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Bradley Null

Bradley Null's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Rounders (1998) 63% 4/5 EDIT “The fact that I was so motivated by the movie to put all that money on the table speaks positively of the picture.” – Filmcritic.com Oct 31, 2004 Full Review Analyze That (2002) 26% 2/5 EDIT “The bottom line is that these characters just don't have a story left to tell together.” – Filmcritic.com Dec 7, 2002 Full Review The Rookie (2002) 84% 3/5 EDIT “The result is a stilted string of short stories, many of which we've seen before.” – Filmcritic.com Mar 28, 2002 Full Review K-PAX (2001) 41% 3/5 EDIT “A one trick pony disguised as a full-on drama.” – Filmcritic.com Oct 25, 2001 Full Review Lock, Stock and Two Smoking Barrels (1998) 75% 3/5 EDIT “The best film since Pulp Fiction in which there are no really good guys.” – Filmcritic.com Jan 1, 2000 Full Review The Faculty (1998) 58% 3.5/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review The Bachelor (1999) 9% 2/5 EDIT “You deserve better than this.” – Filmcritic.com Jan 1, 2000 Full Review He Got Game (1998) 82% 3/5 EDIT “Despite this apparent formalism through the majority of the film, He Got Game still contains a strong emotional power near the climax, when Lee finally lets up on the effects.” – Filmcritic.com Jan 1, 2000 Full Review The Wedding Singer (1998) 72% 4/5 EDIT “A simple love story from a simpler time, crafted as skillfully as ever.” – Filmcritic.com Jan 1, 2000 Full Review Night Falls on Manhattan (1996) 71% 3/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review The Mask of Zorro (1998) 86% 4/5 EDIT “The Mask of Zorro never loses its freshness precisely because we are continually presented with new formations of the action movie spectacle in a genre we haven't seen much of in a while.” – Filmcritic.com Jan 1, 2000 Full Review The Newton Boys (1998) 64% 3.5/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review Chasing Amy (1997) 86% 4/5 EDIT “Although the intermittent stupidity and vulgarity of Smith's characters is sometimes painful to watch, the film's refreshing realism is an invaluable experience.” – Filmcritic.com Jan 1, 2000 Full Review Forces of Nature (1999) 45% 3.5/5 EDIT “Credit the director, relative newcomer Hughes, the writer, and the entire cast, particularly Steve Zahn as the best man, for keeping Forces of Nature from careening into unabashed sentimentalism.” – Filmcritic.com Jan 1, 2000 Full Review Drowning Mona (2000) 29% 1/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review The Prince of Egypt (1998) 79% 3/5 EDIT “A solid and consistent movie.” – Filmcritic.com Jan 1, 2000 Full Review Patch Adams (1998) 22% 3/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review Boiler Room (2000) 66% 3/5 EDIT “Boiler Room tries to tell one of these stories, but sadly it fails to add much to the greed genre established by its two heavily referenced predecessors: Wall Street and Glengarry Glen Ross.” – Filmcritic.com Jan 1, 2000 Full Review Being John Malkovich (1999) 94% 3/5 EDIT “The originality of the entire concept will delight all of you moviegoers out there with an obsessive urge to find something completely different.” – Filmcritic.com Jan 1, 2000 Full Review Family Resemblances (1996) 89% 2.5/5 EDIT “If we want to analyze the average family, we can go home for the holidays.” – Filmcritic.com Jan 1, 2000 Full Review Meet Joe Black (1998) 48% 3.5/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review The Real Blonde (1997) 34% 2.5/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review A Chef in Love (1996) 64% 3/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review The Road to El Dorado (2000) 49% 2.5/5 EDIT “Feels downright static.” – Filmcritic.com Jan 1, 2000 Full Review TwentyFourSeven (1997) 35% 3.5/5 EDIT “” – Filmcritic.com Jan 1, 2000 Full Review
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