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Robert Bingham

Robert Bingham's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
On the Waterfront (1954) 99% EDIT “Although there is excellent support -- notably from Lee J. Cobb and Karl Malden -- without Mr. Brando’s pervasive personality On the Waterfront could certainly not have been what it now is: the best American picture seen so far this year.” – The Reporter Feb 10, 2022 Full Review Vanishing Prairie (1954) EDIT “His series of “True Life" nature documentaries has been generally superb, and let it be said right now that his latest, The Vanishing Prairie, is the best yet... But all too often Mr. Disney lets second-rate music get in the way of first-rate pictures.” – The Reporter Feb 10, 2022 Full Review Robinson Crusoe (1954) EDIT “Straightforward, unpretentious, this definitive filming of Robinson Crusoe should be frequently revived.” – The Reporter Feb 10, 2022 Full Review Marty (1955) 96% EDIT “Marty is a small but splendid sample of that richness and variety in American life which has been waiting all too long to be filmed and televised.” – The Reporter Feb 10, 2022 Full Review Around the World in 80 Days (1956) 72% EDIT “It’s just about the most delightful way of spending three hours that I can think of offhand. At last the wide screen and full-color films have been used to make a picture that is worthy of them and appropriate to them.” – The Reporter Feb 10, 2022 Full Review Baby Doll (1956) 83% EDIT “A picture that is several cuts above Elvis Presley’s Love Me Tender but quite far below A Streetcar Named Desire, another Kazan- Williams collaboration, and not even to be compared with their Rose Tattoo.” – The Reporter Feb 10, 2022 Full Review The Heart of the Matter (1953) EDIT “The photography is beautiful. the direction is sensitive, but somewhere along the line it was found expedient to throw away the entire point of the book.” – The Reporter Jan 25, 2022 Full Review The Last Time I Saw Paris (1954) 70% EDIT “I certainly wouldn't trouble you with a description of this abysmal film.” – The Reporter Jan 25, 2022 Full Review
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