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Myles Standish

Myles Standish's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Ace in the Hole (1951) 88% EDIT “It is one of the most acid portrayals of savage and ruthless self-service to ever hit the screen. ” – St. Louis Post-Dispatch Feb 3, 2026 Full Review The Day the Earth Stood Still (1951) 93% EDIT “Ingenious at points, but its digs at the imperfections of our Earth in contrast to other more advanced planets are more pedestrian than space borne. ” – St. Louis Post-Dispatch Jan 15, 2026 Full Review Alice in Wonderland (1951) 83% EDIT “Perhaps this cartoon version is closer to Walt Disney and the voices of comedians he uses for some of the characters than to Lewis Carroll. But he captures the cock-eyed spirit of the quaint characters at least.” – St. Louis Post-Dispatch Jan 8, 2026 Full Review Born Yesterday (1950) 95% EDIT “George Cukor's direction apparently has deliberately allowed waiting periods for audience laughter after some of Miss Holliday's best lines, the first time to my knowledge this has been done on screen. ” – St. Louis Post-Dispatch Oct 13, 2025 Full Review High and Low (1963) 97% EDIT “It is like any good American or English thriller in its crackling tension, documentary realism and meticulous detail.” – St. Louis Post-Dispatch Aug 13, 2025 Full Review 2001: A Space Odyssey (1968) 90% EDIT “The photography is superb. But on the whole the film is disappointing... Dramatically, it is dull.” – St. Louis Post-Dispatch Apr 9, 2025 Full Review Where Angels Go, Trouble Follows (1968) EDIT “Warm and innocuous.” – St. Louis Post-Dispatch May 1, 2024 Full Review Bonnie and Clyde (1967) 91% EDIT “An exciting, sometimes gruesomely humorous play on violence.” – St. Louis Post-Dispatch May 1, 2024 Full Review The Graduate (1967) 87% EDIT “A brilliant and funny satire on the affluent, materialistic society.” – St. Louis Post-Dispatch May 1, 2024 Full Review The Fox (1968) 60% EDIT “A sensitive, moody and absorbing drama full of psychological nuances.” – St. Louis Post-Dispatch May 1, 2024 Full Review Guns for San Sebastian (1968) EDIT “French director Henri Verneuil has made this visually striking, with some rousing battle scenes, but the dialogue, as dubbed into English from the original French-Mexican-Italian production, is atrociously stilted.” – St. Louis Post-Dispatch May 1, 2024 Full Review Yours, Mine and Ours (1968) 57% EDIT “Marred by several cornball scenes involving Lucille Ball, but on the whole it is warm, gently humorous and poignant.” – St. Louis Post-Dispatch May 1, 2024 Full Review Madigan (1968) 75% EDIT “Hard-hitting, realistic detective melodrama.” – St. Louis Post-Dispatch May 1, 2024 Full Review Planet of the Apes (1968) 86% EDIT “Interesting science fiction... Maurice Evans is good as [Charlton Heston's] persecutor, an orangutan minister of science.” – St. Louis Post-Dispatch May 1, 2024 Full Review The Lavender Hill Mob (1951) 100% EDIT “A lark and a laugh from beginning to end.” – St. Louis Post-Dispatch Apr 18, 2024 Full Review The Big Heat (1953) 95% EDIT “The melodrama is clipped and taut, well played by Ford, Miss Grahame, Jocelyn Brando, Alexander Scourby and others, and often erupts with shocking impact.” – St. Louis Post-Dispatch Apr 11, 2024 Full Review The Searchers (1956) 87% EDIT “The combination of Director John Ford and star John Wayne has again produced a crack Western, the best since Shane, in The Searchers.” – St. Louis Post-Dispatch Mar 25, 2024 Full Review Quincannon, Frontier Scout (1956) EDIT “There may be worse acted and produced Westerns than this, but, if so, I'd hate to have to sit through them.” – St. Louis Post-Dispatch Mar 21, 2024 Full Review U.F.O. (1956) EDIT “A remarkably well-made full length documentary.” – St. Louis Post-Dispatch Mar 21, 2024 Full Review Patterns (1956) 89% EDIT “A strongly made, well-knit, and absorbing drama.” – St. Louis Post-Dispatch Mar 21, 2024 Full Review Sawdust and Tinsel (1953) 92% EDIT “The whole thing, has been written and directed by Ingmar Bergman in a style so gloomily arty as to be indigestible.” – St. Louis Post-Dispatch Mar 21, 2024 Full Review Westward the Women (1951) 69% EDIT “Director Willam Wellman has compromised some of his more vigorous scenes with touches of hokum, so instead of brutal realism, we have only a theatrical imitation thereof. ” – St. Louis Post-Dispatch Mar 2, 2024 Full Review Little Big Man (1970) 91% EDIT “A pungent and episodic piece of Americana which defies pigeonholing. ” – St. Louis Post-Dispatch Nov 10, 2023 Full Review Kidnapped (1971) 100% EDIT “This one is first-rate, directed by Delbert Mann as an adventure tale combining both swashbuckling and burning patriotic idealism, filmed against the beauty of the Scottish highlands and with some excellent character portraits. ” – St. Louis Post-Dispatch Oct 25, 2023 Full Review The Last Picture Show (1971) 98% EDIT “All the principals deliver striking acting performances. But certainly Johnson's, with his simple, touching speech by the lake recalling the days of glory... deserves a supporting actor Oscar. ” – St. Louis Post-Dispatch Oct 25, 2023 Full Review
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