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Markie Robson-Scott

Markie Robson-Scott's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
The History of Sound (2025) 69% 3/5 EDIT “A lifeless feel pervades in spite of strong performances. ” – The Arts Desk Jan 23, 2026 Full Review Peter Hujar's Day (2025) 92% 4/5 EDIT “It’s an elegant, unusual film...” – The Arts Desk Jan 2, 2026 Full Review Minding the Gap (2018) 100% 3/5 EDIT “...Liu and screenplay writer Martyna Majok (with Barry Jenkins as a producer) have given us a strangely watered down version of Lish’s harrowing, vivid story. Perhaps it’s better to see the film before reading the book.” – The Arts Desk Dec 15, 2025 Full Review Bugonia (2025) 88% 4/5 EDIT “Yurgos Lanthimos’s gripping black comedy Bugonia...is marvellously deranged, taking a conspiracy theory to its logical, or illogical, conclusion. ” – The Arts Desk Oct 31, 2025 Full Review Mr. Blake, at Your Service! (2023) 80% 3/5 EDIT “Its goofiness works, some of the time, partly because of Malkovich’s French, which is fluent yet delivered in a halting drawl with an English/American accent so bad it’s almost good.” – The Arts Desk Oct 4, 2025 Full Review Can I Get a Witness? (2024) 67% 3/5 EDIT “In spite of excellent performances from the two leads, Sandra Oh and Keira Jang, it fails to come to life and has a clunky, didactic feel, though it looks very pretty.” – The Arts Desk Sep 19, 2025 Full Review The Courageous (2024) 100% 3/5 EDIT “...[The Courageous is] a compelling, though too mysterious, portrait of a single mother versus society.” – The Arts Desk Sep 5, 2025 Full Review Young Mothers (2025) 95% 4/5 EDIT “...[The Young Mother's Home is] an extraordinarily compelling picture of life in a maternal support home.” – The Arts Desk Sep 3, 2025 Full Review Sorry, Baby (2025) 97% 3/5 EDIT “Its silly humour can be irritating, as can the dialogue, and it’s not as incisive as Girls, Fleabag or I May Destroy You, with which it has some themes in common. But it addresses, in an unusual, off-beat way, a serious subject...” – The Arts Desk Aug 22, 2025 Full Review Unmoored (2023) 3/5 EDIT “Caroline Ingvarsson’s debut feature...is big on atmosphere but leaves too much to the imagination, skimming over the surface of the book, which is well worth reading, and extracting only bare, unsustaining bones.” – The Arts Desk Aug 15, 2025 Full Review Late Shift (2025) 97% 4/5 EDIT “Although the final scenes are too neat and sentimental,...the image of Floria in her blue uniform, pushing her trolley up the ward, her phone trilling, remains indelibly powerful.” – The Arts Desk Aug 4, 2025 Full Review Goebbels and the Führer (2024) 4/5 EDIT “The film does make its point with a rather sledge-hammer effect, but it’s fascinating to see how obsessed Hitler was over waging war and how unenthusiastic the German people were about the idea of conflict.” – The Arts Desk Jun 6, 2025 Full Review The Salt Path (2024) 85% 3/5 EDIT “...the dialogue doesn’t shine, sentimentality is dangerously near the surface and Moth’s character, in particular, seems one-dimensional, although Isaacs and Anderson are both impressive and locations...are beautifully shot by Hélène Louvart. ” – The Arts Desk May 30, 2025 Full Review The Surfer (2024) 84% 3/5 EDIT “...Nicolas Cage...has an intensity that breaks the mould and that’s just about reason enough to watch.” – The Arts Desk May 10, 2025 Full Review Blue Road: The Edna O'Brien Story (2024) 100% 4/5 EDIT “...this fascinating documentary is a testimony to Edna O’Brien’s rebellious talent, her prolific output – a novel a year for a while – and her star-studded socialising.” – The Arts Desk Apr 19, 2025 Full Review Four Mothers (2024) 92% 3/5 EDIT “...it’s warm-hearted and charming in a lukewarm way, but although it’s based on Darren Thornton and his co-writer brother Colin’s experiences with their own mother, who had a degenerative disease, it’s not particularly engaging or convincing.” – The Arts Desk Apr 4, 2025 Full Review Opus (2025) 39% 3/5 EDIT “... although muddled, it’s visually compelling...” – The Arts Desk Mar 18, 2025 Full Review Twiggy (2024) 100% 3/5 EDIT “It may get a trifle wearying to hear everyone...go on about how open and lacking in artifice [Twiggy] is, but nevertheless an impressive portrait emerges of a straightforward woman who loves to work...” – The Arts Desk Mar 10, 2025 Full Review The Last Showgirl (2024) 83% 3/5 EDIT “The locations, with their desolate flyovers, freeways and neon glitz are atmospheric, but Kate Gersten's script doesn't light up the lives of these girls and women. They remain unexplored and unreal, in spite of impressive performances...” – The Arts Desk Feb 28, 2025 Full Review Bring Them Down (2024) 89% 3/5 EDIT “The film is undeniably powerful, with fine performances, but the unremitting violence ends up feeling cartoonish and empty.” – The Arts Desk Feb 8, 2025 Full Review By the Stream (2024) 100% 4/5 EDIT “This is strangely uplifting, as is the entirety of this enigmatic, gentle film.” – The Arts Desk Jan 30, 2025 Full Review It's Raining Men (2023) 75% 3/5 EDIT “It’s Raining Men, directed by Caroline Vignal, is a simplistic, insubstantial film -- a bit of a missed opportunity, in fact -- but the brilliant Calamy, with her infectious laugh, is its saving grace. ” – The Arts Desk Jan 10, 2025 Full Review Merchant Ivory (2023) 96% 4/5 EDIT “Theirs was a volatile, complex relationship, as director Stephen Soucy’s honest, fascinating documentary, full of talking heads from the Merchant Ivory family, as they liked to call it, makes clear.” – The Arts Desk Dec 11, 2024 Full Review Woman of the Hour (2023) 91% 4/5 EDIT “The focus is firmly on the women victims, though it’s never prurient or sensational. And there are clever glimpses of the handsome Alcala’s vulnerability.” – The Arts Desk Oct 17, 2024 Full Review Portraits of Dangerous Women (2024) 67% 3/5 EDIT “All in all, in spite of an impressive cast, the movie doesn’t quite gel but it’s still strangely uplifting in a gentle way.” – The Arts Desk Oct 10, 2024 Full Review
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