUGuys
Jun 5, 2019
Full Review
The Man Who Killed Hitler and Then the Bigfoot (2018)
75%
4/5
EDIT
“A compelling and largely original picture... Much of this has to be attributed to Elliott's commanding and assured performance which sells every aspect.” –
CineVue
Apr 12, 2019
Full Review
In the Heart of the Sea (2015)
42%
3/5
EDIT
“Despite the best efforts of the filmmakers, In the Heart of the Sea is a few knots away from being the transformative cinema experience intended.” –
CineVue
Apr 8, 2019
Full Review
Love (2015)
42%
4/5
EDIT
“Love will be misconstrued by many as a transgressive cinematic experience but, in his own pioneering way, Noé is reaching for an honest and pure reflection of young, sexually-untethered love.” –
CineVue
Apr 8, 2019
Full Review
Mississippi Grind (2015)
91%
4/5
EDIT
“[Ryan Reynolds and Ben Mendelsohn] have an effortless chemistry on screen together and are immensely watchable, helped by Boden and Fleck's unshowy direction, which never gets in the way of the actors.” –
CineVue
Apr 8, 2019
Full Review
Just Jim (2015)
85%
3/5
EDIT
“Despite being a little rough around the edges, Roberts has made an amusing coming-of-age tale which balances deadpan humour with a dark edge.” –
CineVue
Apr 6, 2019
Full Review
Irrational Man (2015)
47%
2/5
EDIT
“As the film progresses, it feels increasingly like the kind of half-formed idea that Allen had tucked away in the back of his writing bureau for some time.” –
CineVue
Apr 6, 2019
Full Review
Cry of the City (1948)
93%
4/5
EDIT
“Bold, uncompromising and brimming with powerful performances, Cry of the City is something of a forgotten classic” –
CineVue
Apr 4, 2019
Full Review
Jupiter Ascending (2015)
27%
2/5
EDIT
“A tiresome sci-fi yarn that cannibalises from so many past fantasy properties that in the future, special 'spot the homage' screenings could be held in its honour.” –
CineVue
Apr 4, 2019
Full Review
Northern Soul (2014)
78%
4/5
EDIT
“Elaine Constantine's fictional account of her own experiences is an age-old tale of friendship forged through shared passions, but it's told with heart and a dogged determination to document the time.” –
CineVue
Apr 3, 2019
Full Review
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