Gabriel Ricard
Gabriel Ricard's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Re-Animator (1985)
88%
9/10
EDIT
“Combs plays the mad scientist/medical student with such intense comical focus, it stands as one of the best horror movie performances of all time. ” –
Cultured Vultures
Oct 15, 2025
Full Review
Killers of the Flower Moon (2023)
93%
10/10
EDIT
“With an incredible cast and crew, and a factual screenplay co-written with Eric Roth and crafted with the participation of the Osage Nation, Martin Scorsese delivers yet another astonishing piece of cinematic art with Killers of the Flower Moon.” –
Cultured Vultures
Oct 26, 2023
Full Review
Indiana Jones and the Dial of Destiny (2023)
71%
8/10
EDIT
“Despite some unpleasant CGI and de-aging effects, Indiana Jones and the Dial of Destiny is a well-made and well-acted conclusion for Harrison Ford’s iconic hero.” –
Cultured Vultures
Jun 30, 2023
Full Review
The Munsters (2022)
55%
8/10
EDIT
“The Munsters is an effective prequel story with strong performances and a pleasant nostalgic glow.” –
Cultured Vultures
Sep 28, 2022
Full Review
12 Monkeys (1995)
88%
10/10
EDIT
“Gilliam seems to stick pretty intently to the script, but his visual genius comes through repeatedly. He is also perhaps one of the best filmmakers at creating dreamscapes which threaten to crack apart, become sentient, and then turn murderous.” –
Cultured Vultures
Oct 30, 2019
Full Review
Torso (1973)
60%
7/10
EDIT
“While maybe not the masterpiece Tarantino thinks it is, Torso is nonetheless entertaining for just about the whole of its running time.” –
Cultured Vultures
Oct 30, 2019
Full Review
Distant Voices, Still Lives (1988)
80%
8/10
EDIT
“Strange and stunning for a variety of reasons, Terence Davies created a masterpiece right out of the gate with his 1988 classic Distant Voices, Still Lives.” –
Cultured Vultures
Oct 30, 2019
Full Review
The Baby (1973)
88%
8/10
EDIT
“One of the most surreal black comedies of the 1970s, The Baby is must-see cult film cinema for anyone who truly loves such things.” –
Cultured Vultures
Oct 29, 2019
Full Review
Deep Red (1975)
94%
9/10
EDIT
“As beautiful as it is violent, Dario Argento's Deep Red remains a horror masterpiece.” –
Cultured Vultures
Oct 29, 2019
Full Review
Woman Is the Future of Man (2004)
83%
9/10
EDIT
“Woman is the Future of Man is close to a masterpiece from writer/director Hong Sang-soo.” –
Cultured Vultures
Oct 29, 2019
Full Review
Geuk jang jeon (Tale of Cinema) (2005)
93%
9/10
EDIT
“Tale of Cinema... is nonetheless one of the most remarkable, surreal, and occasionally confusing film-watching experiences you could ever hope to have.” –
Cultured Vultures
Oct 29, 2019
Full Review
King Cohen: The Wild World of Filmmaker Larry Cohen (2017)
100%
10/10
EDIT
“Few writer-director-producers have a resume like Larry Cohen. The director of such classics as The Stuff and Hell Up in Harlem receives the credit he deserves as a genuine filmmaking maverick in King Cohen.” –
Cultured Vultures
Oct 29, 2019
Full Review
The Lighthouse (2019)
90%
8/10
EDIT
“With a solid story, excellent performances, and a truly masterful approach to claustrophobic filmmaking, The Lighthouse is a strong effort for everyone involved.” –
Cultured Vultures
Oct 29, 2019
Full Review
Wildling (2018)
70%
EDIT
“Fairytales can be far denser than people realize. Wildling knows that, and creates something quite impressive in its 90 minute running time.” –
Cultured Vultures
Oct 24, 2019
Full Review
Pulp (1972)
77%
EDIT
“Pulp is more of a cult classic, but its appeal and influence are nonetheless profound, and worth noting.” –
Cultured Vultures
Oct 24, 2019
Full Review
Mortal Remains (2013)
6/10
EDIT
“Mortal Remains has a few flaws, namely its ending, and the occasional silly twist, but it also shows real, unmistakable originality and style from directors Mark Ricche and Christian Stavrakis.” –
Cultured Vultures
Oct 23, 2019
Full Review
In This Corner of the World (2016)
97%
9/10
EDIT
“In This Corner of the World uses its World War II story and spellbinding protagonist Suzu to create a powerful depiction of war beyond the high-stakes dramatics of the battlefield.” –
Cultured Vultures
Oct 23, 2019
Full Review
The Poughkeepsie Tapes (2007)
50%
6/10
EDIT
“The Poughkeepsie Tapes isn't a classic, but it's an engaging horror mockumentary nonetheless.” –
Cultured Vultures
Oct 23, 2019
Full Review
B&B (2017)
92%
8/10
EDIT
“B&B is a clever, socially relevant thriller with a streamlined script that doesn't waste the viewer's time.” –
Cultured Vultures
Oct 23, 2019
Full Review
Atomic Blonde (2017)
79%
EDIT
“Atomic Blonde's visual sensibilities and spectacular, gritty fight scenes receive strong support from a cast that plays the various notes of this film's tone, dialog, and pace to perfection.” –
Cultured Vultures
Oct 10, 2019
Full Review
Once Upon a Time in Venice (2017)
21%
6.5/10
EDIT
“Once Upon a Time in Venice isn't a classic, but it's certainly not a waste of time either.” –
Cultured Vultures
Oct 10, 2019
Full Review
Use Me (2019)
100%
8/10
EDIT
“Dark and clever in equal measures, Julian Shaw's Use Me depicts sexual and creative obsession without romance or trepidation.” –
Cultured Vultures
Sep 1, 2019
Full Review
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