The Drama (2026)
80%
4/5
EDIT
“Leaves us with a question that’s as unsettling as it is universal: Is there anything you could learn about your soulmate that would make you question your love for them?” –
Reel Reviews
Apr 3, 2026
Full Review
They Will Kill You (2026)
63%
3/5
EDIT
“The kind of movie that kicks the door in, paints the walls with arterial spray, and then cracks a wicked grin while making you clean up the mess” –
Reel Reviews
Mar 27, 2026
Full Review
Solo Mio (2026)
83%
3/5
EDIT
“Solo Mio isn’t just about a ruined wedding. It’s about second chances—at love, at art, and at believing you’re worthy of both.” –
Reel Reviews
Feb 20, 2026
Full Review
Crime 101 (2026)
89%
4/5
EDIT
“A game of cat-and-mouse dipped in California cool” –
Reel Reviews
Feb 13, 2026
Full Review
Send Help (2026)
93%
4/5
EDIT
“A deliciously unhinged, whacked-out genre mashup that only Sam Raimi could pull off without spilling it all over himself.” –
Reel Reviews
Jan 30, 2026
Full Review
Mercy (2026)
25%
2/5
EDIT
“A brisk, reasonably enjoyable thriller that offers a timely twist on the screenlife genre. It just doesn’t stay with us.” –
Reel Reviews
Jan 23, 2026
Full Review
Is This Thing On? (2025)
87%
4/5
EDIT
“What makes Is This Thing On? resonate is its refusal to declare a winner or loser in divorce. It’s not about falling out of love so much as what love looks like when it changes shape. ” –
Reel Reviews
Jan 9, 2026
Full Review
We Bury the Dead (2024)
88%
4/5
EDIT
“Feels less like a road trip movie and more like a pilgrimage through emotional trauma” –
Reel Reviews
Jan 2, 2026
Full Review
The Housemaid (2025)
73%
3/5
EDIT
“The Housemaid is about folding people’s expectations into nice, neat little piles… and then lighting them on fire.” –
Reel Reviews
Dec 19, 2025
Full Review
Song Sung Blue (2025)
77%
4/5
EDIT
“Glitter, fringe, cheesy grins, and all, it’s an ode to second chances, wrapped in the shimmering key of Diamond” –
Reel Reviews
Dec 11, 2025
Full Review
Hamnet (2025)
87%
4/5
EDIT
“A story about what we make of love after it shatters, and how grief can transform into art” –
Reel Reviews
Dec 9, 2025
Full Review
Die My Love (2025)
74%
5/5
EDIT
“Refuses to let you breathe for two solid hours. And honestly? We kind of love it for that!” –
Reel Reviews
Nov 21, 2025
Full Review
Bugonia (2025)
87%
5/5
EDIT
“Beneath the chaos, the head-shaving, and the alien accusations, the film finds something heartbreakingly human: a yearning for connection in a world that’s lost its hive mind.
” –
Reel Reviews
Nov 7, 2025
Full Review
Violent Ends (2025)
67%
5/5
EDIT
“A revenge thriller that actually has a heart. Brutal, beautiful, and bursting with Southern soul” –
Reel Reviews
Oct 31, 2025
Full Review
Springsteen: Deliver Me from Nowhere (2025)
61%
2/5
EDIT
“It’s an intimate premise for sure, but the execution wobbles between soulful introspection and straight-up navel-gazing.” –
Reel Reviews
Oct 24, 2025
Full Review
Steve (2025)
78%
4/5
EDIT
“Steve doesn’t preach or offer tidy resolutions; it just lies down with the messiness of being human and lets us feel it.” –
Reel Reviews
Oct 17, 2025
Full Review
Roofman (2025)
87%
4/5
EDIT
“Roofman is the best kind of true story: one that makes you Google the real guy the second the credits roll.” –
Reel Reviews
Oct 14, 2025
Full Review
Spinal Tap II: The End Continues (2025)
66%
3/5
EDIT
“A hilarious encore that plays the hits, tries out a few new riffs, and never loses sight of the joke. It’s a reminder that Spinal Tap, much like rock itself, will never truly fade away—it’ll just keep turning things up to eleven.” –
Reel Reviews
Sep 18, 2025
Full Review
The Long Walk (2025)
88%
5/5
EDIT
“Francis Lawrence has built a career making kids suffer for our entertainment (The Hunger Games films, anyone?), and with The Long Walk, he may have found his bleak masterpiece.” –
Reel Reviews
Sep 12, 2025
Full Review
The Roses (2025)
64%
3/5
EDIT
“Not as iconic as the 1989 version, but still worth seeing. Come for Colman and Cumberbatch’s sparks, stay for McNamara’s wicked dialogue. Just don’t expect to leave entirely unscathed.” –
Reel Reviews
Aug 29, 2025
Full Review
Bring Her Back (2025)
89%
4/5
EDIT
“The Philippous set the table with familiar cutlery, then carve new shapes - sometimes quite literally.” –
Reel Reviews
Aug 14, 2025
Full Review
The Naked Gun (2025)
87%
3/5
EDIT
“While nostalgia can be powerful, the film sometimes feels trapped by its own legacy, afraid to venture too far from the established formula.” –
Reel Reviews
Aug 7, 2025
Full Review
Eddington (2025)
69%
4/5
EDIT
“Those seeking traditional narrative satisfaction or clear moral guidance will leave disappointed. But for viewers willing to sit with a bit of discomfort and examine their own digital habits, the film offers something more valuable: recognition.” –
Reel Reviews
Jul 18, 2025
Full Review
The Shrouds (2024)
75%
2/5
EDIT
“We are asked to believe that there is a lucrative industry in the grief of those who would pay to watch the decomposition of their loved one’s bodies. That’s a stretch and I’m not buying it… especially two full hours of it.” –
Reel Reviews
Jul 11, 2025
Full Review
F1 The Movie (2025)
82%
4/5
EDIT
“This adrenaline-fueled film is a powerful reminder that in Formula 1, speed, as in life, isn’t everything. The heart behind the wheel is what truly drives champions.” –
Reel Reviews
Jun 27, 2025
Full Review
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