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Christopher Cross

Tomatometer-approved critic

Reviews

Movies TV Shows
Mike & Nick & Nick & Alice (2026) 79% 3/5 EDIT “Armed with a clever twist on the crime genre that keeps audiences on its toes, Mike & Nick & Nick & Alice is a surprisingly heartfelt, introspective science-fiction and gangster film.” – Asynchronous Media Mar 30, 2026 Full Review Project Hail Mary (2026) 95% 4/5 EDIT “Project Hail Mary streamlines its science-heavy narrative for a heartfelt and imaginative journey through the wonders of space.” – Asynchronous Media Mar 20, 2026 Full Review Ready or Not 2: Here I Come (2026) 73% 3/5 EDIT “It’s an entertaining depiction of the devil being in the details, but one where you need to be reminded every now and then how much fun you’re having.” – Asynchronous Media Mar 18, 2026 Full Review Never After Dark (2026) 100% 3.5/5 EDIT “Slick production values and a fun lead performance elevate unsettling imagery and classic horror scares that won’t leave much of an impression afterwards, but make for a thrilling ride throughout.” – Asynchronous Media Mar 14, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 83% 4/5 EDIT “A chaotic cocktail of modern-day anxieties that revels in its depiction of a technology-focused society hurdling towards extinction and the ramshackle attempts to evade an almost-certain doom.” – Asynchronous Media Feb 19, 2026 Full Review Back to the Past (2025) 40% 2/5 EDIT “Those excited about the prospect of going back to A Step Into the Past’s universe may maintain a faint level of enthusiasm but even having history with the source material doesn’t prevent Back to the Past from feeling derivative...” – Asynchronous Media Feb 18, 2026 Full Review Nirvanna the Band the Show the Movie (2025) 98% 5/5 EDIT “Nirvanna the Band the Show the Movie is lightning in a bottle. ” – Asynchronous Media Feb 12, 2026 Full Review Atropia (2025) 41% 3/5 EDIT “There’s an understated sadness to all the hijinks that ensue, which makes Atropia a compelling character study that might have been better suited to a documentary, but still works effectively enough here.” – Asynchronous Media Feb 7, 2026 Full Review Whistle (2025) 64% 3/5 EDIT “Whistle might not be the best at what it does, but it scratches an itch while leaving room for an entire universe of possibilities.” – Asynchronous Media Feb 6, 2026 Full Review H Is for Hawk (2025) 81% 2.5/5 EDIT “H is for Hawk ultimately stays low to the ground once it takes off, struggling to reckon with the feelings it evokes.” – Asynchronous Media Jan 22, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% 4/5 EDIT “Underneath the blood and guts is a beautifully layered depiction of a society trying to find its way forward and a fitting chapter in this delirious saga of civilization breaking down.” – Asynchronous Media Jan 20, 2026 Full Review We Bury the Dead (2024) 88% 3.5/5 EDIT “Hilditch’s economical screenplay is far smarter than the average horror film that leans on special effects or a single clever concept to set itself apart.” – Asynchronous Media Jan 19, 2026 Full Review All You Need Is Kill (2025) 83% 3.5/5 EDIT “With plenty of eyecandy for animation aficionados and propulsive action bolstered by a strong thematic presence, All You Need Is Kill carries its heart into battle with a clear eye towards the future of mankind.” – Asynchronous Media Jan 16, 2026 Full Review The Rip (2026) 79% 3/5 EDIT “While it may not be the most effective at what it does, it delivers a sturdy enough spectacle that is slightly nerve-racking and mostly entertaining.” – Asynchronous Media Jan 16, 2026 Full Review Dead Man's Wire (2025) 92% 3.5/5 EDIT “Van Sant’s return to feature filmmaking after a seven-year hiatus is sturdy, reliable work, even when it sometimes feels too riled up to nail down its thematic potency.” – Asynchronous Media Jan 14, 2026 Full Review The Choral (2025) 67% 2/5 EDIT “Every time it feels like it has something poignant to say, it’s muffled by the inescapable desire to be uncontroversial.” – Asynchronous Media Jan 9, 2026 Full Review The Voice of Hind Rajab (2025) 94% 4.5/5 EDIT “Ben Hania not only succeeds in creating something vital but also demonstrates the ways in which dramatization can be as effective and essential as documentary filmmaking.” – Asynchronous Media Dec 31, 2025 Full Review Nuremberg (2025) 71% 2.5/5 EDIT “Nuremberg wastes an exceptional Russell Crowe performance and interesting perspectives on the inception of the Nuremberg trials for a weightless cavalcade of digestible quips and a shallow parallel to the modern political climate.” – Asynchronous Media Nov 7, 2025 Full Review Urchin (2025) 96% 4/5 EDIT “Dickinson’s influences are worn firmly on his debut’s sleeve, but he doesn’t rest on simply evoking the texture and feel of past directors’ works.” – Asynchronous Media Nov 5, 2025 Full Review Nouvelle Vague (2025) 92% 4/5 EDIT “Nouvelle Vague is a breezy journey through the beginnings of the French New Wave and a call to arms for aspiring filmmakers to pick up their cameras and make a movie.” – Asynchronous Media Oct 30, 2025 Full Review Blue Heron (2025) 100% 5/5 EDIT “Blue Heron is a remarkably assured feature debut that cleverly plays with form to staggering effect.” – Asynchronous Media Oct 28, 2025 Full Review Blue Moon (2025) 89% 4/5 EDIT “Hawke’s portrayal of the famed lyricist is so deliciously nuanced that it makes you feel for him just as much as you hate his ego.” – Asynchronous Media Oct 23, 2025 Full Review It Was Just an Accident (2025) 98% 4/5 EDIT “Panahi continues to be one of the most vital voices in cinema today, and It Was Just an Accident represents a director whose tonal departure still works confidently towards the same defiance of letting oppressors take what little humanity one has left.” – Asynchronous Media Oct 22, 2025 Full Review Kiss of the Spider Woman (2025) 76% 3.5/5 EDIT “Kiss of the Spider Woman maintains a tonal balance between fantasy and reality, whilst delivering the kind of musical spectacle that only film can provide.” – Asynchronous Media Oct 16, 2025 Full Review Coyotes (2025) 59% 2.5/5 EDIT “Minihan’s latest is a silly horror-thriller that squanders most of its potential in the name of cheap thrills and even cheaper effects.” – Asynchronous Media Oct 10, 2025 Full Review
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