Jason Shawhan
Jason Shawhan's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Serpent's Skin (2025)
100%
EDIT
“Australian treasure Alice Maio Mackay is back with The Serpent’s Skin, a film that takes time-tested horror methodologies (cursed art) and you-are-there moments of queer youth color and lets them loose in a concept no one ever thought of before.” –
Nashville Scene
Dec 5, 2025
Full Review
Sirāt (2025)
93%
EDIT
“Sirāt is not for everyone, but absolutely worth seeing in the biggest, loudest theater possible without reading anything else about it.” –
Nashville Scene
Dec 5, 2025
Full Review
I Only Rest in the Storm (2025)
79%
EDIT
“I Only Rest in the Storm is a perceptive docufiction that balances its discourse and its densely erotic vibe in a way that feels both alluring and brutal.” –
Nashville Scene
Dec 5, 2025
Full Review
Sholay (1975)
95%
EDIT
“Sholay covers every base, works all the emotions, and even today, when Amitabh Bachchan and Dharmendra show up, thunderous ovations result. ” –
Nashville Scene
Dec 5, 2025
Full Review
Tinsman Road (2025)
EDIT
“Banfitch’s Tinsman Road is about the journey that grief can drive us down, especially when Not Knowing can be just as horrifying as the secrets being kept.” –
Nashville Scene
Dec 5, 2025
Full Review
Mother of Flies (2025)
94%
EDIT
“Mother of Flies is a modern folk-horror masterpiece about a family pushed to the brink by the one-two punch of cancer and the domestic health care system and driven to explore more witch-based treatment possibilities.” –
Nashville Scene
Dec 5, 2025
Full Review
The Love That Remains (2025)
94%
EDIT
“Writer-director Hlynur Pálmason is not afraid to let things get weirder as they go along (much like life), and Saga Garðarsdóttir grounds literal kitchen-sink realism and fanciful freakouts alike in a great performance.” –
Nashville Scene
Dec 5, 2025
Full Review
Drunken Noodles (2025)
EDIT
“Humorous and horny in equal measure, Drunken Noodles is the kind of queer art that (while it’s still legal) feels timeless and playful — a testament to the magical places the baser instincts can lead us.” –
Nashville Scene
Dec 5, 2025
Full Review
Sentimental Value (2025)
97%
EDIT
“Sentimental Value makes you want to do better in your own circumstances; and more than that, it makes you want to watch it again.” –
Nashville Scene
Dec 5, 2025
Full Review
Predator: Badlands (2025)
86%
EDIT
“A good monster can help smooth over all manner of cinematic oopsies, and Predator: Badlands is well aware that it needs to deliver action, thrills, sci-fi possibilities and a bunch of monsters at all times.” –
Nashville Scene
Dec 5, 2025
Full Review
Die My Love (2025)
74%
EDIT
“This is another of those fearless films, echoed with a go-for-broke performance from Jennifer Lawrence that pulls no punches and doesn’t really care if you sympathize with her situation or responses to it.” –
Nashville Scene
Dec 5, 2025
Full Review
Demons (1985)
75%
EDIT
“The fact that this is a delirious dive into the demonic that serves as a superb zombie movie just as easily? That’s like the finest sauce for an exceptional feast.” –
Nashville Scene
Aug 18, 2025
Full Review
O.C. and Stiggs (1987)
57%
EDIT
“The thing about O.C. and Stiggs that allows it a certain kind of infamy is that it wasn’t made out of humane care, or surgical diagnosis, or even a vacation-disguised-as-a-shoot kind of lark. This is a movie made out of finely tended spite.” –
Nashville Scene
Aug 18, 2025
Full Review
The Shrouds (2024)
75%
EDIT
“Regardless of where the ride of The Shrouds takes you and lets you out, this film flips all manner of switches in the subconscious and does not immediately vacate the premises. ” –
Nashville Scene
Aug 18, 2025
Full Review
Play It as It Lays (1972)
64%
EDIT
“There’s a melancholy to this film that feels undiluted by the intervening five-plus decades.” –
Nashville Scene
Aug 18, 2025
Full Review
Eddington (2025)
68%
EDIT
“When Eddington starts relitigating the battles over masking, I could feel the bile rise. That’s because it’s not really about exploring ideas — it’s about how annoying masking is for otherwise decent folks.” –
Nashville Scene
Aug 18, 2025
Full Review
Eli Roth Presents: Jimmy and Stiggs (2024)
63%
EDIT
“There are lots of films that address the messy tendencies of dude friendships and what happens when they meet unbreachable barriers, but none of them reach down into the bile and hurt and corrosive rage like Jimmy and Stiggs does.” –
Nashville Scene
Aug 18, 2025
Full Review
Weapons (2025)
93%
EDIT
“Cregger has a maximalist streak that yields big dividends (see also 2011’s The Civil War on Drugs), one that uses the cinemascope frame in a way that keeps your gaze locked in on the refractions and revelations before us.” –
Nashville Scene
Aug 18, 2025
Full Review
Hell of a Summer (2023)
49%
EDIT
“The feature debut from writing/directing/acting team Billy Bryk and Finn Wolfhard is neither rehash nor slash-by-numbers.” –
Nashville Scene
Apr 2, 2025
Full Review
Misericordia (2024)
94%
EDIT
“The plot is smart, expertly constructed and very effective. But once you know the points on the graph where all that unfolds, Guiraudie and his cast are able to do something nearly alchemical.” –
Nashville Scene
Apr 2, 2025
Full Review
The Monkey (2025)
77%
EDIT
“There’s something resigned about the universe Perkins gives us, with the comic tones finding a perfect balancing point between gleefully outrageous gorescapes and the kind of gallows humor you’d find in M*A*S*H or a particularly grisly Coen brothers film.” –
Nashville Scene
Feb 19, 2025
Full Review
Queer (2024)
77%
EDIT
“At this current historical moment, Queer is a work of radical theory and intent that, while it’s still legal, enriches the medium and cranks up all the conflicted emotional responses.” –
Nashville Scene
Feb 19, 2025
Full Review
Humanist Vampire Seeking Consenting Suicidal Person (2023)
90%
EDIT
“Sasha getting her fangs is very relatable to anyone who spent years at the mercy of biochemistry and autonomic nervous responses.” –
Nashville Scene
Nov 8, 2024
Full Review
The Best Christmas Pageant Ever (2024)
92%
EDIT
“Family-friendly, rather charming and unafraid to point out that calcified church figureheads are often the stumbling blocks keeping people from the community and fellowship that faith should offer. ” –
Nashville Scene
Nov 8, 2024
Full Review
MaXXXine (2024)
73%
EDIT
“There are some great images, and a couple of superb set pieces. But this is a film that absolutely could have used another rewrite and another 20 minutes of runtime.” –
Nashville Scene
Oct 30, 2024
Full Review
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