Franz (2025)
71%
EDIT
“There is no coherence or stylistic identity in Holland's film. [Full review in Spanish]” –
El Pais (Spain)
Jan 30, 2026
Full Review
Left-Handed Girl (2025)
98%
EDIT
“The script has a few too many clichés...But the exquisite taste in shots from the girl's point of view, the sympathy the characters show despite their understandable irritation, and the formal charm of the imagery are captivating. [Full review in Spanish]” –
El Pais (Spain)
Jan 30, 2026
Full Review
El Mal (2025)
EDIT
“Bajo Ulloa...directs with a steady hand and visual force a morbid thriller of enormous daring...which in the second half of its runtime includes images that are almost unbearable, even when (relatively) off-screen.[Full review in Spanish]” –
El Pais (Spain)
Jan 17, 2026
Full Review
28 Years Later: The Bone Temple (2026)
92%
EDIT
“The endless cycle of zombie films seems to have no end, and The Bone Temple could be its paradigm: a film that seemed to be dying halfway through, but which revives like the most ferocious of the infected. [Full review in Spanish]” –
El Pais (Spain)
Jan 16, 2026
Full Review
The Chronology of Water (2025)
90%
EDIT
“A visual and textual poetics of enormous ambition, it sometimes moves the viewer and at other times simply burdens them, but it is always bold. [Full review in Spanish]” –
El Pais (Spain)
Jan 9, 2026
Full Review
Rental Family (2025)
87%
EDIT
“...with its gentle, calm, and at times poignant tone, and through a superb ensemble cast, Hikari has created a beautiful film with a strange warmth. [Full review in Spanish]” –
El Pais (Spain)
Jan 9, 2026
Full Review
The Housemaid (2025)
74%
EDIT
“Mischievous cinema for playful viewers. Unrestrained. [Full review in Spanish]” –
El Pais (Spain)
Jan 2, 2026
Full Review
Goodbye June (2025)
65%
EDIT
“...Winslet never forces sentimentality, maintains a distance in the most raw moments, and entrusts her film to its greatest strength: a group of extraordinary performers...[Full review in Spanish]” –
El Pais (Spain)
Dec 29, 2025
Full Review
Avatar: Fire and Ash (2025)
66%
EDIT
“Fire and Ash is more of the same (superficial spirituality, praise of family, colorful environmentalism, denunciation of colonialism), with even more advanced technologies, and just as exaggerated as ever. [Full review in Spanish]” –
El Pais (Spain)
Dec 19, 2025
Full Review
Wake Up Dead Man: A Knives Out Mystery (2025)
92%
EDIT
“It's a bit too long, with some unnecessary narrative mannerisms, but fundamentally effective. [Full review in Spanish]” –
El Pais (Spain)
Dec 19, 2025
Full Review
Balearic (2025)
EDIT
“Balearic could (in fact, it should) be a furious and brutal film. However, it's just pointless. [Full review in Spanish]” –
El Pais (Spain)
Dec 12, 2025
Full Review
Roofman (2025)
87%
EDIT
“Roofman stands out for the number of social, political, and cultural elements associated with the real case, for the outlandish attitudes of the characters, and for the overall vibrancy of its settings...[Full review in Spanish]” –
El Pais (Spain)
Dec 12, 2025
Full Review
Golpes (2025)
EDIT
“It is a writer's film, but also a director's, with contributions to visual language that reveal an artist who refuses to settle for merely illustrating stories. [Full review in Spanish]” –
El Pais (Spain)
Dec 5, 2025
Full Review
Jay Kelly (2025)
75%
EDIT
“In the vein of a dramedy, Jay Kelly is far more adept at drama and emotion than laughter. [Full review in Spanish]” –
El Pais (Spain)
Dec 5, 2025
Full Review
Singular (2025)
EDIT
“The trial-and-error technique may make perfect sense in science, but applied to film, or at least to this Singular, it has no dramatic or narrative justification whatsoever. [Full review in Spanish]” –
El Pais (Spain)
Dec 4, 2025
Full Review
Blue Moon (2025)
91%
EDIT
“In a role far removed from his physical and acting abilities, Ethan Hawke is moving as Hart. [Full review in Spanish]” –
El Pais (Spain)
Dec 2, 2025
Full Review
Dracula (2025)
67%
EDIT
“...after a first third of blatant rip-offs and a somewhat more authentic second segment, [the film] succumbs to a ludicrous final act. [Full review in Spanish]” –
El Pais (Spain)
Nov 21, 2025
Full Review
Dreams (2024)
90%
EDIT
“...a work devoid of any visual capacity or cinematic language, illustrating a saccharine story, explicit to the point of exasperation...[Full review in Spanish]” –
El Pais (Spain)
Nov 21, 2025
Full Review
Todos los Lados de la Cama (2025)
EDIT
“Despite its unevenness, the film seems competent enough to attempt another box-office hit, although this time the applause feels more nostalgic than enthusiastic. [Full review in Spanish]” –
El Pais (Spain)
Nov 21, 2025
Full Review
Die My Love (2025)
74%
EDIT
“What [the film] does have is hollow showiness and a kind of grating, in-your-face intensity. [Full review in Spanish]” –
El Pais (Spain)
Nov 15, 2025
Full Review
Ballad of a Small Player (2025)
48%
EDIT
“...Berger's images and sounds...always rise well above the lack of substance in what's being told. Perhaps it was the only way to illustrate (and salvage) such a fragile material...[Full review in Spanish]” –
El Pais (Spain)
Nov 3, 2025
Full Review
Together (2025)
89%
EDIT
“The lack of physical fear might feel a bit underwhelming for hardcore horror fans, but those drawn to the unsettling depths of drama will find plenty to feed on. [Full review in Spanish]” –
El Pais (Spain)
Nov 3, 2025
Full Review
Springsteen: Deliver Me from Nowhere (2025)
61%
EDIT
“...conventional and clumsy in its narrative but at times brilliant in its form...[Full review in Spanish]” –
El Pais (Spain)
Oct 24, 2025
Full Review
The Redemption (2025)
EDIT
“It may not be a perfect film, and it doesn't need to be, because it seems like something much more beautiful: a story made by good people. [Full review in Spanish]” –
El Pais (Spain)
Oct 17, 2025
Full Review
Vieja Loca (2025)
EDIT
“Mauregui's senile horror show, with subtexts similar to those of Paco Plaza's The Grandmother, drags on with barely any energy, and the addition of newcomers is completely wasted. [Full review in Spanish]” –
El Pais (Spain)
Oct 15, 2025
Full Review
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