Luisa F. Ribeiro
Luisa F. Ribeiro's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Les Miserables (1998)
77%
3/5
EDIT
“[An] attractive, solid rendering of this popular classic.” –
Boxoffice Magazine
Oct 18, 2008
Full Review
The Dogwalker (2000)
50%
1.5/5
EDIT
“Trying hard to be cute, The Dogwalker is instead as muddled as can be, tripping up the film as if its ankles were entwined in its own leash.” –
Boxoffice Magazine
Aug 25, 2006
Full Review
Autumn Spring (2002)
97%
3/5
EDIT
“A rare salute to the possibilities of life waiting to be lived.” –
Boxoffice Magazine
Jul 27, 2003
Full Review
25th Hour (2002)
80%
2/5
EDIT
“Just exactly what the point is to The 25th Hour remains unclear, despite being based on a well-received first novel, played-out by an assortment of seasoned performers and led by a director unafraid of risks.” –
Boxoffice Magazine
Dec 20, 2002
Full Review
Food of Love (2002)
48%
2.5/5
EDIT
“Despite Juliet Stevenon's attempt to bring cohesion to Pamela's emotional roller coaster life, it is not enough to give the film the substance it so desperately needs.” –
Boxoffice Magazine
Dec 16, 2002
Full Review
Interview With the Assassin (2002)
67%
2.5/5
EDIT
“An achingly enthralling premise, the film is hindered by uneven dialogue and plot lapses.” –
Boxoffice Magazine
Nov 8, 2002
Full Review
Étoiles: Dancers of the Paris Opera Ballet (2001)
62%
3.5/5
EDIT
“Part of the draw of dance is the impossibility to define its particular joy. Tavernier's film conveys a large element of its appeal -- and more.” –
Boxoffice Magazine
Nov 8, 2002
Full Review
Swept Away (2002)
6%
2/5
EDIT
“Shallow and inconsequential, despite some pretty scenery.” –
Boxoffice Magazine
Oct 13, 2002
Full Review
Slap Her, She's French! (2002)
38%
2.5/5
EDIT
“The script falls back on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy.” –
Boxoffice Magazine
Sep 4, 2002
Full Review
What to Do in Case of Fire? (2002)
50%
2.5/5
EDIT
“With recent tensions rekindled by the Kathleen Soliah trial and the upcoming trial of SLA members Emily and William Harris, not to mention Sept. 11, its difficult these days to appreciate Fire's bright side.” –
Boxoffice Magazine
Jul 19, 2002
Full Review
Hamlet (2000)
59%
EDIT
“Despite this Hamlet's faithfulness to the text, there's more mope than melancholy to star Ethan Hawke, and the film's aspirations toward the cutting edge grow wearying.” –
Baltimore City Paper
Jul 12, 2002
Full Review
Crna macka, beli macor (1998)
82%
EDIT
“This latest from writer-director Emir Kusturica eventually grows on one not through its relentless laughs, but by its unexpected sentiment about romance and friendship.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Bounce (2000)
52%
2.5/5
EDIT
“Clearly wants to be a compelling, ambiguous work, but sacrifices its integrity for a more palatable date-movie tone.” –
Baltimore City Paper
Jun 5, 2002
Full Review
The Parent Trap (1998)
87%
EDIT
“A delightful remake hits the screen that is every bit as fun and entertaining as the Hayley Mills original” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Bless the Child (2000)
4%
2/5
EDIT
“A better script or stronger direction might have helped, but without either, this one goes to the Devil.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Return to Paradise (1998)
72%
2.5/5
EDIT
“Vaughn labors mightily under the obviousness of the script, while managing to reveal a fragile but profound fear of being an aging frat boy who longs to realize a finer, better self, only to be petrified that quality isn't within him.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Keep the River on Your Right: A Modern Cannibal Tale (2000)
78%
3.5/5
EDIT
“An engaging testimony to the courage of one man's quest into the unknown.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
The Other Conquest (1998)
85%
3.5/5
EDIT
“An impressive, beautifully visual film.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Hush (1998)
12%
1.5/5
EDIT
“Only Nina Foch, as the wheelchair bound granny hidden away among nuns, shows any flair for taking this into the campy domain in which it might have flourished.” –
Boxoffice Magazine
Jun 5, 2002
Full Review
Sex With Strangers (2001)
39%
2/5
EDIT
“An empty, purposeless exercise.” –
Boxoffice Magazine
May 3, 2002
Full Review
Panic Room (2002)
76%
2.5/5
EDIT
“For a film that feels suspiciously like an early summer release, Panic Room pushes just enough of the right buttons.” –
Boxoffice Magazine
Apr 1, 2002
Full Review
Charlotte Gray (2001)
32%
EDIT
“Compellingly depicts the hazards faced by ordinary people when hell breaks loose.” –
Baltimore City Paper
Jan 31, 2002
Full Review
The Mothman Prophecies (2002)
52%
EDIT
“Somewhat heavy-handed with stock 'boo!' tactics, Mothman's unnerving story nevertheless generates a legitimate creepy air that will have viewers peering over their shoulders apprehensively as they leave the theatre.” –
Boxoffice Magazine
Jan 24, 2002
Full Review
Behind the Sun (2001)
74%
EDIT
“A tragedy shot through with moments of blinding brilliance.” –
Boxoffice Magazine
Dec 21, 2001
Full Review
Burning Money (2000)
77%
EDIT
“Smolders and sweats amidst some sensational violence and fiery sex.” –
Boxoffice Magazine
Oct 8, 2001
Full Review
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