Boon Chan
Boon Chan's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Midsommar (2019)
83%
4/5
EDIT
“The restrained approach pays off and the revelations that follow make quite a shocking impact.” –
The Straits Times (Singapore)
Sep 18, 2019
Full Review
Weathering With You (2019)
91%
3.5/5
EDIT
“It has to be said though that Your Name felt more magical...but Shinkai still manages to make the ending satisfying and surprising, like a warm ray of light peeking through dark storm clouds.” –
The Straits Times (Singapore)
Sep 11, 2019
Full Review
Bodies at Rest (2019)
83%
3.5/5
EDIT
“Of all the twists and turns the movie serves up, one of the biggest surprises is to see Renny Harlin credited as director.” –
The Straits Times (Singapore)
Aug 21, 2019
Full Review
Love The Way You Are (Wo De Qing Chun Dou Shi Ni) (2019)
2/5
EDIT
“Mostly, the story feels forced.” –
The Straits Times (Singapore)
Jun 28, 2019
Full Review
Kingdom (2019)
93%
2.5/5
EDIT
“The bigger problem is that the film is let down by an overwrought script from writer-director Shinsuke Sato.” –
The Straits Times (Singapore)
Jun 19, 2019
Full Review
Chasing the Dragon II: Wild Wild Bunch (2019)
78%
3/5
EDIT
“While Wild Wild Bunch is less steeped in period detail than the first movie, it does have a reasonably strong central story.” –
The Straits Times (Singapore)
Jun 5, 2019
Full Review
Godzilla: King of the Monsters (2019)
42%
2/5
EDIT
“The most shocking thing about Godzilla II is how boring it is.” –
The Straits Times (Singapore)
May 29, 2019
Full Review
The Gangster, the Cop, the Devil (2019)
97%
3.5/5
EDIT
“Writer-director Lee Won-tae uses telling details to quickly sketch out characters. But he also leaves key questions unanswered, which might be frustrating for some viewers.” –
The Straits Times (Singapore)
May 23, 2019
Full Review
Birthday (2019)
83%
4/5
EDIT
“This could have been an unremittingly bleak film, but Lee Jong-un manages to find little moments of tenderness and humour - making the big emotional moments all the more devastating.” –
The Straits Times (Singapore)
May 15, 2019
Full Review
Zombie for Sale (2019)
89%
3/5
EDIT
“By the apocalyptic final act, the ensemble cast has made you care about the fates of their characters...” –
The Straits Times (Singapore)
Mar 13, 2019
Full Review
Shadow (2018)
94%
4/5
EDIT
“The denouement goes on for quite a bit but there are enough surprises to keep Shadow from stretching out for too long.” –
The Straits Times (Singapore)
Oct 10, 2018
Full Review
Project Gutenberg (Mo Seung) (2018)
83%
2.5/5
EDIT
“Chong goes it alone here and double-hats as writer and director. But perhaps he has overstretched himself.” –
The Straits Times (Singapore)
Oct 4, 2018
Full Review
Hello Mr. Billionaire (2018)
2.5/5
EDIT
“It glorifies the most conspicuous of consumption... But then it delivers a message about the importance of remaining untainted by wealth. Not the most palatable turnaround.” –
The Straits Times (Singapore)
Sep 27, 2018
Full Review
Killing for the Prosecution (Kensatsu gawa no zainin) (2018)
3/5
EDIT
“The crime procedural part of the movie is competent enough, though the questions raised about justice and the law are none too subtle.” –
The Straits Times (Singapore)
Sep 27, 2018
Full Review
Johnny English Strikes Again (2018)
37%
3/5
EDIT
“Atkinson as the bumbling and fumbling English is well supported by Miller as his earnest and loyal sidekick.” –
The Straits Times (Singapore)
Sep 19, 2018
Full Review
Golden Job (2018)
2.5/5
EDIT
“While fans might enjoy seeing a reunion of sorts, the new title does not quite work on its own terms as it leans too heavily on cliches.” –
The Straits Times (Singapore)
Sep 19, 2018
Full Review
The Happytime Murders (2018)
23%
2.5/5
EDIT
“Often though, the film feels mean-spirited. Phil is self-hating, characters yell and scream at each other and there is a fair bit of misogyny, even though McCarthy's Connie gets to challenge some of it.” –
The Straits Times (Singapore)
Sep 12, 2018
Full Review
My Little Monster (Tonari no kaibutsu-kun) (2018)
3/5
EDIT
“My Little Monster may be a live-action film but its exaggerated comic tone clearly points to its manga origin.” –
The Straits Times (Singapore)
Sep 5, 2018
Full Review
The Spy Gone North (2018)
100%
EDIT
“For much of the movie, The Spy Gone North unfolds as a competent espionage thriller. Then the final 30 minutes elevate it to something more - a compelling tale of murky politics and unlikely friendship.” –
The Straits Times (Singapore)
Sep 5, 2018
Full Review
Mirai no Mirai (2018)
91%
3.5/5
EDIT
“Hosoda has an eye for realistic details, from the sombre expression on baby Mirai's face to the way Kun sleeps (there's a reason why yoga has a Child's Pose).” –
The Straits Times (Singapore)
Aug 29, 2018
Full Review
The Island (2018)
100%
3/5
EDIT
“It is the morality tale aspect that is actually strongest here... Too bad the actor-director chooses to overstuff the film instead of delivering a cautionary mystery thriller.” –
The Straits Times (Singapore)
Aug 22, 2018
Full Review
Detective Dee: The Four Heavenly Kings (2018)
58%
2.5/5
EDIT
“The-X-Files-meets-Hardy-Boys vibe of the earlier films has been watered down and in fact, The Four Heavenly Kings in the title does not refer to a central mystery but is almost incidental to the plot.” –
The Straits Times (Singapore)
Jul 25, 2018
Full Review
Burning (2018)
95%
4.5/5
EDIT
“Gradually, almost imperceptibly, the movie switches gears and turns into a deepening mystery.” –
The Straits Times (Singapore)
Jul 5, 2018
Full Review
Incredibles 2 (2018)
93%
3.5/5
EDIT
“The material is entertaining even if it feels rather familiar - save for the Jack-Jack shenanigans.” –
The Straits Times (Singapore)
Jun 14, 2018
Full Review
Laplace's Witch (Rapurasu no majo) (2018)
3/5
EDIT
“The result feels too tame for a Miike flick and not persuasive enough for a Higashino tale.” –
The Straits Times (Singapore)
Jun 7, 2018
Full Review
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