Joybubbles (2026)
3.5/5
EDIT
“The unorthodox method of human connection on display is uniquely moving, as the documentary consistently feels as if it’s covering something greater than one man hacking telephones: a defiance of loneliness, ableism, and trauma” –
Flickering Myth
Feb 2, 2026
Full Review
The Incomer (2026)
91%
3.5/5
EDIT
“Welcome The Incomer with open arms, it’s a laugh-riot with earned emotions” –
Flickering Myth
Feb 2, 2026
Full Review
Bedford Park (2026)
95%
3.5/5
EDIT
“Rarely does a film put as much thought and cultural complexity into why its central characters gravitate toward one another as co-editor/writer/director Stephanie Ahn’s Bedford Park ” –
Flickering Myth
Feb 2, 2026
Full Review
Carousel (2026)
73%
2.5/5
EDIT
“With far too many dreamlike montages of characters living their lives, some true messiness in the script, and perspective problems, Carousel gets stuck. The performances sometimes get it going again ” –
Flickering Myth
Feb 2, 2026
Full Review
Chasing Summer (2026)
65%
2/5
EDIT
“This mostly unfunny, far too broad, and rarely honest film never evolves beyond the joke of Iliza Shlesinger playing a walking disaster working in disaster relief” –
Flickering Myth
Feb 2, 2026
Full Review
Ha-Chan, Shake Your Booty! (2026)
90%
3/5
EDIT
“The dramatic beats don’t always click, but it is vibrantly acted with equally rising musical numbers and undeniable inventiveness” –
Flickering Myth
Feb 2, 2026
Full Review
Union County (2026)
100%
3/5
EDIT
“Adapting his short film into a narrative-docu-lite hybrid feature, writer/director Adam Meeks’ Union County is a sturdy story about the hardships of overcoming opioid addiction” –
Flickering Myth
Feb 2, 2026
Full Review
zi (2026)
69%
2/5
EDIT
“Aside from a couple of sweet moments here and there of authentic acting selling some of this connection alongside an inviting, picturesque depiction of Hong Kong, Zi is a meandering chore to get through” –
Flickering Myth
Feb 2, 2026
Full Review
BURN (2026)
3.5/5
EDIT
“A bleakly authentic look at an unexplored Japanese subculture with, at times, a documentary-reminiscent aesthetic, writer/director Makoto Nagahisa’s depressingly moving Burn doesn’t hold back in its depiction of "Toyoko kids"” –
Flickering Myth
Feb 2, 2026
Full Review
Fing! (2026)
3/5
EDIT
“Fing! Has an off-putting start, but by the end, there is a total fing-clipse of the heart
” –
Flickering Myth
Feb 2, 2026
Full Review
Take Me Home (2026)
93%
2.5/5
EDIT
“It is unquestionably authentically portrayed and lived-in with a vital perspective and approach to different forms of caretaking, but it takes narrative shortcuts that feel unearned” –
Flickering Myth
Feb 2, 2026
Full Review
Josephine (2026)
98%
4.5/5
EDIT
“Josephine is a shattering film in almost a million different ways, but one that sidesteps exploitation at every turn to consistently function as an engrossing, powerful look at both what trauma does to a child and their family” –
Flickering Myth
Jan 29, 2026
Full Review
Send Help (2026)
93%
2.5/5
EDIT
“Where this film eventually goes is diabolically fun with a legitimately terrific twist. Unfortunately, it needs help (either a rewrite or some cutting to a dull middle stretch of predictable mind games) to get there” –
Flickering Myth
Jan 29, 2026
Full Review
Pike River (2025)
80%
2.5/5
EDIT
“The film works much better when it sticks to community outrage” –
Flickering Myth
Jan 29, 2026
Full Review
Aanikoobijigan [ancestor/great-grandparent/great-grandchild] (2026)
3.5/5
EDIT
“There are emotional moments capturing heavy moments of repatriations, and an overall optimistic outlook despite a dehumanizing history of being denied repeatedly ” –
Flickering Myth
Jan 29, 2026
Full Review
Shelter (2026)
62%
3/5
EDIT
“The latest from director Ric Roman Waugh and star Jason Statham, Shelter, is a fusion of their philosophies toward the action genre and what they do best ” –
Flickering Myth
Jan 29, 2026
Full Review
Everybody To Kenmure Street (2026)
100%
4/5
EDIT
“Everybody to Kenmure Street is a stirring look at what resistance looks like and what can be achieved through unity” –
Flickering Myth
Jan 29, 2026
Full Review
The Wrecking Crew (2026)
75%
2/5
EDIT
“All The Wrecking Crew does is repeatedly damage itself, destined to be another forgotten big-budget waste of algorithmic streaming space ” –
Flickering Myth
Jan 27, 2026
Full Review
The Last First: Winter K2 (2026)
100%
3.5/5
EDIT
“This is another spectacular accomplishment in this subgenre visually, but this time, there isn’t much of a happy ending. It isn’t trying to give viewers a similar high, but also a reality check” –
Flickering Myth
Jan 27, 2026
Full Review
The Shitheads (2026)
70%
2.5/5
EDIT
“Every time writer/director Macon Blair throws a new wrinkle into the plotting of The Shitheads, sometimes switching up subgenres entirely as he is typically known to do, there are diminishing returns from the outrageously funny first act” –
Flickering Myth
Jan 27, 2026
Full Review
Mum, I'm Alien Pregnant (2026)
92%
3/5
EDIT
“It’s a hoot with a brilliant body-horror/comedy metaphor and some endearing practical effects” –
Flickering Myth
Jan 25, 2026
Full Review
Mercy (2026)
24%
2.5/5
EDIT
“A morally repugnant thrill ride” –
Flickering Myth
Jan 21, 2026
Full Review
Return to Silent Hill (2026)
17%
2/5
EDIT
“Director Christophe Gans understands Silent Hill so arrestingly and vividly when it comes to visual nightmare fuel that it makes it all the more frustrating that, with this story, he still doesn’t "get" what he is adapting” –
Flickering Myth
Jan 21, 2026
Full Review
In Cold Light (2025)
45%
2/5
EDIT
“Underwritten doesn’t even begin to describe it” –
Flickering Myth
Jan 21, 2026
Full Review
The Rip (2026)
79%
3.5/5
EDIT
“More than a gift to see Ben Affleck and Matt Damon reunited on screen, this is a genius stroke of casting for writer/director Joe Carnahan’s paranoia-laced crime thriller The Rip that, well, rips” –
Flickering Myth
Jan 16, 2026
Full Review
No Reviews Yet
Load More
Something went wrong.. try again