Begoña Piña
Begoña Piña's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Homo Argentum (2025)
50%
2/5
EDIT
“A disturbing portrait of vileness and ignorance. [Full review in Spanish]” –
Cinemanía (Spain)
Dec 24, 2025
Full Review
Subsuelo (2025)
3/5
EDIT
“The film has a distinct stylistic approach, reflecting on the digital communication that dominates young people today. [Full review in Spanish]” –
Cinemanía (Spain)
Nov 11, 2025
Full Review
Decorado (2025)
5/5
EDIT
“...it is a magnificent 2D animation production with narrative intention in every shot and every brushstroke of color. [Full review in Spanish]” –
Cinemanía (Spain)
Oct 22, 2025
Full Review
Downton Abbey: The Grand Finale (2025)
91%
2/5
EDIT
“The latest film in Julian Fellowes' saga remains a mere catwalk of supposedly good intentions. [Full review in Spanish]” –
Cinemanía (Spain)
Oct 9, 2025
Full Review
Madrid, ext. (2025)
3/5
EDIT
“It is, in Cavestany's words, a "film essay" and also a sound essay, in which Guille Galván's music acquires meaning when mixed with the sound of the streets, the knife sharpener, the cars, the slot machines... [Full review in Spanish]” –
Cinemanía (Spain)
Sep 13, 2025
Full Review
Reading Lolita in Tehran (2024)
3/5
EDIT
“Culture as a tool against oppression. [Full review in Spanish]” –
Cinemanía (Spain)
Jul 23, 2025
Full Review
Wild Diamond (2024)
85%
3/5
EDIT
“The filmmaker takes many risks that bring her film to the brink of the abyss, but which she saves with the honesty of her gaze. [Full review in Spanish]” –
Cinemanía (Spain)
Jul 9, 2025
Full Review
The Most Precious of Cargoes (2024)
77%
3/5
EDIT
“Perhaps overly sentimental, especially underscored by Alexandre Desplat's music, the film nonetheless instills humanity in this troubled world. [Full review in Spanish]” –
Cinemanía (Spain)
Jul 8, 2025
Full Review
Esmorza amb Mi (2025)
3/5
EDIT
“Different visual approaches to telling each character's story fit with an urban music soundtrack that speaks to creativity, inspiration, and the purpose of art. [Full review in Spanish]” –
Cinemanía (Spain)
Jun 18, 2025
Full Review
The Exiles (2024)
4/5
EDIT
“The voice of the working class in cinema. [Full review in Spanish]” –
Cinemanía (Spain)
Jun 10, 2025
Full Review
Beginnings (2025)
3/5
EDIT
“A family drama about a separation. [Full review in Spanish]
” –
Cinemanía (Spain)
Jun 9, 2025
Full Review
Favoriten (2024)
100%
3/5
EDIT
“A celebration of public education and multicultural society. [Full review in Spanish]” –
Cinemanía (Spain)
May 9, 2025
Full Review
Black Bag (2025)
96%
4/5
EDIT
“Astute in its dialogue, tone, and pacing, the film is as much Soderbergh's as it is David Koepp's. [Full review in Spanish]” –
Cinemanía (Spain)
Apr 15, 2025
Full Review
Barren Land (2025)
2/5
EDIT
“...all of this ends up being, most of the time, mere notes that are not explored in depth. [Full review in Spanish]” –
Cinemanía (Spain)
Apr 1, 2025
Full Review
Los Aitas (2025)
3/5
EDIT
“A comedy full of truth in which the filmmaker focuses more on emotion and tenderness than on laughs. [Full review in Spanish]” –
Cinemanía (Spain)
Mar 25, 2025
Full Review
Cold (2023)
3/5
EDIT
“...a rough story, with some somewhat harsh discussions, but with an unexpected plot twist that's quite interesting. [Full review in Spanish]” –
Cinemanía (Spain)
Feb 26, 2025
Full Review
Memoir of a Snail (2024)
95%
5/5
EDIT
“A moving fable, with dark humor and a dose of provocation. [Full review in Spanish]
” –
Cinemanía (Spain)
Jan 30, 2025
Full Review
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