The Mysterious Gaze of the Flamingo (2025)
95%
2.5/5
EDIT
“An anemic blend of turbulent coming-of-age drama, social critique, and revenge tale.” –
Always Good Movies
Jan 27, 2026
Full Review
If I Had Legs I'd Kick You (2025)
91%
4.5/5
EDIT
“Viewers drawn to pungent, psychologically offbeat dramas will find much to savor in this fluid, slightly bruised, irresistibly skewed, and deliciously nightmarish experience.” –
Always Good Movies
Jan 27, 2026
Full Review
Nuremberg (2025)
72%
2/5
EDIT
“At times artificial, at others overtly sentimental, this historical-by-numbers drama never quite finds the path to grandeur or resonance.” –
Always Good Movies
Jan 27, 2026
Full Review
The Mastermind (2025)
90%
4/5
EDIT
“Simmering without boiling, The Mastermind peels off the surfaces of old-school heist genre, smartly avoiding commonplace, complacency, and demagogy to achieve something truly moody and dusky.” –
Always Good Movies
Jan 27, 2026
Full Review
Sentimental Value (2025)
97%
4/5
EDIT
“This is family drama at its most quietly devastating, sustaining a strong dramatic integrity as its characters grapple with unresolved pain and buried resentment.” –
Always Good Movies
Jan 27, 2026
Full Review
Jay Kelly (2025)
75%
2/5
EDIT
“Jay Kelly is built around a series of glittering but hollow exchanges between characters who always look and act like characters.” –
Always Good Movies
Jan 13, 2026
Full Review
Springsteen: Deliver Me from Nowhere (2025)
61%
1.5/5
EDIT
“Despite the suitably retro-flavored cinematography by Cooper’s regular collaborator Masanobu Takayanagi, Springsteen: Deliver Me from Nowhere remains dramatically inert.” –
Always Good Movies
Jan 13, 2026
Full Review
The Running Man (2025)
63%
2.5/5
EDIT
“The film struggles to find a stable rhythm, repeatedly tripping over its own noisy boom-crash-bang theatrics and a shaky script.” –
Always Good Movies
Jan 13, 2026
Full Review
Wake Up Dead Man: A Knives Out Mystery (2025)
92%
2/5
EDIT
“Wake Up Dead Man ultimately takes the shape of a hollow parody—a loud, overcooked puzzle that favors spectacle over substance. ” –
Always Good Movies
Jan 13, 2026
Full Review
The Things You Kill (2025)
96%
3/5
EDIT
“Spiraling and twisting without arriving at anything truly revelatory, The Things You Kill won’t make you sweat—its surreal dimension adding too little substance to justify its ambitions.” –
Always Good Movies
Dec 28, 2025
Full Review
Hamnet (2025)
86%
2/5
EDIT
“A thin narrative spine and awkwardly staged theatrics prevent Hamnet from forging a meaningful emotional connection, leaving it more inert than affecting.” –
Always Good Movies
Dec 28, 2025
Full Review
Train Dreams (2025)
95%
3/5
EDIT
“Influenced by the dreamy tones and minimalist aesthetic of Terrence Malick, Benton crafts a cruel, elegiac, and melancholic tone poem about life, loss, grief, and the inexorable passage of time.” –
Always Good Movies
Dec 28, 2025
Full Review
It Was Just an Accident (2025)
98%
3/5
EDIT
“Support for Panahi is unquestionable, but he has articulated sharper and more inventive statements in his previous films.” –
Always Good Movies
Dec 17, 2025
Full Review
To Kill A Mongolian Horse (2024)
4/5
EDIT
“Adopting a documentary-like, Jia Zhangke-esque approach, To Kill a Mongolian Horse carries a reflective strength, keeping you in quiet suspense until its shattering finale.” –
Always Good Movies
Dec 17, 2025
Full Review
Blue Moon (2025)
91%
4/5
EDIT
“Observant in the way only Linklater can be, the film feels strikingly authentic and radiates a contagious pleasure. It is not a conventional biopic, but it’s cleverly attuned to emotional nuance, and that makes all the difference.” –
Always Good Movies
Dec 9, 2025
Full Review
Bugonia (2025)
88%
4/5
EDIT
“Though it sometimes feels calculated, it is also finely crafted, hallucinatory, and immensely entertaining. A galvanizing cinematic experience with a radical edge—one that, whether you love it or hate it, won’t be easy to forget.” –
Always Good Movies
Dec 9, 2025
Full Review
Misericordia (2024)
94%
2/5
EDIT
“Both the story and the style end up lumbering and graceless, sketching a web of desires and suspicions that feels amorphous, undercooked, and oddly weightless.” –
Always Good Movies
Dec 9, 2025
Full Review
Nouvelle Vague (2025)
92%
4/5
EDIT
“Nouvelle Vague arrives as a triumphant recreation of a defining cinematic moment.” –
Always Good Movies
Dec 9, 2025
Full Review
No Other Choice (2025)
97%
4/5
EDIT
“No Other Choice is potently harsh, unflinchingly amoral, and sinfully enjoyable. Pure noir zaniness.” –
Always Good Movies
Dec 9, 2025
Full Review
Broken Voices (2025)
80%
4/5
EDIT
“Broken Voices is the antithesis of a feel-good movie—something that fractures from the inside and leaves a long-lasting bruise.” –
Always Good Movies
Nov 29, 2025
Full Review
Afternoons of Solitude (2024)
88%
1/5
EDIT
“Repetitive and displeasing, Afternoons of Solitude stands as an ode to barbarity that leaves you wondering, almost in disbelief: is this seriously never going to end?” –
Always Good Movies
Nov 29, 2025
Full Review
La venue de l'avenir (2025)
93%
4.5/5
EDIT
“The script, which could easily sit alongside Alain Resnais’ lighter works, earns its own originality through its endearing characters and narrative fluidity.” –
Always Good Movies
Nov 29, 2025
Full Review
Frankenstein (2025)
85%
2/5
EDIT
“This deceptive, CGI-laden spectacle—split into two amorphous chapters—is weak and unsurprising, lacking coherence in several places.” –
Always Good Movies
Nov 29, 2025
Full Review
Hedda (2025)
89%
2/5
EDIT
“Awkward and atonal, Hedda feels like one of Cassavetes’ fervent dramas but without the genuine discomfort or emotional and psychological acuity that defined them.” –
Always Good Movies
Nov 21, 2025
Full Review
The Ice Tower (2025)
80%
3/5
EDIT
“But does its dreamlike, phantasmagoric aura carry us anywhere more profound than the merely artistic? Not quite. The narrative eventually freezes, suffocating without knowing where to go next. It’s a film that transfixes more than it enchants.” –
Always Good Movies
Nov 21, 2025
Full Review
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