A Body to Live In (2025)
EDIT
“A Body to Live In suffers from missing context and formal gaps... [but] Madsen has still crafted an accessible and engaging portrait of an artist and community leader.” –
In Review Online
Mar 29, 2026
Full Review
An American Pastoral (2024)
100%
EDIT
“By focusing on the minutiae of a local election... Edler reveals much more about the current state of political affairs in the United States than one could by attempting a long view. The result is stark and foreboding.” –
In Review Online
Mar 10, 2026
Full Review
By Design (2025)
72%
EDIT
“By Design, always pleasurable and charming to watch, nonetheless puts forth startling ideas.” –
In Review Online
Feb 18, 2026
Full Review
Pillion (2025)
99%
EDIT
“It’s to the director’s credit that, in uncovering an optimistic take on thorny narrative material, he manages to do so with both sexual frankness and genuine warmth.” –
In Review Online
Feb 11, 2026
Full Review
Islands (2025)
92%
EDIT
“Islands is less likely to leave a viewer on the edge of their seat than it is to make them feel that they’ve dozed off on a picturesque beach.” –
In Review Online
Jan 30, 2026
Full Review
All That's Left of You (2025)
100%
EDIT
“Dabis does sometimes struggle to craft fully rounded characters within [the film's] vast scope... but [the director] impressively manages to accrue character detail and thematic nuance by tracing her film’s central family, patiently but with purpose.” –
In Review Online
Jan 9, 2026
Full Review
The Mysterious Gaze of the Flamingo (2025)
95%
EDIT
“Structural vagueness is a minor quibble... in a film marked by both sensitivity and boldness. Céspedes, with a distinctive point of view, holds the community of queer outsiders that populate his film with a loving yet unflinching gaze.” –
In Review Online
Dec 12, 2025
Full Review
Oh. What. Fun. (2025)
35%
EDIT
“There is no joy, no humor, no pathos to be found in Oh. What. Fun.; the best one can say for it is that it might inspire viewers to turn off the TV and spend time with their family.” –
In Review Online
Dec 5, 2025
Full Review
100 Nights of Hero (2025)
68%
EDIT
“Though there are some glimmers of aesthetic and narrative interest around the margins of 100 Nights of Hero, the film fails to add up to a cohesive or captivating whole.” –
In Review Online
Dec 3, 2025
Full Review
Peter Hujar's Day (2025)
91%
EDIT
“A tender, tactile remounting of a near-forgotten moment in time. Yet... far from a distantly respectful memorial, the vital, immersive Peter Hujar’s Day emanates life in every frame.” –
In Review Online
Nov 11, 2025
Full Review
Hedda (2025)
89%
EDIT
“Occupies a well-appointed, glossy middle ground; its diversions from Ibsen are not too shocking, and its provocations are not overly provoking. ” –
In Review Online
Nov 5, 2025
Full Review
Kiss of the Spider Woman (2025)
76%
EDIT
“Frenetic and focused, alluring and excruciating, a perfect marriage of the pleasures of musical cinema with lacerating political critique... and spectacle that meets the eye with a direct, implicating gaze.” –
In Review Online
Oct 13, 2025
Full Review
With Hasan in Gaza (2025)
100%
EDIT
“A sober presentation of a nearly forgotten archive that briefly vivifies what has been irretrievably lost, With Hasan in Gaza is a vital and mournful work of preservation.” –
In Review Online
Oct 10, 2025
Full Review
Rose of Nevada (2025)
100%
EDIT
“Rose of Nevada... sees Jenkin taking on time travel as his literal subject, and he delivers absorbing and surprisingly emotional results.” –
In Review Online
Oct 7, 2025
Full Review
The History of Sound (2025)
69%
EDIT
“The History of Sound is an uncommonly sensitive and insightful film.” –
In Review Online
Oct 2, 2025
Full Review
Griffin in Summer (2024)
94%
EDIT
“The all-around confident craft leaves the audience in the perfect position to identify with, and just as often cringe at, Griffin as he navigates his formative summer.” –
In Review Online
Oct 2, 2025
Full Review
Plainclothes (2025)
83%
EDIT
“Some might find erotic intrigue and emotional catharsis in Plainclothes, but its clumsy execution precludes the film from reaching its full artistic potential.” –
In Review Online
Oct 2, 2025
Full Review
The Currents (2025)
100%
EDIT
“Though Mumenthaler’s narrative strategy is flawed, her visual strategies are often striking... [a] flawed but fascinating film.” –
In Review Online
Sep 25, 2025
Full Review
A Pale View of Hills (2025)
63%
EDIT
“A Pale View of Hills ultimately does not outmatch its formidable source material, but Ishikawa has crafted an admirable counterpart.” –
In Review Online
Sep 15, 2025
Full Review
Calle Málaga (2025)
97%
EDIT
“As much a personal tribute to Touzani’s home city as it is an affecting showcase for Carmen Maura, Calle Málaga satisfies on both levels.” –
In Review Online
Sep 15, 2025
Full Review
Night Always Comes (2025)
52%
EDIT
“Caron’s missteps in both form and content result in the failure of Night Always Comes as both a social critique and as an engaging piece of genre cinema.” –
In Review Online
Sep 6, 2025
Full Review
Went Up the Hill (2024)
67%
EDIT
“Went Up the Hill manages both to be absorbing in its Gothic-inspired trappings and thoughtful in its staging of how grief and memories of abuse haunt those left in their wake.” –
In Review Online
Aug 18, 2025
Full Review
The Birthday Party (2025)
EDIT
“The Birthday Party, though persuasively performed and appealing to the eye, unfortunately plays like a faded derivative of... The White Lotus.” –
In Review Online
Aug 16, 2025
Full Review
To a Land Unknown (2024)
98%
EDIT
“The stories of Chatila and Reda are compelling narratively, but they carry a weight beyond the scope of the film as symbolic microcosms of the devastating, disorienting effects of generations of displacement.” –
In Review Online
Aug 12, 2025
Full Review
I Don't Understand You (2024)
52%
EDIT
“Propelled by charismatic and broadly funny, yet also ultimately grounding, performances from Andrew Rannells and Nick Kroll, I Don’t Understand You is an entertaining exercise in genre slippage. ” –
In Review Online
Jul 24, 2025
Full Review
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