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Maxance Vincent

Tomatometer-approved critic
Biography:

Maxance Vincent is a freelance film and TV Critic based in Montreal, Canada. A recent graduate in Journalism at the Université de Montréal, Maxance developed a fond affinity for genre cinema and specialized in his writing on the subject. You can find his work through many publications, including InSession Film, FilmSpeak, Awards Radar, and Loud & Clear Reviews, among others.

Reviews

Movies TV Shows
The Super Mario Galaxy Movie (2026) 40% 2/5 EDIT “The Super Mario Galaxy Movie thrives on not giving anything substantial to the audience. It’s sickeningly boring, and fans deserve so much better than to be fed such gobbledygook. ” – The Cinema Spot Apr 3, 2026 Full Review The AI Doc: Or How I Became an Apocaloptimist (2026) 88% B EDIT “The AI Doc: Or How I Became an Apocaloptimist is a fairly effective documentary on a rather complicated subject.” – Film Speak Apr 2, 2026 Full Review The Drama (2026) 80% 3.5/5 EDIT “The Drama is somewhat intriguing, but I can’t be certain that it all works.” – The Cosmic Circus Apr 2, 2026 Full Review Case 137 (2025) 93% B EDIT “Moll thrives in total immersion, and Case 137 works best when it seeks to remove any instances of cinematic trickery from the audience’s eyes.” – InSession Film Apr 2, 2026 Full Review Alpha (2025) 56% 3.5/5 EDIT “While [Alpha] may not be as strong as [Ducournau's] Palme d’Or-winning film, [Titane], I still eagerly await her subsequent project. ” – The Cosmic Circus Mar 29, 2026 Full Review Miroirs No. 3 (2025) 94% 3/4 EDIT “Miroirs No. 3 is a thematically intriguing and often funny character study that slowly leads the audience towards unexpected territories. ” – Awards Radar Mar 28, 2026 Full Review Yes (2025) 93% A- EDIT “There may not be a more angry film released this year than Nadav Lapid’s Yes.” – InSession Film Mar 28, 2026 Full Review Pretty Lethal (2026) 56% D- EDIT “Vicky Jewson’s ‘Pretty Lethal’ squanders an interesting premise with paper-thin characters, dull performances, and poorly staged action.” – Film Speak Mar 26, 2026 Full Review Two Prosecutors (2025) 97% B+ EDIT “The predictability of Loznitsa’s film might hamper the final moment where Kornyev’s fate is sealed, but it still doesn’t make the movie any less impactful.” – Film Speak Mar 26, 2026 Full Review A Magnificent Life (2025) 62% D+ EDIT “What ultimately remains is a painfully hollow and vapid animated affair that will sadly be released by committing the worst possible offense against what Marcel Pagnol stands for.” – InSession Film Mar 26, 2026 Full Review Reminders of Him (2026) 57% C+ EDIT “I could’ve come here and talked about why Colleen Hoover [...] continues to misunderstand fundamental human relationships in her writing. All of this is still true. But the filmed transposition of Reminders of Him isn’t bad. Simple as that.” – InSession Film Mar 24, 2026 Full Review In the Blink of an Eye (2026) 16% 1.5/5 EDIT “What tries to be a live-action version of Godfrey Reggio’s Koyaanisqatsi, Powaqqatsi and Naqoyqatsi [...] ultimately ends up being a complete nothingburger that has nothing of interest to say, thematically, narratively, and aesthetically.” – The Cinema Spot Mar 19, 2026 Full Review Pompei: Below the Clouds (2025) 97% 3.5/4 EDIT “It’s definitely [Gianfranco Rosi's] best film, and one worth thinking about for a (very) long time…” – Awards Radar Mar 19, 2026 Full Review Peaky Blinders: The Immortal Man (2026) 90% 3.5/5 EDIT “Peaky Blinders: The Immortal Man accomplishes a rare feat in the world of television: satisfyingly wrapping up the story of a beloved character many audience members thought they would never see again.” – Loud and Clear Reviews Mar 19, 2026 Full Review Heel (The Good Boy) (2025) 87% D+ EDIT “Komasa’s formal impulses are still intact, but they’re in service of a screenplay that has no idea what it wants to say about anything it lays in front of the audience.” – InSession Film Mar 12, 2026 Full Review undertone (2025) 72% 5/5 EDIT “A modern horror masterwork.” – Loud and Clear Reviews Mar 10, 2026 Full Review Hoppers (2026) 94% 4.5/5 EDIT “Hoppers will undoubtedly stand the test of time as one of [Pixar's] most vivid and dynamic works, at a time when they needed a reminder that innovation should always be at the forefront of every film they make.” – The Cosmic Circus Mar 8, 2026 Full Review War Machine (2026) 69% 3/5 EDIT “Hughes has never been a particularly impressive filmmaker. War Machine has finally allowed him to showcase what kind of action artist he is, without any constraints.” – The Cosmic Circus Mar 8, 2026 Full Review The President's Cake (2025) 99% 4/5 EDIT “Even when Hadi stages scenes that are lighter in nature, the spectre of Hussein’s regime is still present, and the resulting feeling of unease never goes away.” – Movies We Texted About Mar 7, 2026 Full Review Pegasus 3 (2026) A- EDIT “The pleasures of watching a film like Pegasus 3 lie in your being transported by Han’s sheer mastery of the visual medium of cinema.” – InSession Film Mar 7, 2026 Full Review Midwinter Break (2026) 65% B+ EDIT “Don’t let this movie fly off your radar.” – InSession Film Mar 4, 2026 Full Review The Napa Boys (2025) 57% B+ EDIT “There will be critics (and audience members) who will say that The Napa Boys is one of the worst movies ever made. I am not one of those people.” – InSession Film Mar 3, 2026 Full Review Dreams (2025) 52% D EDIT “Michel Franco’s ‘Dreams’ fails to meet the moment with a mostly empty erotic drama that takes a repulsive turn near its "shocking" denouement.” – Film Speak Feb 27, 2026 Full Review My Father's Shadow (2025) 97% 3.5/5 EDIT “My Father’s Shadow is slightly flawed, but one can’t overstate how cogent and powerfully told it is.” – Movies We Texted About Feb 27, 2026 Full Review Psycho Killer (2026) 10% F EDIT “[Psycho Killer] is a disaster of Wiseau-esque proportions, a once-in-a-generation piece of flopsweat so horrible it could be the next big [...] cult classic.” – Film Speak Feb 27, 2026 Full Review
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