Anaconda (2025)
48%
3/5
EDIT
“It's not perfect, and not every gag lands, but Anaconda is a deliciously bonkers romp that, from time to time, bites in all the right ways.” –
RTÉ (Ireland)
Dec 27, 2025
Full Review
Zootopia 2 (2025)
91%
4/5
EDIT
“For directors Byron Howard and Jared Bush, Zootropolis 2 is far from a routine franchise pay-day. It's a clear labour or love.” –
RTÉ (Ireland)
Dec 1, 2025
Full Review
Wicked: For Good (2025)
66%
4/5
EDIT
“Act II lacks the soaring, show-stopping numbers that made last year’s outing so popular, but Stephen Schwartz’s new compositions...are catchy enough to make it onto your playlist.” –
RTÉ (Ireland)
Nov 19, 2025
Full Review
Steve (2025)
78%
4/5
EDIT
“The sustained anarchy and predictable ending may have some viewers putting themselves in detention, but when it comes to casting, Steve passes with flying colours.” –
RTÉ (Ireland)
Sep 6, 2025
Full Review
The Life of Chuck (2024)
80%
4/5
EDIT
“The Life of Chuck is undeniably flawed. Its narrative favours emotional inquiry over clear answers, and its unconventional structure can feel aimless at times. Yet, when it connects, it hits with unexpected force.” –
RTÉ (Ireland)
Aug 20, 2025
Full Review
Smurfs (2025)
21%
2/5
EDIT
“The story quickly becomes tangled and unnecessarily complex. It’s confusing for adults, and downright baffling for kids.” –
RTÉ (Ireland)
Jul 18, 2025
Full Review
The Wedding Banquet (2025)
86%
4/5
EDIT
“Blending subtle gags and quiet melancholy, the remake offers a fresh, affecting perspective on the story, peppered with loving homages to the original including an updated twist on the infamous banquet scene, now tailored for the Gen Z'ers.” –
RTÉ (Ireland)
May 10, 2025
Full Review
Maria (2024)
76%
4/5
EDIT
“More than half a year of vocal training was required for Jolie’s own singing voice to be blended in harmoniously with that of Callas – a task that contributes significantly to the exquisitely calibrated piece of filmmaking.” –
RTÉ (Ireland)
Jan 30, 2025
Full Review
Conclave (2024)
93%
5/5
EDIT
“With the world awaiting the iconic puff of white smoke, Berger’s trusty long lens embraces the importance of visual aesthetics without losing any substance in terms of narrative action. ” –
RTÉ (Ireland)
Dec 3, 2024
Full Review
Fly Me to the Moon (2024)
66%
3/5
EDIT
“The script by Rose Gilroy, and story by Bill Kirstein and Keenan Flynn, floats for long stretches on the charm of its stars and the outlandish stunts of its joyride.” –
RTÉ (Ireland)
Jul 11, 2024
Full Review
The Bikeriders (2023)
79%
4/5
EDIT
“The Bikeriders won’t have you doing wheelies around the carpark, but it has just enough gas to send you home in the right direction.” –
RTÉ (Ireland)
Jun 25, 2024
Full Review
IF (2024)
51%
3/5
EDIT
“IF's offbeat charm and bouncy humour finds an easy rhythm without effort, but there's not enough storytelling muscle to make your imagination swirl.” –
RTÉ (Ireland)
Jun 6, 2024
Full Review
Emily (2022)
87%
5/5
EDIT
“Anchored by Emma Mackey's superb performance as the woman in question, the richly fictionalised tale acquaints viewers with the suffocated identity of a repressed young writer battling to take charge of her own story.” –
RTÉ (Ireland)
Aug 8, 2023
Full Review
My Father's Dragon (2022)
87%
5/5
EDIT
“Kilkenny's Cartoon Saloon has produced yet another blazing masterpiece. It really will take your breath away.” –
RTÉ (Ireland)
Nov 11, 2022
Full Review
Blonde (2022)
43%
2/5
EDIT
“The nearly three-hour slog feels like yet another brutal layer of exploitation of the 20th century icon.” –
RTÉ (Ireland)
Sep 30, 2022
Full Review
Saint Maud (2019)
92%
5/5
EDIT
“Rose Glass' ambiguous masterpiece will leave you stocking up on rosary beads and bathing in Holy water.” –
RTÉ (Ireland)
Dec 1, 2020
Full Review
SCOOB! (2020)
48%
2/5
EDIT
“The Mystery Inc. gang and their beloved talking Great Dane are given the CGI treatment in a reboot of Hanna-Barbera's classic cartoon that's more ruff than fetch.” –
RTÉ (Ireland)
Jul 10, 2020
Full Review
The Invisible Man (2020)
92%
4/5
EDIT
“Moss delivers a soul-shattering performance that springs from defensive to vulnerable, from furious to terrified, without being nauseating.” –
RTÉ (Ireland)
Feb 28, 2020
Full Review
Like a Boss (2020)
22%
1.5/5
EDIT
“Like a Boss has all of the trappings for success but what is delivered to audiences is nothing but a collection of knock-off goods.” –
RTÉ (Ireland)
Feb 21, 2020
Full Review
The Man Who Killed Don Quixote (2018)
66%
3/5
EDIT
“Terry Gilliam's long-plagued dream project finally hits the big screen after a 25-year wait, but his ambitious tale feels like it's passed its sell by date.” –
RTÉ (Ireland)
Feb 3, 2020
Full Review
Just Mercy (2019)
85%
3.5/5
EDIT
“Just Mercy won't enlighten viewers with groundbreaking insights, but its an inspiring reminder of a deeply flawed and socially unbalanced legal system, while teaching us a powerful lesson about the value of life.” –
RTÉ (Ireland)
Jan 21, 2020
Full Review
Bombshell (2019)
67%
3/5
EDIT
“Bombshell fails to dig deep enough to create an explosive piece of cinema, but it ticks along just enough to make an impact.” –
RTÉ (Ireland)
Jan 17, 2020
Full Review
Ordinary Love (2019)
93%
5/5
EDIT
“Armed with an incandescent screenplay and unforgettable performances, Ordinary Love is affecting in its own quiet way, as it showcases a deeply moving portrait of a marriage tested under strain after a cancer diagnosis.” –
RTÉ (Ireland)
Dec 5, 2019
Full Review
Last Christmas (2019)
47%
2.5/5
EDIT
“Last Christmas isn't quite a careless whisper but by the time you get to the bonkers twist (you have been warned), you'll need to get someone to wake you up before you go-go.” –
RTÉ (Ireland)
Nov 15, 2019
Full Review
Ad Astra (2019)
83%
4.5/5
EDIT
“The ambitious script reaches far beyond most Hollywood sci-fi movies, striking a balance between a harrowing otherworldly discovery, and a beautifully complex narrative weighing up how much our parents shape our destiny.” –
RTÉ (Ireland)
Sep 17, 2019
Full Review
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