The Divine Order (2017)
85%
3/4
EDIT
“A film that cleverly navigates the contentions and tempers of women's rights.” –
Globe and Mail
Nov 3, 2017
Full Review
Beach Rats (2017)
84%
4/4
EDIT
“Dickinson is perfectly cast and the film's mix of skill gives it a gritty realism that heightens the emotional pitch.” –
Globe and Mail
Sep 22, 2017
Full Review
Meditation Park (2017)
90%
3.5/4
EDIT
“A bit too hammy at moments, Meditation Park is otherwise a complex film that hews with tenderness to Asian stereotypes in order to reflect back their often-obscured depths.” –
Globe and Mail
Sep 11, 2017
Full Review
Home Again (2017)
33%
3/4
EDIT
“As the credits roll, it can be said that Home Again is a tight, witty script from a first-time director with a long list of hits ahead of her - and, of course, the golden age of Hollywood dynasties lighting her way.” –
Globe and Mail
Sep 8, 2017
Full Review
Novitiate (2017)
86%
3/4
EDIT
“Novitiate doesn't tell a straightforward story of love and sacrifice, of faith and its crises. [Margaret] Betts's film is ritualistic and enthralling, with a complex feminism woven into its cloth, and it's something of a blessing.” –
Globe and Mail
Sep 8, 2017
Full Review
Tulip Fever (2017)
10%
2.5/4
EDIT
“It is your run-of-the mill period drama that plays it safe - certainly not daring enough to offend or to truly captivate.” –
Globe and Mail
Sep 1, 2017
Full Review
Annabelle: Creation (2017)
71%
1.5/4
EDIT
“Sandberg does nothing to update his horror film from some of the genre's more damaging stereotypes.” –
Globe and Mail
Aug 11, 2017
Full Review
Girls Trip (2017)
91%
4/4
EDIT
“There is no raunchier, more raucous, filthy and truly crass movie out this summer than Girls Trip - and I loved every minute of it.” –
Globe and Mail
Jul 22, 2017
Full Review
The Beguiled (2017)
79%
3.5/4
EDIT
“The Beguiled is Coppola's bloodiest, most visceral movie to date, and it is also one of her best.” –
Globe and Mail
Jun 30, 2017
Full Review
The Bad Batch (2016)
45%
2.5/4
EDIT
“It's a trippy, sun-scorched apocalyptic horror film with a rom-com finish that gets as bloody, visceral and cannibalistic as its U.S. R rating will allow.” –
Globe and Mail
Jun 23, 2017
Full Review
Everything, Everything (2017)
45%
3.5/4
EDIT
“Engrossing and not too sugar-sweet, Meghie's movie is slightly paranoid, surprisingly fantastical and superb at translating the overwhelming stupor of first love with big, bold shots and a banging soundtrack.” –
Globe and Mail
May 19, 2017
Full Review
Unforgettable (2017)
29%
2/4
EDIT
“Here, the dizzying pairing of slice-and-splatter violence with the quiet horror of abusive relationships doesn't add up - it's used, unforgivably, as a gimmick.” –
Globe and Mail
Apr 21, 2017
Full Review
Obit. (2016)
93%
3.5/4
EDIT
“Documentarian Vanessa Gould leads her viewer by the hand through the day in a life of the darling weirdos at The New York Times obituary desk.” –
Globe and Mail
Mar 31, 2017
Full Review
The Last Word (2017)
40%
1/4
EDIT
“I hope that in the name of her decades-spanning career and six Academy Award nominations (plus one win), we might do MacLaine the small courtesy of forgetting that this pedestrian and dull comedy ever happened.” –
Globe and Mail
Mar 10, 2017
Full Review
xXx: Return of Xander Cage (2017)
46%
2/4
EDIT
“All the one-line zingers in the world can't save Return of Xander Cage from its own moral confusion.” –
Globe and Mail
Jan 20, 2017
Full Review
Mostly Sunny (2016)
38%
2/4
EDIT
“Mehta takes his audience behind the curtain of Leone's strategic brand-building - from commercials, to private events, to film sets - yet rarely ever delves deeper than the veneer of her glossy celebrity.” –
Globe and Mail
Jan 13, 2017
Full Review
Antibirth (2016)
68%
2.5/4
EDIT
“Lovers of horror will likely be into this fertile homage and will appreciate Perez's new takes on horror's tried-and-true tropes and plot twists.” –
Globe and Mail
Dec 2, 2016
Full Review
Jean of the Joneses (2016)
75%
3.5/4
EDIT
“Takes its cues from both Woody Allen's self-indulgent worlds and the literary panache of Zadie Smith, but remains original in its darkly funny perspective ...” –
Globe and Mail
Nov 11, 2016
Full Review
Keeping Up With the Joneses (2016)
20%
1.5/4
EDIT
“This story of the spies next door is wooden and slow-paced with enough intrigue to lull a toddler to sleep.” –
Globe and Mail
Oct 21, 2016
Full Review
Bridget Jones's Baby (2016)
78%
3/4
EDIT
“I'd like to raise a glass of Chardonnay and toast Bridget Jones's Baby on its (mostly) hilarious, and long-anticipated, homecoming.” –
Globe and Mail
Sep 16, 2016
Full Review
Bad Moms (2016)
59%
3/4
EDIT
“Although all these actors prove the shrewd casting choices of Bad Moms, it is Hahn who makes this unassuming summer blockbuster something close to stellar.” –
Globe and Mail
Jul 29, 2016
Full Review
Me Before You (2016)
55%
1/4
EDIT
“This film cost $20-million to make and, at its heart, is a glossy, live-action Beauty and the Beast, with a quadriplegic in the role of non-human animal.” –
Globe and Mail
Jun 3, 2016
Full Review
The Clan (2015)
85%
3.5/4
EDIT
“Even if your knowledge of Argentina's political history is wanting, The Clan is still worth seeing.” –
Globe and Mail
Mar 25, 2016
Full Review
The Divergent Series: Allegiant (2016)
11%
1/4
EDIT
“The movie desperately wants a sleek and goth-inspired aesthetic in the spirit of Rick Owens. What it ends up with is more of an unfortunate Anne Klein-meets-The Jetsons reality.” –
Globe and Mail
Mar 18, 2016
Full Review
Chi-Raq (2015)
82%
3/4
EDIT
“Lee's film is worth seeing for its bombastic excess and camo-clad dance scenes. But if you're looking for tactful visual responses to the Black Lives Matter movement and the effects of police brutality, this isn't it.” –
Globe and Mail
Mar 18, 2016
Full Review
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