Zootopia 2 (2025)
91%
EDIT
“Zootopia 2 isn’t as narratively tight as the original... But it’s just as ambitious in its earnest effort to drive home a big moral message by inviting viewers into an incredibly detailed, vibrant world.” –
Polygon
Nov 25, 2025
Full Review
Predator: Badlands (2025)
86%
EDIT
“While there's plenty of CGI-packed action, there's no real tension.” –
Polygon
Nov 4, 2025
Full Review
TRON: Ares (2025)
53%
EDIT
“Rønning’s dazzling action sequences and the killer soundtrack might be enough to satisfy fans, but Tron: Ares feels just as likely to get lost among a sea of the type of films Tron inspired.” –
Polygon
Oct 7, 2025
Full Review
The Fantastic Four: First Steps (2025)
86%
EDIT
“It’s a silly family-friendly story that stands on its own, without expecting its audience knows what came before or cares much about what comes after.” –
Polygon
Jul 22, 2025
Full Review
28 Years Later (2025)
88%
4/5
EDIT
“With 28 Years Later, Boyle and Garland have once again produced a remarkable, surreal film by stretching and evolving the genre’s tropes.” –
Polygon
Jun 18, 2025
Full Review
Our Times (2025)
40%
EDIT
“Rather than obsessing over the idea of fixing the past, Our Time is a bittersweet meditation about personal growth and the way relationships shift with circumstances.” –
Polygon
Jun 12, 2025
Full Review
Fountain of Youth (2025)
35%
EDIT
“Vanderbilt and Ritchie’s attempt to find some profound meaning in the search for lost treasure never really works, because their characters are too thin to make their emotional catharsis meaningful. ” –
Polygon
May 23, 2025
Full Review
Stan Lee (2023)
80%
3/10
EDIT
“Glosses over all of the controversy surrounding the leader of Marvel Comics at the expense not just of the other other writers and artists who deserve credit, but of the documentary itself, which is a bland and uninformative work of brand-building.” –
IGN Movies
Jun 22, 2023
Full Review
Nimona (2023)
92%
9/10
EDIT
“It’s a beautifully animated film that never loses sight of its goals as it seamlessly blends goofy humor and action, an imaginative setting, and powerful emotional moments to produce a memorable and highly relevant family film.” –
IGN Movies
Jun 14, 2023
Full Review
Batman: The Doom That Came to Gotham (2023)
71%
8/10
EDIT
“While not all the tweaks to the original comic’s story are for the best, this largely faithful adaptation delivers plenty of unsettling horror, well-done action scenes, and detective-driven twists.” –
IGN Movies
Mar 28, 2023
Full Review
Sharper (2023)
68%
5/10
EDIT
“The transparent story and clumsily executed conclusion keep it from delivering a truly satisfying mystery.” –
IGN Movies
Feb 9, 2023
Full Review
New Gods: Yang Jian (2022)
63%
6/10
EDIT
“New Gods: Yang Jiang is worth watching for its novel animated action sequences, but its muddled story lacks the punch of its predecessor, New Gods: Nezha Reborn. ” –
IGN Movies
Jan 17, 2023
Full Review
Spirited (2022)
70%
5/10
EDIT
“Bombastic musical numbers cause tonal whiplash in a script pulled in too many directions. Even archetypes need some character development, and Spirited fails to make its happy ending feel earned.” –
IGN Movies
Nov 11, 2022
Full Review
DC League of Super-Pets (2022)
72%
88
EDIT
“It’s refreshing to see the joy that can be brought back to comic book stories when they’re just dealing with simpler stuff and can lean into earnest heroes and maniacal villains.” –
Polygon
Jul 27, 2022
Full Review
Green Lantern: Beware My Power (2022)
56%
4/10
EDIT
“Unfortunately, writers Ernie Altbacker and John Semper and director Jeff Wamester can’t actually live up to their grand ambitions, failing to do those storylines justice while also robbing John Stewart of a satisfying backstory.” –
IGN Movies
Jul 25, 2022
Full Review
Mother/Android (2021)
34%
3/10
EDIT
“Mother/Android tries to bring an emotional heart to the robot uprising genre, but it's so laden with tropes and short on personality that it's hard to care about the characters.” –
IGN Movies
Dec 16, 2021
Full Review
Don't Look Up (2021)
56%
7/10
EDIT
“A bleak commentary on humanity's failure to address climate change, Don't Look Up eviscerates disaster movie tropes and the institutions that fail to stand up for the greater good of humanity.” –
IGN Movies
Dec 11, 2021
Full Review
Encounter (2021)
54%
5/10
EDIT
“The beautiful images of desolate California and Nevada vistas and powerful performances don't do enough to make up for the bleak and manipulative melodrama.” –
IGN Movies
Dec 2, 2021
Full Review
Finch (2021)
74%
5/10
EDIT
“Excellent visuals and strong performances make moments of Finch shine, but the film's lackluster story never really feels like it justifies its existence.” –
IGN Movies
Nov 4, 2021
Full Review
The Witcher: Nightmare of the Wolf (2021)
100%
60
EDIT
“The Witcher: Nightmare of the Wolf isn't a bad film, but it fundamentally lacks an identity of its own.” –
IGN Movies
Aug 16, 2021
Full Review
America: The Motion Picture (2021)
34%
15
EDIT
“Any goodwill provided by the concept or cast is utterly squandered by a film that packs in endless references without having anything whatsoever to say.” –
Polygon
Jun 30, 2021
Full Review
Justice Society: World War II (2021)
76%
EDIT
“The creators of Justice Society: World War II managed to mess up the simple joy of having superheroes fight Nazis, by lacking anything meaningful to say beyond "The Justice League is a good idea."” –
Polygon
May 4, 2021
Full Review
Proxima (2019)
86%
EDIT
“In Penny Dreadful, Green demonstrated an ability to alternate between seeming preternaturally confident and absolutely tortured, and that contrast is on full display in Proxima.” –
Polygon
Nov 6, 2020
Full Review
Iron Sky: The Coming Race (2019)
29%
EDIT
“The Coming Race might not sell the need for this absurd series to continue, it at least provides a reason to go back and watch the original, and help its creators get the money they need to try to recapture their uniquely bizarre form of movie magic.” –
The Verge
Jul 17, 2019
Full Review
Alita: Battle Angel (2019)
61%
EDIT
“It's a shame that the film doesn't stand on its own, with a story as creative and engaging as its setting.” –
The Verge
Feb 1, 2019
Full Review
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